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舒展，贴合研墨实用肌理，器型无多余雕饰，暗合文人素雅极简的审美意趣，将文房清供的内敛平和诠释尽致。一方小砚承托案头清趣，藏着旧时文人心底的沉静意韵，把日常研墨的寻常事，晕染成浸透岁月的文房雅味。",[23,7,39,101],"木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2bfc826f4238d3bb4b5adcaade21502.jpg",[],{"id":105,"slug":106,"title":70,"dynasty":36,"author":19,"museum":20,"description":37,"tags":107,"thumbUrl":108,"material":26,"size":27,"collection":28,"collections":109,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},272228,"cheng-ni-tao-shi-yan-yi-ming-272228",[23,39,7,72],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ed4829b59ae4016a4c00ab122a9f826.jpg",[],{"id":111,"slug":112,"title":113,"dynasty":36,"author":19,"museum":20,"description":37,"tags":114,"thumbUrl":116,"material":26,"size":27,"collection":28,"collections":117,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},272148,"cheng-ni-wa-shi-yan-yi-ming-272148","澄泥瓦式砚",[23,39,7,115],"瓦式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbee05205d703cdcbbd819e9c5340b1d.jpg",[],{"id":119,"slug":120,"title":121,"dynasty":60,"author":19,"museum":20,"description":122,"tags":123,"thumbUrl":125,"material":26,"size":27,"collection":28,"collections":126,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},272093,"cheng-ni-ju-shi-yan-yi-ming-272093","澄泥橘式砚","取橘为形，浑朴雅致，以澄泥摹写果实质感，肌理仿似橘皮的粗糙褶皱，带着自然天成的朴拙意趣。边缘捏塑出果蒂与瓣状褶皱，写实生动，将寻常乡野果物化作文房清玩，把日常意趣融进案头雅事。没有繁复的纹饰雕镂，将造物巧思藏于平实造型中，暗合把烟火意趣融入雅致生活的审美底色。方寸之间，把俗世清味凝为文房闲趣，尽显文房器物的温润韵致，藏着慢煮日常的诗意哲思。",[23,39,7,63,124],"器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F555d0a13c0772d6d4b95c72062c5d986.jpg",[],{"id":128,"slug":129,"title":130,"dynasty":36,"author":19,"museum":20,"description":37,"tags":131,"thumbUrl":133,"material":26,"size":27,"collection":28,"collections":134,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":31},271993,"cheng-ni-ba-leng-yan-yi-ming-271993","澄泥八棱砚",[23,39,7,132],"八棱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe3477e1b3e990eca644f7351594d8153.jpg",[],{"id":136,"slug":137,"title":138,"dynasty":36,"author":19,"museum":20,"description":139,"tags":140,"thumbUrl":142,"material":26,"size":27,"collection":28,"collections":143,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},271939,"yu-ming-cheng-ni-fang-song-yu-tu-chao-yuan-yan-yi-ming-271939","御铭澄泥仿宋玉兔朝元砚","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[23,7,141,39],"兔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaff990453462bffe87f59263bb93600.jpg",[],{"id":145,"slug":146,"title":147,"dynasty":36,"author":19,"museum":20,"description":37,"tags":148,"thumbUrl":150,"material":26,"size":27,"collection":28,"collections":151,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},271599,"cheng-ni-diao-gua-chang-fang-yan-yi-ming-271599","澄泥雕瓜长方砚",[23,7,63,149,39],"瓜纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e186b623bf17c297a78ff148233e5d3.jpg",[],{"id":153,"slug":154,"title":155,"dynasty":49,"author":19,"museum":20,"description":156,"tags":157,"thumbUrl":159,"material":26,"size":27,"collection":28,"collections":160,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":31},271528,"cheng-ni-wo-shou-shi-yan-yi-ming-271528","澄泥卧兽式砚","此砚取卧兽为形，浑朴古雅，将文房实用与审美意趣融于一身。兽身蜷伏憨拙，以阴刻线条勾勒鬃毛肌理，翻卷灵动，既留存瑞兽的威仪，又化身为研墨佳器。\n\n砚堂晕开一圈暖棕包浆，是岁月研磨沉淀下的痕迹，凝着旧时案头的笔墨余韵。兽首旁顺势设小水盂，与器身浑然一体，添取水随手续便，尽显匠人巧思。澄泥质地细腻温润，入手敦实厚重，褪去石雕生硬，于质朴间藏着雅致。