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"manualWeight":11,"mainColor":125},268904,"qing-yu-chao-zhu-yi-ming-268904","青玉朝珠","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[121,119,7,202,203],"珐琅器","玛瑙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3656eee2f6abfd353c128a4d661ab00f.jpg",[],{"id":207,"slug":208,"title":209,"dynasty":18,"author":71,"museum":47,"description":210,"tags":211,"thumbUrl":212,"material":80,"size":81,"collection":62,"collections":213,"showCount":187,"zanCount":11,"manualWeight":11,"mainColor":125},267309,"bai-yu-chao-zhu-yi-ming-267309","白玉朝珠","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[119,121,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae636a33b07b4224553d0d58acc4ec5d.jpg",[],{"id":215,"slug":216,"title":217,"dynasty":18,"author":71,"museum":47,"description":218,"tags":219,"thumbUrl":221,"material":62,"size":62,"collection":62,"collections":222,"showCount":187,"zanCount":11,"manualWeight":11,"mainColor":66},230321,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-bo-guo-duo-yi-ming-230321","历代帝王贵妃大臣朝服像(博果铎)","此作写实工笔尽显匠心，画中人物面庞方正，虬髯垂胸，神色沉凝威严，自带世家勋贵的端肃威仪。石青朝服上团龙纹绣制精妙，金线勾勒的龙身矫健灵动，云纹晕染细腻萦绕四周，朝珠匀润光洁，与衣上刺绣交相辉映，寸缕之间皆见工艺精湛。人物安坐于锦缎扶手椅中，身下宝相花纹地毯繁复规整，色彩厚重沉稳，烘托出庄重仪礼氛围。整幅画作笔法细腻入微，设色典雅华贵，精准定格了旗人勋贵的雍容气度，是兼具纪实性与艺术性的上乘肖像之作。",[23,24,26,27,28,220,76,164,7,155,32],"肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F200cbdd6adf4e792b40f7ff2550d0101.jpg",[],{"id":224,"slug":225,"title":226,"dynasty":18,"author":71,"museum":47,"description":227,"tags":228,"thumbUrl":230,"material":80,"size":81,"collection":62,"collections":231,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":125},268971,"shan-hu-chao-zhu-yi-ming-268971","珊瑚朝珠","此朝珠以匀净饱满的珊瑚为主串，朱红莹润，色泽沉敛雅致。间以翡翠隔珠晕染清润绿意，青金石饰件点缀幽蓝冷光，色彩错落和谐。佛头配青绿饰件，背云嵌粉碧玺凝光温婉，记捻垂坠的坠角摇曳灵动。\n\n整体规制严整，将天然材质的本真之美与朝服礼制相融，静穆中尽显旧时礼制的庄重华贵，藏着清代宫廷配饰的精工巧思与含蓄内敛的审美意趣。",[119,7,229,121],"珊瑚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F933048b6a7ab18f8b70ee9474ebf714b.jpg",[],{"id":233,"slug":234,"title":129,"dynasty":18,"author":71,"museum":47,"description":235,"tags":236,"thumbUrl":237,"material":80,"size":81,"collection":62,"collections":238,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":125},268917,"qing-jin-shi-chao-zhu-yi-ming-268917","珠身取青金石串就，幽蓝如深海寒星，匀净莹润，自带沉静矜贵的气场。粉碧玺为佛头、结珠与背云，柔润通透，与青金石的冷冽色调相映成趣，撞出雅致格调。暖调珊瑚记捻串联垂下，末端悬起翡翠坠角，翠色莹亮鲜活，冷暖交织层次丰盈。整串制式规整严谨，细节打磨考究，将数种珍宝玉石的天然质感相融，尽显庄重典雅的宫廷审美意趣，是礼制首饰里兼具材质价值与工艺美学的佳品。",[119,121,7,132],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01f79e74b19c6a254ea1efe30cd7a575.jpg",[],{"id":240,"slug":241,"title":242,"dynasty":18,"author":71,"museum":47,"description":243,"tags":244,"thumbUrl":246,"material":80,"size":81,"collection":62,"collections":247,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":125},267304,"bi-xi-chao-zhu-yi-ming-267304","碧玺朝珠","粉碧莹润如胭脂凝露，串作主体，柔色清透。青金石分珠点缀其间，黛蓝撞柔粉，雅致醒目。佛头以青金石衔接明黄绦带，背云取同料碧玺雕作如意形制，浅刻纹路温婉雅致，暗合吉意。\n\n三串附饰以绿玉髓串联，垂挂碧玺坠角，错落灵动，与主珠柔色相映。整组将宝石天然莹润色泽融入礼制规制，柔丽配色不失庄重端雅，尽显精工巧思，华贵间带着温婉秀雅的气度。",[119,7,245,121],"碧玺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd702ffba6252f4159e3c2fc58a4dbc8f.jpg",[],{"id":249,"slug":250,"title":251,"dynasty":18,"author":71,"museum":47,"description":252,"tags":253,"thumbUrl":258,"material":80,"size":81,"collection":62,"collections":259,"showCount":65,"zanCount":11,"manualWeight":11,"mainColor":125},267303,"diao-he-shi-ba-luo-han-chao-zhu-yi-ming-267303","雕核十八罗汉朝珠","颗颗雕核罗汉珠质朴古拙，将禅意凝于寸核之间，肌理纹路尽显手工温度。浓艳珊瑚配珠似丹砂落串，与深褐核珠冷暖相衬，撞色醒目亮眼。青金石背云与佛头雕纹精妙内敛，素绦串联起全套饰件，垂坠的记捻小巧规整，累丝镶饰的坠角雅致华贵。整器选材考究，搭配和谐，将文玩意趣与礼制庄重相融，带着旧时造物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