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孙，怡恪亲王奕勋次子。世袭和硕怡亲王爵位，十二家世袭铁帽子王之一，咸丰帝顾命八大臣之首。曾任御前大臣行走，亲受顾命。清文宗咸丰帝即位后，渐受信用，累官左宗正、宗令、领侍卫内大臣。\n咸丰十一年，与爱新觉罗·端华、爱新觉罗·肃顺等八人受顾命为赞襄政务大臣，掌握实权。同年，慈禧太后与恭亲王奕訢发动“祺祥政变”，载垣在北京被捕，赐白绢自尽。年四十六岁。",[23,46,28,26,27,7,63,62,93],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7fa0c1a49c4bdb6d2a89b229ffac0002.jpg",[],{"id":188,"slug":189,"title":190,"dynasty":18,"author":44,"museum":87,"description":191,"tags":192,"thumbUrl":194,"material":96,"size":97,"collection":98,"collections":195,"showCount":169,"zanCount":11,"manualWeight":11,"mainColor":70},288310,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-kang-xi-de-fei-yi-ming-288310","历代帝王贵妃大臣朝服像(康熙德妃)","此作工笔细致，尽显宫廷肖像的端雅仪范。画中女子神色温婉淡然，眉眼敛着深宫妃嫔的沉静自持。玄色朝服暗纹隐现，石青立领衬出礼制规整，浅褐衬里柔化了沉郁色调，旗头钿饰简约雅致，垂落的耳坠更添温婉。椅背披帛织彩柔丽，缠枝暗晕着古韵，雕花椅座工细写实，处处可见创作的严谨功力。整体用色沉稳克制、层次分明，以细腻写实的笔法，将后妃肃穆端雅的气度铺陈开来，带着清代宫廷肖像特有的典正质感。",[23,46,26,27,28,60,193,7],"后妃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd25412dff1884a1ca05a228cf8a801f.jpg",[],{"id":197,"slug":198,"title":199,"dynasty":18,"author":44,"museum":87,"description":200,"tags":201,"thumbUrl":202,"material":96,"size":97,"collection":98,"collections":203,"showCount":204,"zanCount":11,"manualWeight":11,"mainColor":40},288445,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-ming-chen-li-yin-zu-yi-ming-288445","历代帝王贵妃大臣朝服像(名臣李荫祖)","此作工笔精细写实，尽显重臣威仪。画师细摹人物面容，虬髯浓眉，神色沉凝端肃，目光沉稳有神，精准勾勒出勋贵官员的庄重气度。\n\n朝服纹饰繁复精巧，团龙纹细腻工整，晕染层次分明，石青底色配朱红朝珠，色调沉稳华贵，佩饰形制严谨规整，恪守清代官服礼制规范。画作以细腻笔触还原服饰规制细节，将人物的沉稳气场尽显，是清代纪实肖像的典范之作，留存下清代高阶官员的典型仪容风貌。",[23,46,60,26,27,137,138,7,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F917ac0061d733eae74f3d31604564977.jpg",[],7,{"id":206,"slug":207,"title":208,"dynasty":18,"author":44,"museum":87,"description":209,"tags":210,"thumbUrl":212,"material":96,"size":97,"collection":98,"collections":213,"showCount":204,"zanCount":11,"manualWeight":11,"mainColor":40},288437,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-ting-chen-yi-ming-288437","历代帝王贵妃大臣朝服像(廷臣)-","此作为工笔重彩肖像，写实传神，将清代高阶朝臣的威仪尽显无余。\n画家以细腻笔触晕染官员面容，皮肉质感饱满柔和，神态端凝肃穆，自带不怒自威的沉静气场。石青色朝服沉穆厚重，补子、织金暗纹细节一丝不苟，朝珠珠串光泽莹润，腰间绶带绣饰精巧，处处彰显服饰规制的华贵精巧。\n兽足座椅与祥云座褥勾勒细致，烘托出人物尊崇地位。