[{"data":1,"prerenderedAt":117},["ShallowReactive",2],{"subject-chang-jing-hua":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3526,"chang-jing-hua","场景画","场景画画高清赏析","精选中国历代场景画题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F287adcfa47e3a00be2e87bcf795b7f9b.jpg",0,5,[14,41,71,88,105],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":36,"size":36,"collection":36,"collections":37,"showCount":38,"zanCount":39,"manualWeight":11,"mainColor":40},220548,"chuan-fu-xu-bei-hong-220548","船夫","民国","徐悲鸿","中央美术学院美术馆","漓江烟霭如纱晕染天际，前景丹黄枝叶错落交织，框住扁舟浮生。赤身船夫们筋肉虬结，或匍匐撑篙、或伫立持杆，将劳力的沉实粗粝揉碎在漾漾水波里。蓝衣妇人静坐舱侧，指尖捻着细碎活计，松弛的背影与紧绷的船夫形成鲜明对照，将日常烟火气晕开劳作的艰涩。\n\n画作融水墨晕染与写实工笔于一体，淡墨晕开远山虚影，细笔勾勒出躯干贲张的肌理，把底层劳动者的鲜活力量揉进水乡诗意里。以平实视角定格江面上生计的重量，将烟火日常淬炼成沉凝的生命注脚，笔墨里既有写实筋骨，又带着东方意境的柔婉，苦役里透出质朴生机。",[23,24,25,26,27,28,29,30,31,32,33,34,35,7],"国画","设色","水墨","写实","人物","船","水","树木","枝叶","远山","劳作","秋意","人物画","",[],50,1,"BDBDBD",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":47,"description":48,"tags":49,"thumbUrl":66,"material":67,"size":68,"collection":36,"collections":69,"showCount":70,"zanCount":11,"manualWeight":11,"mainColor":40},223071,"hong-lou-meng-57-sun-wen-223071","红楼梦57","清","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[50,23,51,24,52,27,53,54,30,55,56,7,57,58,59,60,61,62,63,64,65],"高清","工笔","长卷","马","建筑","庭院","衣帽","古代服饰","户外场景","亭台","围墙","松树","古典建筑","群像","鞍马","宅院","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7449b7a68c5da3b640620fef4f209e9.jpg","绢本","纵43.3厘米、横76.5厘米",[],45,{"id":72,"slug":73,"title":74,"dynasty":45,"author":75,"museum":76,"description":77,"tags":78,"thumbUrl":83,"material":84,"size":85,"collection":36,"collections":86,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":40},236152,"leng-mei-yang-zheng-tu-shu-he-ce-zhang-ruo-ai-236152","冷枚养正图书合册","张若霭","北京故宫博物院","此套册页共十开，画面内容皆为历代贤明君主的故事。绘画部分由宫廷画家冷枚绘制，对题由张若蔼书写对应故事情节的文字。两者配合，图文并茂，能够起到以史为鉴、以图育人的教育目的。皇子们观摩此册，意在学习为君之道。\n之后，康熙皇帝带领皇太子（胤礽）、皇长子（胤禔）、皇三子（胤祉）、皇四子（胤禛）、皇五子（胤祺）、皇七子（胤祐）、皇八子（胤禩）一同来到无逸斋，命尹泰、德格勒传谕：「朕宫中从无不读书之子，今诸皇子虽非大有学问之人，所教然已俱能读书。朕非好名之主，故向来太子及诸皇子读书之处未尝有意使人知之，所以外廷容有未晓然者。今特诏诸皇子至前讲诵，汝等试观之。」\n康熙皇帝随即取下十余本经书授予汤斌，让他「信手拈出，令诸皇子诵读」。汤斌随揭经书，皇三子、皇四子、皇七子、皇八子依次进前，各读数篇，纯熟舒徐，声音朗朗。\n康熙皇帝又命皇长子讲「格物致知」一节，皇三子讲《论语》「乡党」首章，皆逐字疏解又能融贯大义。而一向在宫中被皇太后亲自抚养、不谙汉文的皇五子也不逊色，他虽不曾读汉书，但对满文却是精通，康熙皇帝命他当场诵读满文，读的「段落清楚，句句明亮」。\n当时，皇长子十六岁，皇太子十一岁，皇三子十一岁，皇四子十岁，皇五子九岁，皇七子八岁，皇八子七岁，诸皇子的表现无疑是很出色的。但康熙皇帝绝不夸赞，也不允许别人称赞，「诸皇子在宫中从无人敢赞好者，若有人赞好，朕即非之」。",[23,24,51,27,55,30,79,80,54,81,82,7],"栏杆","台榭","园林","古装人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f1662325f2499cb91f3f1ed492f26c7.jpg","绢本设色","纵三二·二厘米 横四二·三厘米",[],8,{"id":89,"slug":90,"title":91,"dynasty":92,"author":93,"museum":94,"description":95,"tags":96,"thumbUrl":101,"material":102,"size":103,"collection":36,"collections":104,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},288891,"giovanni-battista-tiepolo-illustration-for-a-book-reception-of-a-bishop-leading-yi-ming-288891","Giovanni Battista Tiepolo--Illustration for a Book Reception of a Bishop Leading","不详","佚名","藏地不详","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[97,98,27,53,99,100,7],"素描","宗教","西方绘画","书籍插图","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe239fb6efc3caac37aeb36e6f4976e5a.jpg","未知","Xcm*Xcm",[],{"id":106,"slug":107,"title":108,"dynasty":92,"author":93,"museum":94,"description":109,"tags":110,"thumbUrl":115,"material":102,"size":103,"collection":36,"collections":116,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},288574,"attributed-to-francesco-allegrini-unidentified-subject-figures-before-a-palace-or-temple-yi-ming-288574","attributed to Francesco Allegrini--Unidentified Subject Figures before a Palace or Temple","以棕褐淡墨晕染铺陈，利落线条勾勒出古罗马形制的殿宇。挺拔立柱撑起舒展拱券，台阶上人群簇立，似正等候仪式启幕。左侧行人驻足低语，骑手勒马侧目望向内庭，赤膊侍者持盾疾步奔走；右侧骑手纵马飞驰，二楼凭栏看客遥遥观望。\n\n画面虚实相生，淡墨柔化建筑棱角，让肃穆的古典场景晕开鲜活烟火气。每处人物的动态都暗藏叙事张力，将仪式前夕的松弛与躁动细腻铺展，庄重古建与市井情态相融，让古典场景拥有了饱满的叙事氛围感，尽显手绘稿中藏着的细腻创作巧思。",[97,111,27,53,112,113,114,62,7],"西洋画","宫殿","神庙","柱廊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95ff7202e8687f19202f507fadad099e.jpg",[],1777535752455]