[{"data":1,"prerenderedAt":79},["ShallowReactive",2],{"subject-chen-zi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2681,"chen-zi","臣子","臣子画高清赏析","精选中国历代臣子题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9a77014172487b0455a482217a1bce8.jpg",0,3,[14,39,59],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},214903,"di-wang-dao-tong-wan-nian-tu-ce-8-chou-ying-214903","帝王道统万年图册-8","明","仇英","台北故宫博物院","绘伏羲、神农、黄帝、少昊、舜、后稷、大禹、夏启、商汤、商高宗武丁、周文王、周武王、周成王、汉高祖、汉文帝、汉武帝、汉明帝、宋孝宗、宋太祖、宋仁宗等",[23,24,25,26,27,28,29,30,31,32,7],"高清","国画","名画","册","工笔","设色","人物","历史画","宫廷","帝王","绢本,设色","32.5*32.6","",[],5,"BDBDBD",{"id":40,"slug":41,"title":42,"dynasty":18,"author":19,"museum":20,"description":21,"tags":43,"thumbUrl":56,"material":33,"size":34,"collection":35,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":38},214897,"di-wang-dao-tong-wan-nian-tu-ce-14-chou-ying-214897","帝王道统万年图册-14",[23,24,44,26,27,28,29,45,46,47,32,7,48,49,50,51,52,53,54,55],"书画","楼阁","界画","衣冠","宫殿","建筑","工笔重彩","人物群像","古代服饰","宫廷场景","建筑勾勒","细致设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2035c0632f4d49ea81b219dfd5ea5fce.jpg",[],4,{"id":60,"slug":61,"title":62,"dynasty":63,"author":64,"museum":65,"description":66,"tags":67,"thumbUrl":74,"material":75,"size":76,"collection":35,"collections":77,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":38},238545,"chen-shu-hua-li-dai-di-wang-dao-tong-tu-qian-chen-qun-shu-zan-he-ce-chen-shu-238545","陈书画历代帝王道统图钱陈群书赞合册","清","陈书","藏地不详","陈书（1660～1736）字南楼，号上元弟子，晚号南楼老人，秀水（今浙江嘉兴）人，适海监钱纶光，善画花鸟虫草，家贫，卖画自给，教子甚严。以长子钱陈群诰封太淑人。\n陈书擅长人物、山水、花卉，书法也秀丽遒劲，诗文颇为精通。她成年后嫁于钱纶光为妻，钱氏为嘉兴望族，惜乎她的丈夫很早就离开了人间。她只能勤俭持家，夜来纺纱织布，苦度岁月，对于子女的教育从不放松，教子读经吟诗至深夜。其子钱陈群在她的精心培育下，在清康熙六十年中了进士，进入朝廷担任侍读学士等官职。陈书教子成名，自己画了一幅“夜纺授经图”，此图描绘夜深人静一边纺纱，一边教子读经，神态毕俱。这幅面得皇帝的赞赏，并题诗二首在画上，当时乾隆皇帝带头题诗称道这幅画，那些高官名人也纷纷题诗歌颂之。这幅令人瞩目的“夜纺授经图”，后来刻在石上，嵌在嘉兴中山路钱氏故居壁间，笔者曾见其拓本，原作是否存在，已不得而知。但其刻石仍保存在钱氏后裔手中。因在扩展中山路时有人看到其石刻完好地嵌在墙间，现钱氏故居已拆除，其旧址即现在中国银行嘉兴支行这块地基上。\n陈书在书画方面的造诣很高，笔墨娴雅，结构严谨。当时书画家评论她画的人物称得上逸品，画的山水、花卉称为神品，可见对她的评价相当高。陈书的子孙受她的影响也能书画，在笔墨技法上很像她，可以说一门数代继承家风。她的作品曾为清代皇室珍藏，流传民间也不少。嘉兴博物馆藏有她的花卉真迹，笔者在杭州、苏州、扬州等地也看到过她的作品。她的诗为人们所重视，《复庵吟稿》收集了她诗作的精华，流传至今。",[24,44,26,28,27,29,68,69,70,45,71,72,32,7,73],"行书","书法","印章","台阶","栏杆","平民","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69cc6fd0b4f42c884fbe86cc1b1ee9ac.jpg","未知","Xcm*Xcm",[],2,1777535773256]