整作色调古雅沉稳，既有纪实画像的严谨规制，又暗含写意传神的精妙，将清代官僚的肃穆仪容刻画入微，是清代肖像画中极具代表性的写实佳品。",[23,46,59,60,27,26,28,211,7,107,62],"廷臣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0ed5d6eb26cac6684824e01e1a06a5f.jpg",[],{"id":215,"slug":216,"title":217,"dynasty":18,"author":44,"museum":87,"description":218,"tags":219,"thumbUrl":220,"material":96,"size":97,"collection":98,"collections":221,"showCount":204,"zanCount":11,"manualWeight":11,"mainColor":40},288319,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-tai-zi-fei-yi-ming-288319","历代帝王贵妃大臣朝服像(太子妃)","此作工笔精妙，人物端然正坐，宝蓝色吉服织就团金龙纹，金彩煌煌，将绸缎柔滑质感晕染入微，华贵不失端庄。面容写实温婉，沉静神态尽显世家尊荣仪范，不见张扬，自有矜重威仪。\n座椅髹漆雕花，衬以织锦披垫，细节处处考究，烘托出人物尊崇身份。整体色调沉雅克制，蓝金对比和谐贵气，以精微写实技法，将贵女的服饰礼制与雍容仪态尽致展现，是肖像画中纪实性与艺术性兼具的上乘之作。",[23,46,26,27,28,62,63,7,137],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fedebdf872ceae97772094cf0d485cced.jpg",[],{"id":223,"slug":224,"title":225,"dynasty":18,"author":44,"museum":87,"description":226,"tags":227,"thumbUrl":230,"material":96,"size":97,"collection":98,"collections":231,"showCount":232,"zanCount":11,"manualWeight":11,"mainColor":70},288438,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-kang-xi-shi-si-zi-yin-ti-yi-ming-288438","历代帝王贵妃大臣朝服像(康熙十四子胤禵)","此作为写实工笔肖像，用笔精细入微。画师以淡墨晕染面部，将人物皮肤的松弛褶皱与霜色须发刻画得丝丝分明，沉稳威严的神态呼之欲出，尽显中年男子的沉凝气度。石青色常服线条劲挺，晕染出织物的厚重质感，暖绒官帽点缀出端庄仪范。蓝底红云坐褥设色浓艳华贵，与素净背景形成冷暖对比，衬得人物沉静内敛。上方题诗与画像呼应，暗合人物端方仁厚的风骨。整作形神兼备，既有宫廷肖像画的严谨工整，又将人物气度与仪容完美融合，是清代肖像画的上乘之作。",[23,46,27,28,26,60,93,7,228,229],"书法","男性肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a502daf27004585523e0ca50abe0f5c.jpg",[],6,{"id":234,"slug":235,"title":236,"dynasty":18,"author":44,"museum":87,"description":237,"tags":238,"thumbUrl":240,"material":96,"size":97,"collection":98,"collections":241,"showCount":232,"zanCount":11,"manualWeight":11,"mainColor":40},288436,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-jian-wei-rui-feng-yi-ming-288436","历代帝王贵妃大臣朝服像(建威锐锋)","此作工笔精细写实，将老者威仪内敛的气度尽数铺展。画师落笔入微，老者苍劲的面容带着世家尊者的沉稳肃穆，褶皱细腻的朝袍晕染厚重华贵，补子纹饰与江崖海水层次分明，朝珠串饰色泽温润写实，细节处处彰显礼制规格。整体构图中正端方，素净背景衬得人物愈发庄重，脚下繁复华丽的地毯纹样，烘托出肃穆的宗族祭祀氛围。