[{"data":1,"prerenderedAt":86},["ShallowReactive",2],{"subject-chuan-tong-shan-shui-ji-fa":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1290,"chuan-tong-shan-shui-ji-fa","传统山水技法","传统山水技法画高清赏析","精选中国历代传统山水技法题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd88c671433772a4b87aa285537a3616b.jpg",0,3,[14,45,72],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":40,"size":40,"collection":40,"collections":41,"showCount":42,"zanCount":43,"manualWeight":11,"mainColor":44},224468,"xi-kou-bai-yun-tu-wang-hui-224468","溪口白云图","清","王翚","藏地不详","《庐山白云图》是清代 创作的纸本设色画。\n此图绘于清康熙三十六年（1697年），作者时年66岁，是其晚年诸多仿古作品中的代表性画作之一。\n卷末自识：“关仝庐山白云图为海内名迹，林壑位置迥出意匠之外。\n余二十年前偶于金陵友人斋中展阅数过，卷尾有董文敏题识，至今追忆恍在目前边。\n古香主人以藏纸属画，聊仿其意，万不及一，当不值方家一哂也。\n董跋并录于右。\n康熙丁丑暮春望后三日，虞山王翚。\n”钤“王翚印”、“石谷”印。\n引首章“上下千年 ”印。\n“丁丑”是清康熙三十六年（1697年）。\n在自识之前，有作者所临董其昌的跋：“顷游庐山，自天池策杖大林寺至崖头，下视山腰，俱为云雾所断，四空濛濛作白豪光，身如在银海中，无复林麓村墟可得。\n以为画家未曾收此奇境，及披此图，宛然庐山所见也。\n独是日见庐山上方诸峰，亦缥缈灭没为飞烟断霭耳。\n丙申闰八月晦日舟次繁昌大江中书玄宰。\n” “丙申”是明万历二十六年（1596年）。\n卷首钤压角印“耕烟野老”。\n收藏印有“傲徕山房”、“仲麟鉴赏”等方。\n尾纸有清姜宸英跋。\n据王翚自题，因年前曾观北宋关仝《庐山白云图》，故今用其法绘制此图，以遵“古香主人”之嘱。\n王翚曾与其师王时敏遍游大江南北，尽得观摹收藏家之秘本，故其摹古功力极高。\n王时敏称赞他：“集古人之长，尽趋笔端，故能妙绝千古。\n前诸制作，固足乱真，此则更为脱化，每仿一家曲尽其致，而超逸之趣则又过之。\n”这幅作品恰恰印证了王时敏对王翚的评价。\n“古香主人”即爱新觉罗·岳乐，王翚为其创作极为精心。\n画面上峰峦起伏，云雾迷茫，其中间的瀑布、杂树、竹亭、山石以浓密的雨点皴出之，正是仿关仝一路北方山水画法。\n全图工整谨密，秀润苍浑，深得关仝“笔简景少，气壮意长”之旨。\n王翚（162-1717）清代画家。\n字石谷，号耕烟散人、剑门樵客、乌目山人、清晖老人等。\n江苏常熟人。\n出身绘画世家，幼承家学，初学画于张珂，后又得到王鉴、王时敏指点。\n擅山水，初摹黄公望，后广泛师法唐宋元明诸家，转益多师，加以发展变化，形成个人风貌。\n曾说“以元人笔墨，运宋人丘壑，而泽以唐人气韵，乃为大成”。\n其画笔墨功底深厚，长于摹古，几可乱真，但又能不为成法所囿，部分作品富有写生意趣，构图多变，勾勒皴擦渲染得法，格调明快。\n在四王中比较突出。\n其画在清代极负盛名，康熙三十年奉诏绘制《康熙南巡图》，年完成，得到皇帝的褒奖，被视为画之正宗，追随者甚众，因他为常熟人，常熟有虞山，故后人将其称为虞山派。\n有《康熙南巡图》(与杨晋等人合作)、《秋山萧寺图》、《虞山枫林图》、《秋树昏鸦图》等传世。",[23,24,25,26,27,28,7,29,30,31,32,33,34,35,36,37,38,39],"高清","清代山水画","设色","皴法","水墨","工笔","山峦","溪流","白云","亭台","树木","山石","房屋","云雾","松树林","建筑","瀑布","",[],45,1,"795548",{"id":46,"slug":47,"title":48,"dynasty":49,"author":50,"museum":20,"description":51,"tags":52,"thumbUrl":67,"material":68,"size":69,"collection":40,"collections":70,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":44},238560,"si-chao-xuan-zao-zhen-ce-ming-ren-han-shan-xiao-si-tu-ye-yi-ming-238560","四朝选藻贞册-明人寒山萧寺图页","明","佚名","此作用淡墨晕染山峦，以留白晕出山间空濛寒雾。枯木虬枝错落交织，不见半分新绿，将深冬寒山的荒疏冷寂铺陈眼前。山涧细流蜿蜒回环，愈发衬得林麓阒寂无声。层崖之上，梵寺隐于雾霭林峦间，遗世独立，禅意自生。\n\n搭配行书题诗，笔意清逸萧散，诗画相映，把踏雪寻寺、谈禅说笑的清逸图景藏于尺幅之间，将冬日山景的萧寒荒疏与古寺的空灵禅韵相融，勾勒出静穆淡远的幽寂意境，尽显冬日山林的空寂禅意。",[53,54,25,26,55,56,57,58,59,34,60,61,33,62,63,64,7,65,66],"国画","山水","行书","册","寒山","萧寺","枯树","楼阁","小径","寺庙建筑","秋冬意境","水墨设色","书法题跋","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F49577eb9436eaf67366ca39bd7ad4596.jpg","未知","Xcm*Xcm",[],7,{"id":73,"slug":74,"title":75,"dynasty":18,"author":76,"museum":20,"description":77,"tags":78,"thumbUrl":83,"material":68,"size":69,"collection":40,"collections":84,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},236212,"bi-shu-shan-zhuang-san-shi-liu-jing-tu-shu-shi-cheng-shan-wang-ji-hua-236212","避暑山庄三十六景图书诗成扇","王际华","王际华（1717—1776），字秋瑞，一字秋水，号白斋，浙江钱塘人，清朝官吏。\n字秋瑞，一字秋水，号白斋，浙江钱塘人，清朝官吏。乾隆十年一甲三名进士，授编修。十三年，大考翰詹，擢侍读学士、上书房行走。广东旧设两学政，十五年，以侍读程岩督广韶学政，际华督肇高学政，旋用岩议裁并，以忧归。服除，起原官。三迁至侍郎，历工、刑、兵、户、吏诸部。在兵部，疏言：“武乡会试旧例，外场挑双好、单好、合式三类入内场，双、单好列东号，合式列西号。不肖者见列西号，知不能幸中，纷纷求出。即有归号，终日喧哗。请嗣后武乡会试，但挑双、单好，毋更挑合式。”在吏部，疏请在京文武官吏议处，及各部会议外省文武官吏议处，当分别定限，皆如所议。三十四年，迁礼部尚书。三十八年，加太子少傅，调户部尚书。四十一年，卒，赠太子太保，谥文庄。赐其子朝梧内阁中书，官至山东兖沂曹道。",[53,79,80,27,26,54,33,35,29,81,82,25,7],"书画","扇面","河流","亭","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57c33763959ac6a273468d7138dc0f70.jpg",[],"BDBDBD",1777535768501]