[{"data":1,"prerenderedAt":135},["ShallowReactive",2],{"subject-chuan-tong-zhi-wu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10988,"chuan-tong-zhi-wu","传统织物","传统织物画高清赏析","精选中国历代传统织物题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F464506be86ae000151f71c6a97ae464b.jpg",0,10,[14,35,48,60,74,87,97,107,116,124],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},263941,"pin-yue-se-si-ze-han-wa-wen-zhi-jin-duan-yi-ming-263941","品月色四则汉瓦纹织金缎","清","佚名","藏地不详","底色如浸了月光的深海，沉静雅致。织就的金团纹匀净排布，将汉瓦古意凝于方寸团窠之间，缠枝回纹拱卫瓦纹，金石朴拙被柔化为织绣的精巧。细闪的金线于蓝缎上浮跃，光线下漾出细碎金芒，华贵却不张扬，尽显清代织绣的细腻工致。古雅的金石意趣与织造工艺相融，静穆蓝调裹着鎏金暖意，内敛又雍容，是传统工艺美学的精妙缩影。",[23,24,25,26,27,7],"布料","织金缎","汉瓦纹","品月色","织金工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa44a8a6747a2d0a0f18680bca5ce661d.jpg","未知","Xcm*Xcm","",[],1,"2A56C6",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":45,"material":29,"size":30,"collection":31,"collections":46,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},269036,"xue-hui-se-di-za-bao-wen-tian-hua-jin-yi-ming-269036","雪灰色地杂宝纹天华锦","《说文》：“锦，襄邑织文。从帛，金声。”即用彩色经纬丝织出各种图案花纹的纺织品，泛指具有多种彩色花纹的丝织物。锦的生产工艺要求高，织造难度大，所以它是古代最贵重的织物。“锦，金也，作之用功重，其价如金。”古人把锦看成和黄金等价。这种织物有经起花和纬起花两种，也叫经锦和纬锦。经锦是用两组或两组以上的经线同一组纬线交织。经线多的二色或三色，一色一根作为一副，如果需要更多的颜色，也可以使用牵色条的方法。纬线有明纬和夹纬；用夹纬把每副中的表经和底经分隔开，用织物正面的经浮点显花。\n用染好颜色的彩色经纬线，经提花、织造工艺织出图案的织物。中国丝织提花技术起源久远。早在殷商时代中国已有丝织物。周代丝织物中出现织锦，花纹五色灿烂，技艺臻于成熟。汉代设有织室、锦署，专门织造织锦，供宫廷享用。自汉武帝后，中国织锦通过丝绸之路传入波斯（今伊朗）、大秦（古罗马帝国）等国。三国时四川蜀锦成为主流。唐代贞观年间窦师伦的对雉、斗羊、翔凤等蜀锦图案，称为绫阳公样。在织造工艺上由经锦改进为纬锦，并出现彩色经纬线由浅入深或由深入浅的退晕手法。北宋宫廷在汴京等地建立规模庞大的织造工场，生产各种绫锦。元代是中国历史上大量生产织金锦（一种加金的丝织物）的时代，宫廷设立织染局、织染提举司，机构庞大，集中了大批优秀工匠。\n明清两代织锦生产集中在江苏南京、苏州，除了官府的织锦局外，民间作坊也蓬勃兴起，形成江南织锦生产的繁荣时期。织锦大多采用传统提花工艺和木制花楼织机，有些织锦因品种不同而有所区别。如宋锦、土家族织锦采用通经断纬工艺，即分段调换彩色纬线，使色彩更加丰富。杭锦采用铁制提花机。织锦种类有南京云锦、四川蜀锦、苏州宋锦、杭州织锦以及少数民族的黎锦、壮锦、傣锦、瑶锦、侗锦、苗锦、土家锦、爱得利斯锦等。1960年以来，中国织锦在继承、发扬传统织锦的基础上，恢复了云锦的妆花锦和蜀锦的浣花锦、锦上添花锦、八答晕锦，并生产了窗帘、沙发套、枕套、被面、台毯、靠垫、床罩、提包、民族服装用料等新品种。\n锦已有3000年以上的历史，战国、西汉以前流行以二色或三色经轮流显花的经锦，包括局部饰以挂经的挂锦、具有立体效果的凸花锦和绒锦。1959年在新疆民丰尼雅遗址发现的东汉“万年如意锦”使用绛、白、绛紫、淡蓝、渥绿五色，通幅分成十二个色条，就是汉代典型的经锦。\n纬锦是用两组或两组以上的纬线同一组经线交织。经线有交织经和夹经；用织物正面的纬浮点显花。1969年在新疆阿斯塔那发现的唐代锦袜，在大红色地上起各种禽鸟花朵和行云的图案，就属于这一种锦。\n经锦和纬锦具有不同的织造效果。经锦的纬密比较低，只用一把梭子，生产效率比较高。纬锦织造比较费时，但可以使用两把以上的梭子，容易变换色彩，色彩丰富。这两种锦在中国出现的时间都比较早。但是六朝以前织造的，以经起花为主；隋唐以后织造的，似乎以纬起花为主。\n在苏联的巴泽雷克发现一批中国战国时期的丝绸，就有用红绿二色纬线织造的纬斜纹起花的纬锦。产生于宋代前后的宋锦以地经、地纬交织成经斜组织，按结经与纹纬交织成纬斜组织。\n金元之际流行加金的丝织物——织金锦，又称“纳石失”。