画作以形写神，色彩沉厚朴雅，将旧世家的宗法礼制风貌尽显笔底，兼具写实功力与礼制意蕴。",[23,46,60,27,26,28,239,7,32,93],"官员","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c62be9cfeca4ec02b63c653d141fe86.jpg",[],{"id":243,"slug":244,"title":245,"dynasty":18,"author":44,"museum":87,"description":246,"tags":247,"thumbUrl":249,"material":96,"size":97,"collection":98,"collections":250,"showCount":232,"zanCount":11,"manualWeight":11,"mainColor":70},288318,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-xiao-sheng-xian-huang-hou-yi-ming-288318","历代帝王贵妃大臣朝服像(孝圣宪皇后)","此作工笔细腻写实，将主人端庄沉静的仪态尽显无余。画师以精妙笔触晕染面容，神态慈和威严，还原出人物的尊贵气度。朝服纹样繁复华丽，蓝底衬以金线龙纹，腾云驾雾栩栩如生，江崖海水纹饰工整细致，绣法精妙绝伦，尽显皇家服饰的华贵规制。头顶朝冠、项下朝珠搭配严整，珠玉色泽莹润分明，层次饱满丰富。整体设色富丽雅致，构图端方稳重，既恪守宫廷肖像画的严谨范式，又将人物身份尊崇之感烘托到极致，是清代肖像画中兼具纪实性与艺术性的上乘之作。",[23,46,59,60,27,26,28,193,7,63,248],"宫廷肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb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于织锦软垫宝座，神情温和沉静，眉目间带着阅尽世事的从容。石青朝服庄重沉穆，补子纹样精巧华美，朱白相间的朝珠垂坠胸前，领口袖口镶边绣纹细密繁复，尽显礼制规格。画师笔触细腻入微，发丝根根分明，衣料褶皱晕染自然写实，精准呈现服饰肌理质感，将人物温婉肃穆的神态刻画淋漓尽致，恪守清代肖像画纪实法度的同时，于细节中烘托出人物独特气质，尽显宫廷肖像工整雅致之韵。",[23,46,59,26,27,137,93,317,7],"女性人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87184e9eb8431295e72f6700686b2ee4.jpg",[],{"id":321,"slug":322,"title":323,"dynasty":18,"author":44,"museum":87,"description":324,"tags":325,"thumbUrl":328,"material":98,"size":98,"collection":98,"collections":329,"showCount":286,"zanCount":11,"manualWeight":11,"mainColor":70},230318,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-shi-qi-a-ge-yong-lin-yi-ming-230318","历代帝王贵妃大臣朝服像(十七阿哥永璘)","此作工笔精绝，绘就亲贵仪范。宝蓝朝服之上，正龙团纹平金绣制，丝丝细密清晰，十二章纹错落排布，暗合礼制规制，尽显宗室尊荣。朝珠朱润莹亮，顶戴制式严整，细节处处恪守清代仪轨。\n\n人物沉静端坐在髹漆描金王座之上，锦垫纹样华丽繁复，烘托出肃穆华贵的氛围。画师用笔写实细腻，晕染柔和自然，将人物内敛持重的气度刻画入微，设色沉雅庄重，既还原了清代近支亲贵的真实风貌，也是清代肖像画中纪实性与艺术性兼具的佳构。",[23,24,26,326,27,28,7,32,327,31,29],"重彩","座椅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdaba8ea958e0a91e6d01c3784862ae95.jpg",[],{"id":331,"slug":332,"title":333,"dynasty":18,"author":44,"museum":87,"description":334,"tags":335,"thumbUrl":336,"material":98,"size":98,"collection":98,"collections":337,"showCount":338,"zanCount":11,"manualWeight":11,"mainColor":70},230319,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-shi-san-a-ge-yin-xiang-yi-ming-230319","历代帝王贵妃大臣朝服像(十三阿哥胤祥)","此作以月牙取景框圈定人物，雅致别致，将视觉焦点全然落于主人公身上。画师笔底写实传神，精准勾勒出人物端正沉静的面庞，眉宇间自带宗室贵胄的肃穆内敛。\n\n朝服绘制极尽工细，宝蓝底料之上，明黄龙纹矫健灵动，金线晕染出龙身肌理，配色沉稳华贵，云纹补缀其间层次分明。项下朝珠颗颗饱满剔透，垂配严整，细节处见匠心。