[{"data":1,"prerenderedAt":95},["ShallowReactive",2],{"subject-cao-ben-zhi-wu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},753,"cao-ben-zhi-wu","草本植物","草本植物画高清赏析","精选中国历代草本植物题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F207633345d3a93dfb9bee4f5d6c02231.jpg",0,4,[14,42,65,78],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":37,"collection":37,"collections":38,"showCount":39,"zanCount":40,"manualWeight":11,"mainColor":41},214734,"hua-hui-ce-6-yun-shou-ping-214734","花卉册-6","清","恽寿平","私人收藏","恽寿平（1796-1873）是清代著名的画家，他擅长画花鸟，尤其是花卉。他的花卉册是他的代表作之一，包含了他对花卉的描绘和描写。\n\n恽寿平的花卉册以其精细的笔墨和精美的色彩著称，他善于捕捉花卉的细节和美感，并将其再现在画布上。他画的花卉通常都是生动传神，有时也带有一些象征意义。恽寿平还创作了许多花卉图谱，用来介绍各种花卉的特征和用途。\n\n恽寿平的花卉册不仅深受藏家的喜爱，也被认为是清代花卉画的杰出代表作之一。他的作品不仅为后人留下了宝贵的艺术瑰宝，而且也为我们展示了清代花卉画艺术的魅力。",[23,24,25,26,27,28,29,30,31,32,33,7,34],"高清","国画","书画","名画","册","没骨","设色","花鸟","花卉","石头","工笔","水墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa6add9c0b73e67c0dfd0de7e7d098a1.jpg","纸本,设色","",[],1228,5,"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":58,"material":59,"size":60,"collection":37,"collections":61,"showCount":62,"zanCount":63,"manualWeight":11,"mainColor":64},223373,"xie-sheng-cao-chong-tu-yi-ming-223373","写生草虫图","宋","佚名","北京故宫博物院","画面右侧绘野生花草，狗尾、紫菀莛叶穿插。菜粉蝶落在花上吸取花蜜，蜻蜓徐徐低飞，蚱蜢跃跃欲跳，整幅画面充满动感。3只昆虫在画面上的等边三角形构图平衡了丛生的野草所造成的重心偏倚，使画面结构稳定。野草和花叶用花青加汁绿勾填，花用没骨法出之，昆虫兼工带写，形态逼真",[23,26,24,25,33,29,51,30,52,53,54,55,7,56,57],"写生","草虫","蜻蜓","蝴蝶","蚂蚱","花朵","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdf81f5379cd474d1d26ba4e587d518bb.jpg","绢本设色","25.9x26.9",[],25,1,"795548",{"id":66,"slug":67,"title":68,"dynasty":18,"author":69,"museum":70,"description":71,"tags":72,"thumbUrl":74,"material":37,"size":75,"collection":37,"collections":76,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":41},236625,"hua-niao-ce-hua-yan-236625","花鸟册","华嵒","美国弗瑞尔美术馆","华喦（1682-1756），清画家。字秋岳，号新罗山人、东园生、布衣生等，福建上杭人。自幼即喜绘画，尤精花鸟。所作花鸟，多姿多态，生趣盎然，干笔枯墨间以淡彩，寓雅逸于艳丽之中，构图独出心裁，为清代中叶花鸟画之中坚，对后世扬州派、海派花鸟产生莫大影响。",[24,25,27,29,34,30,73,7,57],"飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F06312802578ce589174d3d293fb9797a.jpg","31.2×44.7厘米",[],20,{"id":79,"slug":80,"title":81,"dynasty":82,"author":83,"museum":84,"description":85,"tags":86,"thumbUrl":90,"material":91,"size":37,"collection":37,"collections":92,"showCount":93,"zanCount":11,"manualWeight":11,"mainColor":94},217172,"shui-hu-quan-tu-23-du-jin-217172","水浒全图-23","明","杜堇","藏地不详","杜堇的人物画宗法李公麟，笔法精劲流畅，别具秀逸之态，因此他被推为当时画坛的白描高手。其人物画大都表现古代传说故事或逸闻趣事，并以山水及园林景致为衬景，有的还题诗作赋，显示着一派文入画的格调。",[24,25,27,87,88,89,7],"白描","人物","流水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd114afa35310e3ef2035b79c8fecf88a.jpg","纸本",[],3,"37474F",1777535757155]