[{"data":1,"prerenderedAt":93},["ShallowReactive",2],{"subject-chuan-zhu-gong-yi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8243,"chuan-zhu-gong-yi","穿珠工艺","穿珠工艺画高清赏析","精选中国历代穿珠工艺题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0c6bba65bd8f5e53248ed72f96f1686.jpg",0,6,[14,39,54,63,70,83],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":32,"material":33,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},241940,"dian-cui-chuan-zhu-hua-yi-ming-241940","点翠穿珠花","清","佚名","藏地不详","此件饰品以点翠晕染出澄澈莹润的碧色，鎏金底托衬着鲜活色泽，华贵雅致。累丝工艺勾勒出花鸟纤巧肌理，细密纹路尽显娴熟功底。再配镶玛瑙、翡翠、珊瑚等各色宝饰，冷暖光泽交织碰撞，更添珠光绮丽。整体造型蜿蜒舒展，取缠枝花鸟之态，翎羽轻俏柔婉，花叶层层叠叠，将旧时闺阁的精致审美藏于毫厘之间，是鬓边一抹灵动风雅的绮丽珍饰，凝着旧朝独有的温婉华贵意趣。",[23,24,7,25,26,27,28,29,30,31],"清代","点翠工艺","镶嵌工艺","饰品","金质","珠宝","花卉","金属工艺","清代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bac8af6f63275f61bb8ef66f425c667.jpg","未知","Xcm*Xcm","",[],7,"FFFFFF",{"id":40,"slug":41,"title":42,"dynasty":18,"author":19,"museum":20,"description":43,"tags":44,"thumbUrl":50,"material":33,"size":34,"collection":35,"collections":51,"showCount":12,"zanCount":52,"manualWeight":11,"mainColor":53},267246,"lan-se-zhang-rong-chuan-zhu-hu-lu-hai-shui-wen-he-bao-yi-ming-267246","蓝色漳绒穿珠葫芦海水纹荷包","荷包是中国汉族传统服饰中，人们所随身佩带的一种装零星物品的小包，后发展为爱情信物，荷包的图案有繁有简，花卉、鸟、兽、草虫、山水、人物以及吉祥语、诗词文字都有，装饰意味很浓。\n在民间荷包中，占相当比重的是香包，香包里装有香草之类的药品，包面上绣制着“五毒”，即蝎子、蛇、蜈蚣、壁虎和蟾蜍，它原是五月端午的节令物品，为了防止各种毒虫猖獗，侵害人体，人们相互馈赠，挂在衣襟或帐勾上，以避除“五毒”。就形状来看，有虎形的、鸡形的、如意形的、寿桃形的、蝙蝠形的，以取意于福、禄、寿、喜、吉祥、如意等。富有深厚民族心理基础的绣荷包，在民间文化中，显示着旺盛的生命力。",[26,45,46,7,47,48,49],"日用具","布料","葫芦纹","海水纹","荷包","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09f6c6398a803650ec6cfe97b0dd30c8.jpg",[],1,"BDBDBD",{"id":55,"slug":56,"title":57,"dynasty":18,"author":19,"museum":20,"description":43,"tags":58,"thumbUrl":60,"material":33,"size":34,"collection":35,"collections":61,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":53},267247,"lan-se-zhang-rong-chuan-zhu-shou-zi-wen-cha-gai-he-bao-yi-ming-267247","蓝色漳绒穿珠寿字纹插盖荷包",[49,26,45,46,7,59],"寿字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbef53fbb9b8b9b028b1ad34921477f7.jpg",[],5,{"id":64,"slug":65,"title":42,"dynasty":18,"author":19,"museum":20,"description":43,"tags":66,"thumbUrl":67,"material":33,"size":34,"collection":35,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":53},267245,"lan-se-zhang-rong-chuan-zhu-hu-lu-hai-shui-wen-he-bao-yi-ming-267245",[26,45,46,49,47,48,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77dfc1873a84792efa791ce144825439.jpg",[],2,{"id":71,"slug":72,"title":73,"dynasty":18,"author":19,"museum":20,"description":74,"tags":75,"thumbUrl":10,"material":33,"size":34,"collection":35,"collections":81,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":82},242040,"yin-du-jin-dian-cui-chuan-zhu-shou-zi-wen-liu-su-yi-ming-242040","银镀金点翠穿珠寿字纹流苏","一种下垂的以五彩羽毛或丝线等制成的穗子，常用于舞台服装的裙边下摆等处。唐代妇女流行的头饰步摇，是其中一种。还有冕旒，帝王头上的流苏，以珍珠串成，按等级划分，数量有所不同。\n流苏又称穗子，为一种下垂的，以五彩羽毛或丝绒等扎成、如禾穗状的饰物，常见挂与帐中窗帘四角或玉佩扇子手柄。有道是“道家崇紫色，释门尚姜黄，才子香红佳人绿“，流苏，随风飘摇荡漾，传递着古雅与婉约的韵味。",[23,76,24,7,59,77,78,79,80,26],"银镀金工艺","流苏","珠串","翠饰","珍珠",[],"37474F",{"id":84,"slug":85,"title":73,"dynasty":18,"author":19,"museum":20,"description":74,"tags":86,"thumbUrl":91,"material":33,"size":34,"collection":35,"collections":92,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},242042,"yin-du-jin-dian-cui-chuan-zhu-shou-zi-wen-liu-su-yi-ming-242042",[23,87,88,7,59,77,80,26,89,90],"银镀金","点翠","银器","金器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b88c45c5bba3fd1add182ff96c96f60.jpg",[],1777535748242]