整体色调古雅庄重，既恪守宫廷肖像的纪实规制，又以细腻笔触尽显人物仪态风骨，是兼具史料价值与艺术美感的肖像佳制。",[23,46,59,60,27,28,7,29,24,26,93],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb732ac61aa34b131692326af1983eb34.jpg",[],3,{"id":340,"slug":341,"title":342,"dynasty":18,"author":44,"museum":87,"description":343,"tags":344,"thumbUrl":345,"material":96,"size":97,"collection":98,"collections":346,"showCount":347,"zanCount":11,"manualWeight":11,"mainColor":70},288255,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-ai-xin-jue-luo-duo-duo-yi-ming-288255","历代帝王贵妃大臣朝服像(爱新觉罗·多铎)","此作尽显开国宗王威仪，人物面容方正虬髯微张，神色沉稳威严，自带杀伐勋贵的沉凝气度。\n朝服刻画极尽工细，胸背正龙狞厉雄健，袍身行龙蜿蜒灵动，海水江崖纹样层叠晕染，金线绣纹在宝蓝底色上华光熠熠，朝珠垂佩规整肃穆，恪守清代宗室朝服礼制。\n画师以精湛工笔设色，写实还原形貌与服饰规制，色彩厚重端雅，细节毫厘毕现，将人物身份尊崇与宫廷仪范庄严融于画面，是清代纪实肖像画的上乘之作。",[23,46,59,60,26,27,28,138,7,29],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cc364d97a0d7bb4952c519da23ef3f5.jpg",[],2,{"id":349,"slug":350,"title":351,"dynasty":18,"author":44,"museum":87,"description":352,"tags":353,"thumbUrl":354,"material":96,"size":97,"collection":98,"collections":355,"showCount":347,"zanCount":11,"manualWeight":11,"mainColor":40},288250,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-shi-wen-ying-yi-ming-288250","历代帝王贵妃大臣朝服像(石文英)","整幅肖像庄重沉凝，官员端坐神态威严厚重，不怒自威。画师以细腻工笔描摹服饰细节，宝蓝朝服之上，彩绣团龙张颌奋爪，云纹缭绕周身，下幅江崖海水纹样精细规整，将吉庆寓意融于经纬之间。明黄朝珠垂坠胸前，与衣色互为映衬，顶戴花翎更显身份尊崇。\n\n画师晕染入微，衣料的挺括质感、豹纹坐垫的绒毛层次都被精准还原。整体设色沉稳雅致，构图规整均衡，尽显清代纪实肖像画的法度与考究，将武官大员的轩昂器宇定格于绢素，纪实性与审美意趣兼备。",[23,46,27,26,28,93,138,7,29,32,60],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e4544906138f06859c8bc51b19e015e.jpg",[],{"id":357,"slug":358,"title":359,"dynasty":18,"author":44,"museum":87,"description":360,"tags":361,"thumbUrl":362,"material":96,"size":97,"collection":98,"collections":363,"showCount":347,"zanCount":11,"manualWeight":11,"mainColor":40},288248,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-mu-jia-tai-fu-ren-yi-ming-288248","历代帝王贵妃大臣朝服像(穆佳太夫人)","此像工致写实，以西洋晕染技法绘就老人神态，面部皴擦细腻，皱纹肌理鲜活自然，褪去匠气的脸谱感，将慈蔼庄重的气度尽显。\n\n服饰细节极尽考究，石青朝服补子彩凤翔于宝相花间，织绣晕色层次分明；莹润珠串垂于胸前，衣缘宝相花、层叠水纹排布规整繁复，尽显诰命尊荣。