[{"data":1,"prerenderedAt":100},["ShallowReactive",2],{"subject-chi-zu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2915,"chi-zu","赤足","赤足画高清赏析","精选中国历代赤足题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea5c192abd8d9e03a871fa22e7eecffc.jpg",0,4,[14,42,70,86],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":37,"collection":38,"collections":39,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},228904,"zhong-li-quan-du-hai-tu-zhao-qi-228904","钟离权渡海图","明","赵淇","藏地不详","此图绘八仙之一的汉钟离渡海故事。钟离权复姓钟离，汉代大将军，后得道成仙。故称“汉钟离”。此作人物的设色用笔与海水水纹的描绘俱与藏于中国美术馆的明代刘俊绘刘海渡海图相近。但克利夫兰美术馆馆方定其是赵淇所画，或有所据。",[23,24,25,26,27,28,29,30,31,32,33,34,7],"高清","国画","书画","立轴","设色","工笔","人物","宗教","服饰","葫芦","云纹","水纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6dead76f2e44619e34dd4602aa949ed4.jpg","未知","Xcm*Xcm","",[],9,"795548",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":20,"description":48,"tags":49,"thumbUrl":67,"material":36,"size":37,"collection":38,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":41},232553,"mi-lai-si-97-yue-han-ai-fu-li-te-mi-lai-si-232553","米莱斯97","不详","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[50,51,27,29,52,53,54,55,56,57,58,59,60,61,62,63,64,7,65,66],"油画","写实风格","儿童","成人","木工台","木材","木屑","梯子","室内场景","户外远景","草地","天空","互动场景","跪地姿态","站立姿态","衣物","工坊场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc4abf962a939e2c2e7f7e64f597dfb3.jpg",[],1,{"id":71,"slug":72,"title":73,"dynasty":46,"author":74,"museum":20,"description":75,"tags":76,"thumbUrl":84,"material":36,"size":37,"collection":38,"collections":85,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":41},232525,"he-er-bai-yin-184-he-er-bai-yin-232525","荷尔拜因184","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[77,78,79,80,81,30,29,82,83,65,7],"素描","黑白","写实","线条","明暗","十字架","头骨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72545b75be97353b532e615628334a24.jpg",[],{"id":87,"slug":88,"title":89,"dynasty":90,"author":91,"museum":20,"description":92,"tags":93,"thumbUrl":10,"material":98,"size":38,"collection":38,"collections":99,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":41},216021,"zhi-gong-tu-ju-fu-cai-hui-ce-ye-di-4-ce-20-yi-ming-216021","职贡图巨幅彩绘册页第4册-20","清","佚名","笔墨细腻勾勒人物百态，色彩淡雅晕染族群风情。左者蓝衣束腰，裙摆曳地，肩荷莲苞似携乡野清趣，笑意盈盈间透着质朴亲和；右者褐衫赤足，杖倚肩头，腰系蓝绦尽显随性洒脱，健硕身形里藏着山野韧劲。线条流畅描摹衣袂纹理，神态刻画入微传情——或温婉或豪放，皆鲜活如临其境。画面以写实之笔，载录不同族群的衣着风貌与生活气息，简而不陋，淡而有神，尽显清代职贡图对边疆风情记录的细致与生动，为后世留存下一段段可触可感的民族文化印记。",[23,24,25,94,27,28,29,95,96,97,7],"册","衣帽","荷","拐杖","绢本,设色",[],1777535761377]