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磨损是岁月摩挲的痕迹，印刷标识带着老派广告的复古质感。\n\n这不止是影音藏品，更是京剧黄金年代的鲜活切片，藏着当年戏园里的满堂喝彩，带着旧唱片行的市井余温，把戏台之上的酣唱封存在黑胶纹路之中，让远去的戏韵能随唱针起落，重临耳畔，将梨园盛景定格为可触摸的岁月遗存。",[7,24,41,243],"穆柯寨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36e91a6d22cbea499848c883e888c026.jpg",[],{"id":247,"slug":248,"title":249,"dynasty":18,"author":19,"museum":20,"description":250,"tags":251,"thumbUrl":252,"material":29,"size":30,"collection":31,"collections":253,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":58},274035,"liu-shou-feng-suo-wu-long-chang-pian-yi-ming-274035","刘寿峰《锁五龙》唱片","泛黄封套晕染着旧时光的痕迹，古朴题字环绕中心黑胶，将民国唱片的独特风华娓娓道来。胶木唱片纹路细腻，手写题字带着梨园旧韵，把沉雄浑厚的净角唱腔凝刻其中，让皮黄余韵留存至今。\n整体装帧融合中西元素，下方的外文标识带着老洋行的时代印记，是旧文娱时代的缩影。舞台上的酣畅嘶吼被凝固成可反复聆听的永恒，每一道纹路都藏着老戏迷的热忱，晕开独属于旧时光的温润温度。",[7,41,24,65],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6aa18b756cee8ab28e14ca337669b38f.jpg",[],{"id":255,"slug":256,"title":257,"dynasty":18,"author":19,"museum":20,"description":258,"tags":259,"thumbUrl":261,"material":29,"size":30,"collection":31,"collections":262,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":34},274034,"liu-shou-feng-kong-cheng-ji-chang-pian-yi-ming-274034","刘寿峰《空城计》唱片","封套带着泛黄卷曲的岁月痕迹，古朴隶书环绕着中央的雄鸡徽记，旧派唱片公司的气派扑面而来。胶木唱片烫金铭牌虽已斑驳，却依旧凝住了旧时戏曲风行的余温。它将老生苍劲沉郁的唱腔封存在纹路之中，带着留声机独有的沙沙底噪，复刻当年戏楼里满堂喝彩的余韵，把民国文娱浮生的一角，凝固成可触碰的时光标本，让旧年的戏韵流转至今。",[7,24,41,260,43],"空城计","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9dd9e0eade134beffacb90b9efed946c.jpg",[],{"id":264,"slug":265,"title":266,"dynasty":18,"author":19,"museum":20,"description":267,"tags":268,"thumbUrl":269,"material":29,"size":30,"collection":31,"collections":270,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":58},274033,"wang-xiao-nong-ma-qian-po-shui-chang-pian-yi-ming-274033","汪笑侬《马前泼水》唱片","泛黄牛皮封套晕开旧时光晕，手书墨迹朴拙苍劲，墨痕里藏着戏迷经年摩挲的温度。黑胶唱片纹路蜿蜒，凝住戏韵风流。中西元素在此交织，既有传统书法的雅致意趣，又带着洋行唱片的时代烙印。\n\n封套上题字与印刷标识错落排布，将清末民初戏曲传布的图景凝缩方寸间，刻录着老派伶人的舞台心血，也藏着旧上海滩的戏馆风月。这方旧物是戏曲音像史的鲜活注脚，让百年前的水磨余韵，顺着纹路漾开，重现旧时曲词风华。",[7,24,23,54,199],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F790a12051f55157ea9b3db62416331bc.jpg",[],{"id":272,"slug":273,"title":274,"dynasty":18,"author":19,"museum":20,"description":275,"tags":276,"thumbUrl":278,"material":29,"size":30,"collection":31,"collections":279,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":34},274032,"chen-de-lin-ji-jiang-chang-pian-yi-ming-274032","陈得林《祭江》唱片","泛黄封皮晕开旧时光痕，中央雄鸡昂首是百代唱片经典标识。斑驳唱片纹路里，封存着《祭江》的老派唱腔，陈得林的演绎将戏曲里的悲恸怅惋凝留其中。\n\n封皮下方印制的月历，带着民国生活的烟火气，将文娱日常与实用功能融于一处。这枚老唱片是时代的切片，刻下民国梨园的唱腔余韵，也藏着旧时期唱片行业的鲜活图景，纸间墨色与碟片细纹，皆是岁月摩挲下的珍贵印记，静静诉说着往昔的梨园风华。",[7,24,66,277,200],"鸡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec12b0070a41274edc06f82250004489.jpg",[],{"id":281,"slug":282,"title":274,"dynasty":18,"author":19,"museum":20,"description":283,"tags":284,"thumbUrl":285,"material":29,"size":30,"collection":31,"collections":286,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":58},274031,"chen-de-lin-ji-jiang-chang-pian-yi-ming-274031","封套墨笔题字朴拙苍劲，烫金红公鸡厂标是旧时唱片界的醒目标识，带着旧时光的厚重质感。