明清时盛行以挖花缎的彩纬多达30—40种，锦面的经、纬方向都有逐花异色的效果，是中国织锦最高水平的代表。\n锦在历史上曾用多棕多蹑机和束棕花楼机织造，现代生产采用纹版提花机。\n国家非常重视非物质文化遗产的保护，南京云锦木机妆花手工织造技艺作为中国古老的织锦技艺最高水平的代表，于2006年列入首批国家级非物质文化遗产名录。2006年5月20日，土家族织锦技艺经国务院批准列入第一批国家级非物质文化遗产名录。2007年6月8日，湖南凤凰水云织锦坊获得国家文化部颁布的首届文化遗产日奖。2009年8月《地理标志产品云锦》国家标准在南京通过国家级专家评审，同年9月成功入选联合国《人类非物质文化遗产代表作名录》。",[41,23,42,43,44,7],"织锦","天华锦","杂宝纹","几何纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c4320befbc76b5157a4c3892aa66bd3.jpg",[],"BDBDBD",{"id":49,"slug":50,"title":51,"dynasty":18,"author":19,"museum":20,"description":39,"tags":52,"thumbUrl":57,"material":29,"size":30,"collection":31,"collections":58,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},267557,"cai-se-chan-zhi-mu-dan-wen-jin-bao-di-jin-yi-ming-267557","彩色缠枝牡丹纹金宝地锦",[41,23,53,54,55,56,7],"设色","牡丹","缠枝纹","金宝地锦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F209a565857c1eada574663007dfa5fff.jpg",[],"795548",{"id":61,"slug":62,"title":63,"dynasty":18,"author":19,"museum":20,"description":64,"tags":65,"thumbUrl":72,"material":29,"size":30,"collection":31,"collections":73,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},264514,"qing-se-wu-cai-da-mang-duan-yi-ming-264514","青色五彩大蟒缎","暗青色底料带着隐纹，沉静雅致之上妆花织就大蟒纹样。大蟒身姿矫健如龙，穿梭在五彩祥云与江崖海水之中，朱红、石青、明黄诸色交织晕染，浓艳饱满却不显繁芜。\n\n上下蟒纹大小呼应，上方小团蟒紧凑精巧，下方葫芦形大蟒舒展大气，布局疏密得宜，既恪守官用织物的礼制规整，又兼具装饰美感。丝织工艺精湛入微，蟒鳞排布细密写实，云纹水浪婉转灵动，将吉瑞寓意与织造匠心融于一体，尽显清代妆花缎的高超造诣。",[23,66,67,68,69,70,71,7],"缎面","蟒纹","五彩","织绣","服饰面料","龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe37045db232b842bd020fd3291e3496f.jpg",[],{"id":75,"slug":76,"title":77,"dynasty":18,"author":19,"museum":20,"description":78,"tags":79,"thumbUrl":85,"material":29,"size":30,"collection":31,"collections":86,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":59},264255,"lan-se-di-wan-zi-fu-ju-tuan-shuang-kui-wen-xian-jin-dian-liao-yi-ming-264255","蓝色地万字蝠菊团双夔纹线锦垫料","此锦料以沉稳靛蓝为底，朱红主纹鲜亮醒目，青绿、浅橙作为间色提亮层次，色调搭配典雅和谐。\n\n满幅万字纹连绵回环，暗含万福不断的吉意，蝠纹团菊交错其间，谐意福寿安康，对称双夔纹古雅端方。各色条带分割画面，卷草、回纹点缀其中，繁而不乱，排布规整有序。\n\n织工细密紧致，提花晕色过渡自然，经纬之间将祈福寓意尽数织就，是清代织绣中兼具装饰审美与吉祥意涵的上乘之作。",[41,80,81,82,83,84,53,7,44],"垫料","万字纹","蝙蝠纹","菊纹","夔纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F736a585b18edfbdde6b05d3281aebd86.jpg",[],{"id":88,"slug":89,"title":90,"dynasty":18,"author":19,"museum":20,"description":91,"tags":92,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