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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,24,25,26,7],"漆器","剔犀","雕刻","如意云头纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15358cb3ca7d0b668523a0627bb2670a.jpg","未知","Xcm*Xcm","",[],2,"BDBDBD",{"id":35,"slug":36,"title":37,"dynasty":38,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":44,"material":28,"size":29,"collection":30,"collections":45,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":47},272206,"she-shi-chang-fang-yan-yi-ming-272206","歙石长方砚","清","砚台历经秦汉、魏晋，至唐代起，各地相继发现适合制砚的石料，开始以石为主的砚台制作。其中采用甘肃岷县的洮河石、广东端州的端石、安徽歙州的歙石制作的砚台，被分别称作洮砚、端砚、歙砚。史书将洮、端、歙称作三大名砚。清末，又将河南洛阳的澄泥砚与洮、端、歙，并列为中国四大名砚。也有人主张，以天然砚石雕制的鲁砚中的红丝石砚代替澄泥砚，合称四大名砚。\n谈起砚的种类有许多种，从砚的材质可分为：玉砚、银砚、铜砚、铁砚、陶砚、瓷砚、石砚、漆砚等，其中石砚是最为普遍，也最实用的一种砚。砚台起源于新石器时代。最早的砚是半坡村遗址出土的研磨颜料的研磨器，在1980年，大陆考古学家曾在陕西省临潼县姜寨一处原始社会的遗址中，发现了一套原始人用以陶器彩绘的工具，其中有一方石砚，砚有盖，砚面微凹，凹处并有一根石质磨杵，砚旁留存数块黑色颜料。很显然，这是先民们借助磨杵研磨颜料的早期砚的形制。由于这处遗址归属于母系氏族时期的仰韶文化，故这方砚台的实际寿龄已超过了五千年了。\n清代端石砚要求因材施艺，因石构图，在题材、立意、构图、造型、利用何种雕法都要精心推敲，刻划得当。保持了端砚的古雅、朴实，古色古香、形态自然的特点。如北京故宫收藏的「端石双龙砚」、「猫蝶砚」是端砚中的佳品。",[41,42,43,7],"砚","文房用具","石质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff052687f6c7fed79bacc11231c60e9a.jpg",[],1,"795548",{"id":49,"slug":50,"title":51,"dynasty":38,"author":19,"museum":20,"description":39,"tags":52,"thumbUrl":57,"material":28,"size":29,"collection":30,"collections":58,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":47},271676,"she-shi-chi-wen-bian-shou-zi-chi-chang-fang-yan-yi-ming-271676","歙石螭纹边寿字池长方砚",[41,53,54,55,7,42,25,56],"歙石","螭纹","寿字池","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9225d229986387f7c60f3eaa059412b.jpg",[],{"id":60,"slug":61,"title":62,"dynasty":63,"author":19,"museum":20,"description":64,"tags":65,"thumbUrl":72,"material":28,"size":29,"collection":30,"collections":73,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":74},253367,"tong-liu-jin-chang-fang-xing-kun-men-zao-xiang-zuo-yi-ming-253367","铜鎏金长方形壸门造像座","唐","木底座是属于园艺工艺品一种，就是红木、檀木、花梨木制成的底座，通称为木底座。随着现在人们生活水平的提高和艺术审美的加强，各种工艺品收藏的火爆也让木底座这种搜藏渐渐走入我们的生活中，让我们的生活中每个角落里都有了美丽和艺术的氛围。木底座主要用来摆放工艺品和奇石等。",[66,67,25,68,69,70,56,7,71],"铜制","鎏金","宗教","人物","兽","壸门","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce8dc2448638c7f38e11d694bc3db8da.jpg",[],"37474F",{"id":76,"slug":77,"title":78,"dynasty":18,"author":19,"museum":20,"description":79,"tags":80,"thumbUrl":85,"material":28,"size":29,"collection":30,"collections":86,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":33},246341,"yong-le-kuan-qiang-jin-cai-qi-long-zhu-wen-chang-fang-he-yi-ming-246341","永乐款戗金彩漆龙珠纹长方盒","雕漆,是漆工艺中的一个品种,是中国漆器特有的装饰技法,是在油光漆兑入入漆颜料,数十层乃至上百层地髹涂在用漆封闭处理过的胎骨上,每天只能髹涂二至三道,髹涂下道漆不可等上道漆干透,否则漆层容易缺脱,这样逐层累积到需要的厚度,用刀剔刻出浮雕花纹,表现层次与质地的美感.",[23,81,82,83,84,7],"戗金彩漆","龙","珠纹","明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc24b048722c221559838a357c3c184a0.jpg",[],{"id":88,"slug":89,"title":90,"dynasty":38,"author":19,"museum":20,"description":39,"tags":91,"thumbUrl":95,"material":28,"size":29,"collection":30,"collections":96,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},271911,"duan-shi-hai-shui-wen-chi-chang-fang-yan-yi-ming-271911","端石海水纹池长方砚",[41,42,92,93,94,7],"端石","木质","海水纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62e9827c538d7418c1899919185a8dc7.jpg",[],{"id":98,"slug":99,"title":37,"dynasty":38,"author":19,"museum":20,"description":39,"tags":100,"thumbUrl":102,"material":28,"size":29,"collection":30,"collections":103,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},271673,"she-shi-chang-fang-yan-yi-ming-271673",[41,101,93,53,7],"文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43fafd27744b2c084e247265a51c58a2.jpg",[],{"id":105,"slug":106,"title":107,"dynasty":38,"author":19,"museum":20,"description":39,"tags":108,"thumbUrl":109,"material":28,"size":29,"collection":30,"collections":110,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},271613,"duan-shi-chang-fang-yan-yi-ming-271613","端石长方砚",[56,41,42,92,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9649d2224ff3b2ee23ad2e6f8771625.jpg",[],{"id":112,"slug":113,"title":114,"dynasty":38,"author":19,"museum":20,"description":39,"tags":115,"thumbUrl":117,"material":28,"size":29,"collection":30,"collections":118,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},271592,"duan-shi-kui-feng-wen-bian-chang-fang-yan-yi-ming-271592","端石夔凤纹边长方砚",[41,92,116,25,7,101],"夔凤纹","ht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