盘面刻录的老生名段《祭江》，陈得林唱腔沉郁婉转，将孙尚香的悲恸演绎得丝丝入扣。封套下方的年历与厂牌字样，印刻着当年的发行细节，整体裹挟着民国文娱市场的鲜活印记，将梨园余韵与老唱片的收藏价值融为一体，静静诉说着旧时代京剧唱片传播的盛景，是留存至今的声音旧物，藏着半个世纪前的戏台余音。",[7,105,24,78],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F91c0c9e183e7dac12ce49f2da617aac3.jpg",[],{"id":288,"slug":289,"title":240,"dynasty":18,"author":19,"museum":20,"description":290,"tags":291,"thumbUrl":292,"material":29,"size":30,"collection":31,"collections":293,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":34},274029,"liu-shou-feng-lang-de-shan-mu-ke-zhai-chang-pian-yi-ming-274029","泛黄封皮晕开旧时光的痕迹，赭色衬纸搭配遒劲醒目的招牌题字，带着民国唱片行当特有的商业烟火气。胶木唱片盘面的娟秀小字，刻印着梨园名段的演绎者名姓，将《穆柯寨》的京韵唱腔封存在细密纹路中。\n\n它是民国文娱风物的缩影，凝固了戏楼里绕梁的水磨唱腔，让百年前伶人的婉转声腔仿佛仍能顺着纹路悠悠响起，静静留存旧时代的戏梦风华，藏着当年票友们追捧的梨园热望。",[7,24,243,41],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe155029e5fa0ce623e2d4958e7ab6159.jpg",[],{"id":295,"slug":296,"title":297,"dynasty":18,"author":19,"museum":20,"description":298,"tags":299,"thumbUrl":300,"material":29,"size":30,"collection":31,"collections":301,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":34},274026,"lu-yu-shan-zui-jiu-chang-pian-yi-ming-274026","路玉珊《醉酒》唱片","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[7,42,105,24,66],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85e3165c4716a34572b19bfd4d4c6e2f.jpg",[],{"id":303,"slug":304,"title":297,"dynasty":18,"author":19,"museum":20,"description":298,"tags":305,"thumbUrl":307,"material":29,"size":30,"collection":31,"collections":308,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":34},274025,"lu-yu-shan-zui-jiu-chang-pian-yi-ming-274025",[7,24,306,43],"醉酒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffca1394fe231cf76f6a02d81089f8b03.jpg",[],{"id":310,"slug":311,"title":312,"dynasty":18,"author":19,"museum":20,"description":313,"tags":314,"thumbUrl":316,"material":29,"size":30,"collection":31,"collections":317,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":58},274024,"ne-shao-xian-tuo-zhao-peng-bei-chang-pian-yi-ming-274024","讷绍先《托兆碰碑》唱片","这张老唱片封套晕着泛黄的岁月痕迹，百代公司字样环绕盘面，晕开旧时代的文娱风华。盘面刻录着京剧老生经典《托兆碰碑》，留存下讷绍先的唱腔余韵。\n\n封套中西合璧的印刷设计，汉字商号与外文品牌标识相映，复刻着民国时期的审美特质，凝缩着老上海唱片行的旧日风貌。黑色胶木盘面带着时光磨蚀的斑驳，宋体小字镌刻梨园名段信息，承载着老生行当的唱腔张力，将京剧黄金时代的余响封存在这一方唱片之中，带着民国文娱的独特记忆，让旧时光里的梨园腔调得以留存，成为记录戏曲传承的珍贵遗存。",[7,105,54,41,315],"传统曲艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F63fcd3bee4f2706d4e39ba0359b2bf07.jpg",[],{"id":319,"slug":320,"title":321,"dynasty":18,"author":19,"museum":20,"description":322,"tags":323,"thumbUrl":324,"material":29,"size":30,"collection":31,"collections":325,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":34},274023,"ne-shao-xian-hei-feng-pa-chang-pian-yi-ming-274023","讷绍先《黑风帕》唱片","这张封套带着旧时光的温润质感，以对称版式铺陈细节。边框錾刻缠枝纹，衬出端庄气韵，招牌大字居于版面中央，醒目大气。左右分述唱机与唱片的优势，笔力朴拙稳重，将商号的匠心藏于字句之间。