[{"data":1,"prerenderedAt":182},["ShallowReactive",2],{"subject-cheng-ren":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},591,"cheng-ren","成人","成人画高清赏析","精选中国历代成人题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff34ec818af9b729d2df0755de99de911.jpg",0,8,[14,46,77,94,117,134,156,170],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":39,"material":40,"size":41,"collection":42,"collections":43,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":45},225746,"first-steps-after-millet1890-fan-gao-225746","First Steps, after Millet1890","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,28,29,7,30,31,32,33,34,35,36,37,38],"后印象派","油画","临摹","笔触奔放","色彩明快","人物","儿童","庭院","开花树木","晾衣绳","白布","木栅栏","手推车","农具","小鸟","草地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e831cbbc2dbd8b2062721b5f7278c73.jpg","未知","Xcm*Xcm","油画精选",[42],25,"795548",{"id":47,"slug":48,"title":49,"dynasty":50,"author":51,"museum":52,"description":53,"tags":54,"thumbUrl":71,"material":72,"size":73,"collection":74,"collections":75,"showCount":76,"zanCount":11,"manualWeight":11,"mainColor":45},232804,"xi-luan-cong-xiao-tu-juan-yi-ming-232804","溪峦丛笑图卷","元","佚名","芝加哥艺术博物馆","以全景长卷铺展乡野嬉游盛景，浅溪漾波晕开两岸烟火。左畔村姑骑牛安坐，身侧稚童相随嬉闹；溪水中赤身孩童或逐犬泅水，或呼伴作乐，村人潮间呼喝相和，憨态尽显。右岸坡上乡老士人驻足笑望，眉眼舒展满是欣然。\n\n画师以淡墨晕染溪山底色，铁线白描勾勒身形，将众生欢悦鲜活尽数铺陈，无庙堂端肃，唯存乡野间的自在热络，将村野里乐天肆意的日常意趣定格绢素，尽显民间生活的淳朴真淳。",[55,56,57,58,59,60,28,61,7,62,63,64,65,66,67,68,69,70],"高清","国画","长卷","设色","水墨","工笔","孩童","牛","流水","树木","岩石","溪岸","水域","嬉戏","岸边","水中活动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F62ae0bc4fce28f14af3c4a14d32f99bc.jpg","纸本","29x130cm","",[],13,{"id":78,"slug":79,"title":80,"dynasty":50,"author":51,"museum":81,"description":82,"tags":83,"thumbUrl":90,"material":74,"size":91,"collection":74,"collections":92,"showCount":93,"zanCount":11,"manualWeight":11,"mainColor":45},223587,"hua-si-xiao-tu-juan-yi-ming-223587","画四孝图卷","台北故宫博物院","「四孝图」描绘故事四则，以图文相间的方式表达。第一则述王武子之妻割股作羹汤，治癒婆母寒疾；第二则述三国陆绩因其母好食橘，乃於进謁袁术席间，怀橘以奉母；第三则述晋王祥為母病中思食鲤鱼於冬月，而至江上卧冰求鲤；第四则述后汉曹娥之父溺毙江中不得尸灵，至娥投江，三日后方抱父尸出。是皆孝心感人之事蹟，卷末并附李居敬四孝图序，论孝之精义。通幅人物，以匀称之线条為主，细挺而有力。",[55,56,84,57,58,60,28,30,64,85,86,87,61,7,88,89],"书画","竹子","器物","屏风","服饰","盆栽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49ea7682e123d88c66ded0f834267302.jpg","38.9x502.7",[],12,{"id":95,"slug":96,"title":97,"dynasty":98,"author":99,"museum":20,"description":100,"tags":101,"thumbUrl":113,"material":40,"size":41,"collection":74,"collections":114,"showCount":115,"zanCount":11,"manualWeight":11,"mainColor":116},238442,"geng-zhi-tu-ce-mian-yi-238442","耕织图册","清","绵亿","绵亿（1764年9月10日－1815年4月14日），直隶省顺天府大兴县（今北京市）人，清高宗弘历之孙，荣纯亲王永琪第五子，母侧福晋索绰罗氏，左都御使观保之女。",[56,84,102,58,60,28,62,103,64,104,63,105,36,106,107,61,7,108,109,110,111,112],"册","农田","房屋","家禽","水田","耕作场景","鸡","屋舍","田埂","犁具","河岸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52cfda1f0f66825fc704a39541b1935a.jpg",[],3,"BDBDBD",{"id":118,"slug":119,"title":120,"dynasty":18,"author":51,"museum":20,"description":121,"tags":122,"thumbUrl":131,"material":40,"size":41,"collection":74,"collections":132,"showCount":133,"zanCount":11,"manualWeight":11,"mainColor":45},288632,"jean-baptiste-greuze-domestic-scene-yi-ming-288632","Jean-Baptiste