它不饰浮华，以素雅古拙之态，静静叙说着旧时文房的笔墨日常。",[23,7,158,63,124],"卧兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F64ad9915d491a2cfa55fc7e4f47d9da9.jpg",[],{"id":162,"slug":163,"title":164,"dynasty":36,"author":19,"museum":20,"description":37,"tags":165,"thumbUrl":167,"material":26,"size":27,"collection":28,"collections":168,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},271470,"cheng-ni-diao-niu-yan-yi-ming-271470","澄泥雕牛砚",[23,7,63,166,124,39],"牛","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b8d3b1cfce2e70b6acfd5cb303c12bb.jpg",[],{"id":170,"slug":171,"title":172,"dynasty":49,"author":19,"museum":20,"description":173,"tags":174,"thumbUrl":177,"material":26,"size":27,"collection":28,"collections":178,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":75},271291,"cheng-ni-diao-yun-long-bian-yan-yi-ming-271291","澄泥雕云龙边砚","此砚澄泥为材，质地温润沉静。随形以云龙环护砚池，云纹舒卷灵动，盘绕间与龙身浑然相融，龙首隐于一侧，威严古朴又不失灵动意趣。刀工朴拙老辣，于起伏间勾勒出云雾缥缈与龙形遒劲，将研墨实用与雕刻意趣精妙结合。\n\n整体造型浑然天成，无刻意雕琢的匠气，包浆厚重莹润，带着岁月浸润的沉静质感，既是堪用的文房重器，亦是案头可赏的清供佳物，尽显古雅沉静的文人雅韵，将制砚的匠心与文房审美尽致展现。",[23,63,175,7,176],"龙","文房器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb20d4834f3961e38ecb30cc77d2e0b42.jpg",[],{"id":180,"slug":181,"title":182,"dynasty":36,"author":19,"museum":20,"description":37,"tags":183,"thumbUrl":185,"material":26,"size":27,"collection":28,"collections":186,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":31},271219,"cheng-ni-gu-wen-chi-yan-yi-ming-271219","澄泥觚纹池砚",[23,39,7,63,184],"觚纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0163a875af4d23fe6c4f6be92a2cffdb.jpg",[],{"id":188,"slug":189,"title":190,"dynasty":49,"author":19,"museum":20,"description":191,"tags":192,"thumbUrl":194,"material":26,"size":27,"collection":28,"collections":195,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},271195,"cheng-ni-mu-niu-yan-yi-ming-271195","澄泥牧牛砚","取卧牛为形，憨态浑然，牛背平阔处开作砚堂，俏色留存的橘色澄泥如暖阳落于春泥，星点斑驳晕开温柔暖意，与黝黑牛身形成鲜明冷暖对照，醒目雅致。\n\n牧牛童子伏于牛脊，眉眼灵动带笑，偷闲依偎的模样，晕开悠悠田园意趣。整器刀工敛而不露，圆融温润，将文房雅具与乡野闲情揉为一体，褪去匠气，化作山野日常的缩影，研墨摩挲间，可触旧时文人寄情林泉的隐逸襟怀。",[23,124,63,166,193,7,24],"人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F239d82e50ca9b5ba38b02e02a2218c6c.jpg",[],{"id":197,"slug":198,"title":199,"dynasty":36,"author":19,"museum":20,"description":37,"tags":200,"thumbUrl":201,"material":26,"size":27,"collection":28,"collections":202,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},271147,"cheng-ni-e-shi-yan-yi-ming-271147","澄泥鹅式砚",[23,7,64,63,39],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc8790d22bc6c0b4af0824ea353dc5fcc.jpg",[],{"id":204,"slug":205,"title":206,"dynasty":36,"author":19,"museum":20,"description":37,"tags":207,"thumbUrl":210,"material":26,"size":27,"collection":28,"collections":211,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":75},270881,"cheng-ni-yan-tao-shi-yan-yi-ming-270881","澄泥砚-桃式砚",[23,7,72,63,208,209],"文房器","桃叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e0d62a40982f66f4fe4887aaa1f9417.jpg",[],{"id":213,"slug":214,"title":206,"dynasty":36,"author":19,"museum":20,"description":37,"tags":215,"thumbUrl":217,"material":26,"size":27,"collection":28,"collections":218,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},270879,"cheng-ni-yan-tao-shi-yan-yi-ming-270879",[23,7,63,216,208],"桃形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc62f7e3a3de76149b7726acf8992152b.jpg",[],{"id":220,"slug":221,"title":206,"d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