[{"data":1,"prerenderedAt":232},["ShallowReactive",2],{"subject-cheng-bao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2967,"cheng-bao","城堡","城堡画高清赏析","精选中国历代城堡题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6055a9be5f6a483a0094d7795aaefb8f.jpg",0,12,[14,45,70,86,111,123,141,158,170,184,203,216],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":37,"material":38,"size":39,"collection":40,"collections":41,"showCount":42,"zanCount":43,"manualWeight":11,"mainColor":44},225895,"antibes-afternoon-effect-1888-mo-nai-225895","Antibes, Afternoon Effect, 1888","不详","莫奈","藏地不详","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[23,24,25,26,27,28,29,30,31,7,32,33,34,35,36],"印象派","油画","光影","色彩明快","笔触细碎","海面","远山","雪山","建筑群","船只","天空","云朵","岩石","午后","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa941d4cf8ef5e9c54d2075b9540d6dd3.jpg","未知","Xcm*Xcm","油画精选",[40],167,1,"BDBDBD",{"id":46,"slug":47,"title":48,"dynasty":18,"author":49,"museum":20,"description":50,"tags":51,"thumbUrl":66,"material":38,"size":39,"collection":40,"collections":67,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":69},225700,"sha-mo-zhong-de-sheng-fang-ji-ge-qiao-fan-ni-bei-li-ni-225700","沙漠中的圣方济各","乔凡尼·贝利尼","乔凡尼·贝利尼，（Giovanni Bellini， 1430—1516）意大利威尼斯画派画家。代表作品有《在花园里苦恼》，《小树与圣母像》，《诸神之宴》等。",[24,52,53,54,55,35,56,57,58,33,59,60,61,29,62,63,64,65,7],"宗教","写实","设色","人物","树木","建筑","牛","洞穴","围栏","草地","峭壁","枯木","绿植","村庄","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26cc60d2e59375840eec3fddb295d915.jpg",[40],67,"795548",{"id":71,"slug":72,"title":73,"dynasty":18,"author":74,"museum":20,"description":75,"tags":76,"thumbUrl":82,"material":38,"size":39,"collection":83,"collections":84,"showCount":85,"zanCount":11,"manualWeight":11,"mainColor":44},230646,"you-hua-titian-landscape-with-st-theodore-overcoming-the-dragon-google-art-project-ti-xiang-230646","油画-Titian---Landscape-with-St.-Theodore-Overcoming-the-Dragon---Google-Art-Project","提香","提香·韦切利奥，又译提齐安诺·维伽略（ Tiziano Vecelli或Tiziano Vecellio，约 1488\u002F1490年 – 1576年8月27日 ），英语系国家常称呼为提香（Titian），他是意大利文艺复兴后期威尼斯画派的代表画家。\n提香出生于意大利东北部阿尔卑斯山地区的卡多列。10岁时随兄长到威尼斯，在乔凡尼·贝利尼的画室学画，与画家乔尔乔内是同学。\n在提香所处的时代，他被称为“群星中的太阳”，是意大利最有才能的画家之一，兼工肖像、风景及神话、宗教主题绘画。他对色彩的运用不仅影响了文艺复兴时代的意大利画家，更对西方艺术产生了深远的影响",[24,77,52,55,78,79,80,7,56,34,35,81],"素描","龙","兽","山水","风景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7cb8dcd1c64b95edbfe31e5fad71dc4.jpg","",[],16,{"id":87,"slug":88,"title":89,"dynasty":90,"author":91,"museum":20,"description":92,"tags":93,"thumbUrl":107,"material":108,"size":83,"collection":83,"collections":109,"showCount":110,"zanCount":11,"manualWeight":11,"mainColor":44},216842,"zhan-zheng-tong-ban-hua-6-lang-shi-ning-216842","战争铜版画-6","清","郎世宁","这一系列铜质战争版画是由清朝乾隆皇帝旨令制作的，描绘了他在位期间在内陆省份和边疆的军事行动场景。这些版画主要由当时在宫廷服务的欧洲传教士绘制，如郎世宁、王志成、艾启蒙和安德烈。柏林国家图书馆的东亚部分拥有五个系列的64幅版画。",[94,53,95,96,97,98,99,100,56,7,101,102,57,103,104,105,106],"铜版画","战争场景","士兵","战马","帐篷","营地","山峦","旗帜","人群","田野","队列","营帐","战场","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F077b9e9d01ac61cce9d171c5922ad00c.jpg","水墨",[],8,{"id":112,"slug":113,"title":114,"dynasty":90,"author":91,"museum":20,"description":92,"tags":115,"thumbUrl":120,"material":108,"size":83,"collection":83,"collections":121,"showCount":122,"zanCount":11,"manualWeight":11,"mainColor":44},216818,"zhan-zheng-tong-ban-hua-26-lang-shi-ning-216818","战争铜版画-26",[94,116,53,117,95,100,7,118,96,119,56,57,106],"中西合璧","线刻","防御工事","云雾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1c195a3d473ba74b85895cba0a65460.jpg",[],3,{"id":124,"slug":125,"title":126,"dynasty":18,"author":127,"museum":20,"description":128,"tags":129,"thumbUrl":138,"material":38,"size":39,"collection":83,"collections":139,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":44},289497,"bernard-van-orley-otto-count-of-nassau-and-his-wife-adelheid-van-vianen-yi-ming-289497","Bernard van Orley--Otto, Count of Nassau and his Wife Adelheid van Vianen","佚名","这幅作品以柔润水彩结合精细素描，定格了贵族夫妇隔场相望的瞬间。