[{"data":1,"prerenderedAt":76},["ShallowReactive",2],{"subject-chen-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2446,"chen-jing","沉静","沉静画高清赏析","精选中国历代沉静题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ff16727b0aeda55dbc65473d3faea65.jpg",0,4,[14,36,52,66],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},225772,"la-berceuse-portrait-of-madame-roulin-december-january-fan-gao-225772","La berceuse (Portrait of Madame Roulin) (December - January )","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,28,29,7],"油画","后印象派","人物画","肖像画","女性","花卉","室内","未知","Xcm*Xcm","油画精选",[32],9,"37474F",{"id":37,"slug":38,"title":39,"dynasty":18,"author":40,"museum":20,"description":41,"tags":42,"thumbUrl":47,"material":30,"size":31,"collection":48,"collections":49,"showCount":50,"zanCount":11,"manualWeight":11,"mainColor":51},289043,"le-on-ge-rard-leonardo-da-vinci-drawing-for-christ-yi-ming-289043","Léon Gérard--Leonardo da Vinci, Drawing for Christ","佚名","眼睑低垂，眉峰轻蹙，沉静的神情里裹挟着悲悯与苦痛，将基督受难前的恸意凝在斑驳的墙面之上。朦胧晕开的发肤与风化粗粝的肌理相融，仿佛形象从岁月侵蚀的壁面中缓缓浮现。\n粗粝的笔触带着未完成的朴拙，模糊了创作痕迹与时光磨蚀的边界，把神性的庄重揉进人性的柔软里，让沉静的面容自带沉郁肃穆的张力。每一处斑驳裂痕都像是为这份虔诚刻下的注脚，让悲悯的神情在岁月晕染中更显厚重。",[43,44,45,46,7],"宗教","人物","基督","素描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6937318e7086d0a4db107651d18e5fd7.jpg","",[],1,"795548",{"id":53,"slug":54,"title":55,"dynasty":18,"author":56,"museum":20,"description":57,"tags":58,"thumbUrl":64,"material":30,"size":31,"collection":48,"collections":65,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},231257,"su-miao-511-xi-fang-231257","素描511","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[46,59,60,61,62,7,63],"人体","男性","炭笔素描","写实","单色画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe93f63e455f266cbf2c45bdc2624b466.jpg",[],{"id":67,"slug":68,"title":69,"dynasty":18,"author":56,"museum":20,"description":57,"tags":70,"thumbUrl":73,"material":30,"size":31,"collection":48,"collections":74,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":75},231230,"su-miao-484-xi-fang-231230","素描484",[46,71,72,62,7],"人物肖像","单色绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c1f4da9c8e702d07e9405e17f71a978.jpg",[],"BDBDBD",1777535761407]