Greuze--Domestic Scene","暖棕淡彩晕开一室烟火，松弛灵动的线条勾勒出满溢温情的日常。画面里，有人怀抱着幼童轻声逗弄，有人俯身依偎私语，老者安坐椅上垂眸休憩，小童子依偎身侧安静亲昵，连脚边蜷卧的小狗都浸着慵懒松弛的气息。\n随性的明暗铺陈里，没有刻意雕琢的精致，却精准捕捉住每个角色的神态动作，将家人间脉脉的温情揉进每一处互动里，仿佛下一秒就能听见屋中的软语和孩童的笑闹，把俗世日常里细碎鲜活的暖意，永远定格在这方寸画纸间。",[123,124,125,126,127,128,61,7,129,130],"人物画","风俗画","素描","淡彩","室内场景","老人","家犬","温馨日常","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F425ae02db494af8a36b6e81568f10d2f.jpg",[],1,{"id":135,"slug":136,"title":137,"dynasty":18,"author":138,"museum":20,"description":139,"tags":140,"thumbUrl":154,"material":40,"size":41,"collection":74,"collections":155,"showCount":133,"zanCount":11,"manualWeight":11,"mainColor":45},232553,"mi-lai-si-97-yue-han-ai-fu-li-te-mi-lai-si-232553","米莱斯97","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[24,141,58,28,29,7,142,143,144,145,127,146,38,147,148,149,150,151,152,153],"写实风格","木工台","木材","木屑","梯子","户外远景","天空","互动场景","跪地姿态","站立姿态","赤足","衣物","工坊场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc4abf962a939e2c2e7f7e64f597dfb3.jpg",[],{"id":157,"slug":158,"title":159,"dynasty":98,"author":51,"museum":20,"description":160,"tags":161,"thumbUrl":168,"material":72,"size":74,"collection":74,"collections":169,"showCount":133,"zanCount":11,"manualWeight":11,"mainColor":116},215265,"bai-miao-jie-tou-mai-mai-hua-ce-292-yi-ming-215265","白描街头买卖画册-292","画面以简洁流畅的白描线条，定格街头一角的鲜活瞬间。孩童俯身探看的专注神情，与旁侧人物的从容姿态相映成趣，衣袂褶皱勾勒细腻却不失洒脱。带支架的箱体上，圆孔与叠放方块似藏着市井小趣，引观者遐想彼时的吆喝声与孩童笑语。寥寥数笔便将人物神态动作刻画得生动传神，生活气息扑面而来。这幅画如一片鲜活的市井切片，让今人窥见往昔街头的烟火与温情，在素净线条间触摸到岁月沉淀的生活质感。",[55,162,28,163,164,165,166,29,7,86,167],"白描","器","市井","清代","街头买卖","市井生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F665073c5e5640a75105273867fb2762a.jpg",[],{"id":171,"slug":172,"title":173,"dynasty":98,"author":51,"museum":20,"description":174,"tags":175,"thumbUrl":178,"material":179,"size":180,"collection":74,"collections":181,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":116},215832,"miao-zu-yao-zu-sheng-huo-tu-ce-14-yi-ming-215832","苗族瑶族生活图册-14","画面铺展着古朴的棕黄底色，似浸着岁月的温醇。赤脚的身影错落而行，衣袂带着山野的粗粝质感——一人荷锄而立，眉宇间凝着劳作的沉实；一人挎篮提网，步履行稳；身旁孩童攥着小巧物件，稚态可掬。线条简练却勾摹精准，人物神态鲜活如在眼前，农具的细节、衣饰的褶皱皆藏着对生活本真的观照。没有繁复的渲染，却以淡雅设色晕染出山野人家的日常况味，让一段远去的民族生活场景，在纸页间静静流淌出质朴的温度，仿佛能听见林间的风穿过衣袍，嗅到泥土与草木的清芬。",[55,98,58,102,28,61,7,36,176,177],"苗族瑶族","劳作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb4c8d336a459c06df3a39f5503242829.jpg","纸本,设色","36.5x29.5",[],1777535739593]