[{"data":1,"prerenderedAt":90},["ShallowReactive",2],{"subject-chuan-tong-shu-hua":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2360,"chuan-tong-shu-hua","传统书画","传统书画画高清赏析","精选中国历代传统书画题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56884c7b8968b987e14d952e07ca94f9.jpg",0,3,[14,46,66],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":38,"material":39,"size":40,"collection":41,"collections":42,"showCount":43,"zanCount":44,"manualWeight":11,"mainColor":45},219448,"kan-yun-dui-pu-tu-chen-shu-219448","看云对瀑图","清","陈书","台北故宫博物院","瀑流自崖巅飞泻而下，如素练垂空，溅起的水雾与卷舒的云气交融漫过山腰，晕染出朦胧虚灵之境。近岸松枝苍劲，竹影婆娑，几竿修竹亭亭玉立，与古松相映成趣。林间隐见小亭一角，有人凭栏静坐，似在聆听瀑声、静观云态，物我两忘。笔墨以水墨为主，线条清劲中含柔婉，山石皴擦见质感，云雾用淡墨晕染，层次分明。整幅画将山水之幽、林泉之趣凝于尺幅，尽显文人雅士寄情自然的悠然心境，静穆中藏生机，恬淡里透禅意。",[23,24,25,26,27,7,28,29,30,31,32,33,34,35,36,37],"国画","山水画","水墨","皴法","立轴","云","瀑布","松","竹","亭","山水","岩石","溪流","小径","自然景物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99274f7e4932bc229e46873d4ab1708e.jpg","纸本,水墨","79.7x51.8","山水画精选",[41],29,1,"BDBDBD",{"id":47,"slug":48,"title":49,"dynasty":18,"author":50,"museum":51,"description":52,"tags":53,"thumbUrl":60,"material":61,"size":62,"collection":41,"collections":63,"showCount":64,"zanCount":11,"manualWeight":11,"mainColor":65},219909,"qiu-chuang-hua-yu-tu-gao-jian-219909","秋窗话雨图","高简","大英博物馆","高简（1634-1707年）字澹游，号旅云，自号一云山人，江苏苏州人。能诗，工山水，摹法元人，甚为简澹，而布置深稳，风味清巧可爱。平生小品最多，好画梅花书屋图，冷隽可珍。卒年七十四。传世作品有《春山积翠图》、《江乡初夏图》、《寒林诗思图》。",[23,25,33,27,54,55,56,57,26,7,58,59],"山","水","树木","房屋","远景山峦","近景植被","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd49aecccce50386e4b0e55b1b71d4df5.jpg","绢本,水墨","47.2x31厘米",[41],17,"795548",{"id":67,"slug":68,"title":69,"dynasty":18,"author":70,"museum":71,"description":72,"tags":73,"thumbUrl":84,"material":85,"size":86,"collection":87,"collections":88,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":65},234442,"qing-ren-huang-wei-luo-wa-jin-gang-xiang-zhou-yi-ming-234442","清人黄威罗瓦金刚像轴","佚名","藏地不详","狮面忿怒相的主尊周身烈焰蒸腾，金甲宝饰遍身，雄踞莲台之上，威棱毕现，尽显护法降魔的慑人气魄。整体构图饱满匀整，诸佛胁侍错落排布，或忿怒或慈悲，与主尊呼应成趣。\n\n设色浓丽厚重，石青铺就云天底色，朱砂晕染烈烈火焰，青绿晕染山川林麓，冷暖交织层次分明。线条勾勒精细流畅，衣袂宝饰的细节分毫毕现，既恪守藏传佛教造像的仪轨法度，又以工笔重彩烘托出神圣庄严的宗教氛围，将护法金刚的狞厉威严与唐卡装饰美学完美融合，尽显精湛的绘画造诣。",[23,27,74,75,76,77,78,79,80,81,82,83,7],"宗教画","工笔重彩","设色","人物画","火焰纹","莲花座","祥云","山水景物","花卉纹饰","清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb20ea8c656828582ec4d871f00ab1c60.jpg","未知","Xcm*Xcm","",[],2,1777535769384]