[{"data":1,"prerenderedAt":123},["ShallowReactive",2],{"subject-chi-3780":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3780,"chi-3780","池","池画高清赏析","精选中国历代池题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b219e55a1dfdd43dcd80315f7a707a0.jpg",0,6,[14,37,57,77,94,107],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},241221,"wu-lv-shui-ge-shi-zhou-fan-feng-yi-241221","五律水阁诗轴","明","范凤翼","藏地不详","范凤翼（16世纪－17世纪），字异羽，扬州府通州人，明朝、南明政治人物。\n范凤翼是万历二十六年（1598年）的进士，获授顺天教授，转为国子监助教，户部云南司主事，监督南新仓及济阳仓，清查积存谷米六十万石；之后历任验封、考功、文选主事与稽勋员外郎、郎中。他提出用贤远奸，重用高攀龙、顾宪成，罢黜杨槚、杜縻，招惹嫉妒，降为长芦运判。天启初年，范凤翼得起用为营缮主事，升任尚宝丞、少卿，因为归属东林罢职。崇祯帝继位，恢复他原官，弘光帝时和周宗文、徐二采、陆彬一同授予光禄少卿。南京沦亡，他主持北山诗社山茨社，士人奉他为品目。",[23,24,25,26,27,7,28,29],"立轴","草书","书法","水墨","水阁","云","风","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff28b60acdc7ac0db7cb48839373b8c9b.jpg","纸本","","书法精选",[33],7,"BDBDBD",{"id":38,"slug":39,"title":40,"dynasty":18,"author":41,"museum":42,"description":43,"tags":44,"thumbUrl":10,"material":31,"size":55,"collection":32,"collections":56,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},221943,"ci-han-ce-wang-xi-jue-221943","词翰册","王锡爵","台北故宫博物院","王锡爵(1534-1611)，字元驭，号荆石，南直隶苏州府太仓州(今江苏太仓)人。嘉靖四十一年会试名列第一（会元），廷试名列第二（榜眼）。万历二十一年（1593年）为内阁首辅。谥号文肃，著有《王文肃公全集》55卷。在任期间发生日本侵朝事件，力主出兵。子王衡万历二十九年（1601年）进士及第第二名，被时人誉为“父子榜眼”。孙王时敏、玄孙王原祁皆为清初画坛宗师，太仓王氏家族为明清两代著名的簪缨世家。\n王锡爵笔法秀颖，依稀有翡翠兰苕状，著名的书法家董其昌称他深于书。书尤深于唐碑。晚年犹悬碑刻满四壁，特不欲以书名耳。小楷清整秀劲，大可径寸者尤骨重脉和。",[45,46,47,48,26,49,7,50,51,52,53,54],"国画","书画","册","行书","柳","鸳鸯","荷","明月","水","夏景","本幅26.1x14.4公分",[],{"id":58,"slug":59,"title":60,"dynasty":61,"author":62,"museum":20,"description":63,"tags":64,"thumbUrl":72,"material":73,"size":74,"collection":32,"collections":75,"showCount":76,"zanCount":11,"manualWeight":11,"mainColor":36},240146,"wang-wen-zhi-shi-zhou-wang-wen-zhi-240146","王文治诗轴","清","王文治","王文治（1730—1802），字禹卿，号梦楼，江苏丹徒人。工书法，以风韵胜。有《梦楼诗集》《快雨堂题跋》，清代书法家、诗人。\n曾随翰林侍读全魁至琉球。乾隆二十五年进士，授编修，擢侍读，官至云南临安知府。罢归，自此无意仕进。不到五十岁，即究心佛学。有《梦楼诗集》《快雨堂题跋》。",[46,25,23,48,26,65,66,52,29,67,68,69,70,7,71],"印章","夕阳","楼","露","林","山","古道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c69947ad47c602df83f34bd3c1ae3e7.jpg","未知","Xcm*Xcm",[],3,{"id":78,"slug":79,"title":80,"dynasty":18,"author":81,"museum":20,"description":82,"tags":83,"thumbUrl":90,"material":73,"size":74,"collection":32,"collections":91,"showCount":92,"zanCount":11,"manualWeight":11,"mainColor":93},256509,"wu-cai-long-chuan-lian-chi-wen-xiu-dun-yi-ming-256509","五彩龙穿莲池纹绣墩","佚名","此器作鼓形，造型敦厚朴拙又透着雅致意趣。口足回纹环绕，古雅规整，凸起乳钉界分装饰层次。鼓身之上，游龙矫健穿梭于莲池间，红褐釉绘就的龙身张扬雄劲，尽显威仪，绿彩晕染的莲藻柔婉舒展，生机盎然，刚柔相济，妙趣横生。五彩发色浓艳明快，墨线勾边让纹饰轮廓利落分明，将龙纹的威严端重与莲塘的清逸雅致融于一体，尽显明代彩瓷热烈奔放的审美风骨，是陈设瓷中别具巧思的佳作。",[84,85,86,87,88,7,89],"陶瓷","五彩","设色","龙","莲","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffbc8e4ace8e2756aaebcc79f38cb564.jpg",[],2,"37474F",{"id":95,"slug":96,"title":97,"dynasty":98,"author":81,"museum":20,"description":99,"tags":100,"thumbUrl":103,"material":73,"size":74,"collection":32,"collections":104,"showCount":105,"zanCount":11,"manualWeight":11,"mainColor":106},254531,"tao-lv-you-ya-chi-yi-ming-254531","陶绿釉鸭池","汉","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[84,101,102,7],"绿釉","鸭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16d95fc954b6eb5d55a43ab42b3ea89b.jpg",[],1,"795548",{"id":108,"slug":109,"title":110,"dynasty":18,"author":111,"museum":20,"description":112,"tags":113,"thumbUrl":121,"material":73,"size":74,"collection":32,"collections":122,"showCount":105,"zanCount":11,"manualWeight":11,"mainColor":36},240983,"wu-lv-shi-zhou-zhu-yan-xi-240983","五律诗轴","朱延禧","朱延禧（？～？） 明末大臣。字允修。今东昌府区人。万历二十三年（1595）进士，即授为翰林院检讨，后升任礼部右侍郎。",[25,48,23,65,114,29,115,51,116,49,117,7,28,70,118,119,120],"紫阁","日华","汀","落日","泉","月","秋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb17dd10a0b07fa576f6dfa81dd6656fb.jpg",[],1777535748253]