[{"data":1,"prerenderedAt":31},["ShallowReactive",2],{"subject-can-qi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},12407,"can-qi","残器","残器画高清赏析","精选中国历代残器题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88555e833305a03795cb13c7b0b228b7.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":26,"size":27,"collection":28,"collections":29,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":30},271670,"can-zhuan-yan-yi-ming-271670","残砖砚","汉","佚名","藏地不详","以砖制砚者似乎只用汉砖，这是因为汉砖上多有图案文字，高古淳朴，极具玩赏价值，且砖质细腻，宜于制砚。从唐宋开始的文人墨客，发现用秦砖汉瓦制作的砖砚，非常好用，于是竞相效仿，以至于一砖难求，价格可比金玉，一直到近代吴昌硕大师作画写字多用砖砚研墨，鲁迅先生更是此砚种的使用和爱好者，以至于在北京被周作人夫妇打赶出家门之际，怀抱一砖砚而出，好的砖砚研墨写字作画和石头砚台一样，甚至更加好用，但是古砖稀少，今用之人甚少。",[23,24,25,7],"砚","文房用具","砖质","未知","Xcm*Xcm","",[],"BDBDBD",1777535893114]