左侧骑士甲胄锃亮，披风猎猎垂落，胯下骏马昂首抬蹄，尽显勇武飒爽；右侧夫人衣袂舒展华贵，骑姿端庄温婉，与丈夫遥遥对视间流淌着克制的柔情。\n\n画面两侧的家族纹章晕染出典雅的贵族氛围感，远景朦胧的乡野村落铺陈出静谧底色，将贵族风雅与世俗温情相融，细腻笔触复刻出文艺复兴时期尼德兰上层社会的婚恋意趣与体面风骨。",[55,130,131,132,7,133,134,135,136,137],"马","贵族夫妇","田园风景","淡彩","线描","西洋画","古典服饰","户外场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc87079ba57f02bf200522a8c9739a374.jpg",[],2,{"id":142,"slug":143,"title":144,"dynasty":18,"author":145,"museum":20,"description":146,"tags":147,"thumbUrl":156,"material":38,"size":39,"collection":83,"collections":157,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":44},232541,"mi-lai-si-85-yue-han-ai-fu-li-te-mi-lai-si-232541","米莱斯85","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[148,24,149,7,150,151,152,153,154,155],"名画","雪景","枯树","飞鸟","黄昏","冬日","郊野","萧瑟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa18be764439c984fd5a481fb6ad8dc72.jpg",[],{"id":159,"slug":160,"title":161,"dynasty":18,"author":127,"museum":20,"description":162,"tags":163,"thumbUrl":168,"material":38,"size":39,"collection":83,"collections":169,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},289073,"joseph-vernet-the-castel-nuovo-in-naples-yi-ming-289073","Joseph Vernet--The Castel Nuovo in Naples","以浅淡棕调铺陈画面，速写式的笔触勾勒出古堡砖石楼宇与圆塔，肌理褶皱间晕开岁月的沉厚斑驳。远景山峦朦胧舒展，一缕轻烟缠上山尖，柔化了天地边界。\n\n画作没有繁复修饰，用克制精准的线条捕捉建筑的敦实轮廓，以晕染的淡彩晕开远山的朦胧诗意。冷硬石质古迹与柔缓山景相映，将城郭的沉静日常定格，仿佛能触摸到暖晒后的砖石温度，呼吸到裹挟着山风的慵懒气息，把刹那的风景凝固成带着烟火余温的视觉诗行。",[77,133,164,7,165,166,29,167],"风景画","塔楼","火山","建筑画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87a2d28d726504243d8490cddbff5d12.jpg",[],{"id":171,"slug":172,"title":173,"dynasty":18,"author":127,"museum":20,"description":174,"tags":175,"thumbUrl":182,"material":38,"size":39,"collection":83,"collections":183,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},288739,"sebald-beham-the-return-of-the-prodigal-son-yi-ming-288739","Sebald Beham--The Return of the Prodigal Son","跪伏的浪子攥紧父亲手腕，佝偻的脊背载满愧悔，老父倾身将掌心覆在他肩头，疼惜与释然融在微佝的身形里。旁侧乡邻或驻足侧目，或持衣静立，廊下雇工仍俯身劳作，将团圆的温热揉进日常庸常里。\n\n远景田垄里扶犁农人缓行，堡寨静立在晕开的淡墨天光中。粗粝朴拙的线条勾勒出乡野烟火，没有刻意渲染悲喜，只靠肢体拉扯与神态微末，把久别重逢的动容藏在平实乡风里，让救赎的主题随墨色缓缓铺陈，将古典叙事晕染成触手可及的俗世温情。",[176,177,178,179,7,56,180,181],"宗教题材","人物画","白描","浪子回头","农田","劳作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a908132d9664c4fe321ad63cc1e05a3.jpg",[],{"id":185,"slug":186,"title":187,"dynasty":18,"author":188,"museum":20,"description":189,"tags":190,"thumbUrl":201,"material":38,"size":39,"collection":83,"collections":202,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},232425,"he-er-bai-yin-84-he-er-bai-yin-232425","荷尔拜因84","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[52,191,178,53,55,192,7,193,194,195,196,197,165,198,199,200],"界画","楼阁","拱门","台阶","街道","动物","庭院","栏杆","墙壁","柱子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdcf593b43034d1ee032c98776d862784.jpg",[],{"id":204,"slug":205,"title":206,"dynasty":18,"author":207,"museum":20,"description":208,"tags":209,"thumbUrl":214,"material":38,"size":39,"collection":83,"collections":215,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":69},232331,"a-er-ma-58-lao-lun-si-a-er-ma-ta-de-ma-232331","阿尔玛58","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[24,55,210,211,130,7,212,213],"骑士","贵妇","蔷薇","古典风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc37f55d42866d5a25ed5c9a4575d8739.jpg",[],{"id":217,"slug":218,"title":219,"dynasty":220,"author":127,"museum":20,"description":221,"tags":222,"thumbUrl":10,"material":230,"size":83,"collection":83,"collections":231,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},216514,"xuan-da-shan-xi-san-zhen-tu-127-yi-ming-216514","宣大山西三镇图-127","明","明万历三十一年秘阁本",[223,224,54,225,226,80,227,151,7,228,229],"高清","国画","工笔","青绿","古道","道路","山脉","绢本,设色",[],1777535729715]