中心圆环恰好露出唱片标贴，融展示与广告为一体，兼顾实用与审美，尽显那个年代民族实业的巧思，把商贸诉求揉进中式装帧美学里，带着旧时光里的精致与热忱。",[7,105,42,54],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b5a108589e2318fafe976d914c6efe0.jpg",[],{"id":327,"slug":328,"title":329,"dynasty":18,"author":19,"museum":20,"description":330,"tags":331,"thumbUrl":332,"material":29,"size":30,"collection":31,"collections":333,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":58},274022,"gong-yun-fu-liu-dian-chang-pian-yi-ming-274022","龚云甫《六殿》唱片","泛黄封皮晕开旧时光的底色，手书题字笔力苍朴，与印刷标识交错相融。胶木唱片标签斑驳磨蚀，刻录着梨园旧韵的余痕。纸面褶皱与卷边破损，凝萃着经年流转的岁月印记，将老戏的皮黄唱腔封存在这一方载体之中。\n\n它是旧世文娱传播的鲜活注脚，静默留存着民国戏园的余音，让远去的曲韵以器物之态定格，藏着旧时听曲赏戏的市井烟火气，将近代戏曲的传播过往凝缩在这方寸之间。",[7,24,42,41,65],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F198d852784fcab889f68f7482b90b1dc.jpg",[],{"id":335,"slug":336,"title":337,"dynasty":18,"author":19,"museum":20,"description":338,"tags":339,"thumbUrl":340,"material":29,"size":30,"collection":31,"collections":341,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":58},274021,"yang-xiao-lou-lian-huan-tao-chang-pian-yi-ming-274021","杨小楼《连环套》唱片","灰旧封套上的手书大字朴拙厚重，带着旧时光的温痕。中心胶木唱片的公鸡厂标醒目亮眼，是百代唱片标志性印记。侧边题字清晰点明名角剧目，将杨小楼的舞台风采凝缩在这张老唱片之上。\n\n它藏着民国梨园的余韵，封套纸面的折痕与泛黄的纸色，都在诉说着当年戏迷反复摩挲珍藏的热忱。流转的音纹刻录下《连环套》的唱念做打，仿佛能听见胡弦咿呀与锣鼓铿锵，名伶的唱腔透过岁月传来，是戏曲唱片文化的鲜活注脚，复刻着那个年代里戏楼满堂的喝彩与梨园风华。",[7,41,105,201,54,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F739e4a4536e7b5292b6b6185cafe553f.jpg",[],{"id":343,"slug":344,"title":345,"dynasty":18,"author":19,"museum":20,"description":346,"tags":347,"thumbUrl":349,"material":29,"size":30,"collection":31,"collections":350,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":34},274020,"liu-hong-sheng-yu-bei-ting-chang-pian-yi-ming-274020","刘鸿声《御碑亭》唱片","泛黄糙纸封套裹着旧时光的温度，笔力沉厚的题字墨色凝润，带着老商号的郑重拙朴。胶木唱片的纹路里封藏着老生唱腔的水磨余韵，盘面制式标签规整妥帖，与随性的手写题字相映成趣。\n\n这一方旧物揉着民国市井听曲的烟火气，将梨园泰斗的唱念做打凝在纹路之间，摩挲过岁月的痕迹，静静晕开当年戏园子里的叫好声与胡琴弦歌，让旧日的戏曲风华以实体留存，成为声音与旧时光的具象标本。",[7,41,24,42,348],"封套","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d50af62107afc31887c42fa63c43140.jpg",[],{"id":352,"slug":353,"title":354,"dynasty":18,"author":19,"museum":20,"description":355,"tags":356,"thumbUrl":357,"material":29,"size":30,"collection":31,"collections":358,"showCount":141,"zanCount":11,"manualWeight":11,"mainColor":58},274018,"liu-hong-sheng-qiao-gu-qiu-jin-chang-pian-yi-ming-274018","刘鸿声《敲骨求金》唱片","牛皮封套上手书大字带着旧时光的朴拙温度，胶木唱片上的火鸡厂标醒目鲜明，刻纹间藏着梨园余韵。\n\n它是声音的标本，封套边缘的磨损是时光摩挲过的痕迹，印刷的外文标识藏着东西文化交融的旧影。这枚圆盘将戏台唱腔凝刻，唱针轻落时，便能唤醒往昔戏楼里的水磨余音，把梨园风华封存在纹路之间。泛黄的纸页与胶木的厚重，沉淀着旧时代的声韵记忆，静述着被珍藏的往昔声腔。",[7,41,24,78],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F811144c132f833c46a2e5e1b94aa97c2.jpg",[],{"id":360,"slug":361,"title":362,"dynasty":18,"author":19,"museum":20,"description":363,"tags":364,"thumbUrl":366,"material":29,"size":30,"collection":31,"collections":367,"showCount":141,"zanCount":11,"manualW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