\n\n素净背景衬出人物主体，髹漆雕花座具与缠枝花卉地毯烘托肃穆雍容的闺阁仪范，是清代肖像画融中西技法，兼具纪实性与装饰性的典型之作。",[23,46,27,26,28,60,7,62,107],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa58186bef4d3fa28f32440cd5e5e9e37.jpg",[],{"id":365,"slug":366,"title":367,"dynasty":18,"author":44,"museum":87,"description":368,"tags":369,"thumbUrl":372,"material":96,"size":97,"collection":98,"collections":373,"showCount":347,"zanCount":11,"manualWeight":11,"mainColor":40},288204,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-gui-fei-yi-ming-288204","历代帝王贵妃大臣朝服像(贵妃)","此作工笔细腻，人物仪态端凝沉静，面容刻画写实温婉，尽显后宫妃主的矜贵气度。石青色吉服袍上，金绣团龙纹规整精美，胸背补饰纹样繁复华丽，搭配层叠珠翠朝珠，将清代宫廷服饰的典制与华贵悉数呈现。兽皮围饰的宝座衬出威严气场，红毯遍饰缠枝花卉与吉庆纹样，铺陈出雍容富丽的宫廷氛围。整体设色沉稳雅致，线条勾勒精细入微，以严谨的写实笔法，将肖像纪实性与宫廷礼制完美结合，是清代女性官方肖像画的上乘之作。",[23,46,59,27,26,60,28,370,7,62,371],"贵妃","牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2ff956f5d9b3f80981bde56a84cac0d.jpg",[],{"id":375,"slug":376,"title":377,"dynasty":18,"author":44,"museum":87,"description":378,"tags":379,"thumbUrl":383,"material":96,"size":97,"collection":98,"collections":384,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":70},269051,"ming-huang-se-duan-xiu-jin-long-chao-pao-yi-ming-269051","明黄色缎绣金龙朝袍","清代皇帝服饰有朝服、吉服、常服、行服等。皇帝的龙袍属于吉服范畴，比朝服、衮服等礼服略次一等，平时较多穿着。穿龙袍时，必须戴吉服冠，束吉服带及挂朝珠。龙袍以明黄色为主也可用金黄杏黄等色。古时称帝王之位，为九五之尊。九、五两数，通常象征着高贵，在皇室建筑、生活器具等方面都有所反映。清朝皇帝的龙袍，据文献记载，也绣有九条龙。从实物来看，前后只有八条龙，与文字记载不符，缺一条龙。有人认为还有一条龙是皇帝本身。其实这条龙客观存在着，只是被绣在衣襟里面，一般不易看到。这样一来，每件龙袍实际即为九龙，而从正面或背面单独看时，所看见的都是五龙，与九五之数正好相吻合。另外，龙袍的下摆，斜向排列着许多弯曲的线条，名谓水脚。水脚之上，还有许多波浪翻滚的水浪，水浪之上，又立有山石宝物，俗称“海水江涯”，它除了表示绵延不断的吉祥含意之外，还有“一统山河”和“万世升平”的寓意。\n皇后常服样式，与满族贵妇服饰基本相似，圆领、大襟，衣领、衣袖及衣襟边缘，都饰有宽花边，只是图案有\n所不同。本图展示的服装纹样为凤穿牡丹。整件服装在鲜艳的蓝色缎地上，绣八只彩凤，彩凤中间，穿插数朵牡丹。牡丹的颜色处理得净穆而素雅，色彩变化惟妙，具有传统的山水画特点。与此相反，凤的颜色比较浓重，红绿对比度极为强烈，具有典型民族风格和时代特色。\n清代官服主要品种为长袍马褂。官帽与前朝截然不同，凡军士、差役以上军政人员都戴似斗笠而小的纬帽，按冬夏季节有暖帽、凉帽之分，还视品级高低安上不同颜色、质料的“顶子”，帽后拖一束孔雀翎。翎称花翎，高级的翎上有“眼”（羽毛上的圆斑），并有单眼、双眼、三眼之别，眼多者为贵，只有亲王或功勋卓著的大臣才被赏戴。皇帝有时还赏穿黄马褂，以示特别恩宠。影响所及，其他颜色的马褂遂在官员士绅中逐渐流行，成为一般的礼服。四、五品以上官员还项挂朝珠，用各种贵重珠宝、香木制成，构成清代官服的又一特点。丝纺绣染及各种手工专业的进步，为清代服饰品种的丰富创造了条件。\n清代男装主要是长袍和马褂，袖端呈马蹄形是历代不曾见过的。长袍造型简练，立领直身，偏大襟，前后衣身有接缝，下摆有两开衩（古时称“缺裤”），四开衩和无开衩几种类型。皇室贵族为便于骑射，着四面开衩长袍，即衣前后中缝和左右两侧均有开衩的式样，平民则着左右两侧开衩或称“一裹圆”的不开衩长袍。在我国文学名著《红楼梦》第九十四回“宴海棠贾母赏花妖”一节中，记述了一段内容“那日宝玉本来穿着”一裹圆的皮袄在家休息，忽听贾母要来，便去换了一件狐腋箭袖，罩了一件玄狐腿外褂。这里说明“一裹圆”，是休闲衣服，不可登大雅之堂，所以贾母的到来，必须换掉便装，改着正式穿戴。满清时期长袍外面的马褂身长不过膝，袖宽且短。衣服上的佩饰比较琐繁，一个金银牌上垂挂着数十件小东西，如耳挖子、镊子、牙签，还有一些古代兵器的小模型，如戟、枪之类，佩挂饰物在清代已经形成风尚。",[62,380,29,157,7,381,382],"刺绣","黄色","织绣工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61a8c90582ca36e81dc2bf8b32a4bd9d.jpg",[],1777535712866]