[{"data":1,"prerenderedAt":62},["ShallowReactive",2],{"subject-chuang-bian":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},14089,"chuang-bian","窗边","窗边画高清赏析","精选中国历代窗边题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24d9273462ed43fab5263d386c1c0f1a.jpg",0,3,[14,35,51],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},289366,"wu-ji-hei-tian-qing-hui-289366","舞姬","不详","黑田清辉","藏地不详","日本画家。1884年赴巴黎留学。1893年回国。1896年创立白马会。1898年任东京美术学校教授。1922年任帝国美术院院长。还担任贵族院议员等。吸收法国外光派画风，创立了日本外光画派。在日本明治时期画坛上颇有影响。主要作品有《读书》《湖畔》《昔语》《朝妆》等。去世后，根据其遗愿，设立了黑田纪念馆（现在东京国立文物研究所内）。",[23,24,25,26,7,27,17],"油画","人物画","美人","和服","水面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95b1f6e7dbb8749b2e684a8b3fc9b07c.jpg","未知","Xcm*Xcm","",[],2,"795548",{"id":36,"slug":37,"title":38,"dynasty":18,"author":39,"museum":20,"description":40,"tags":41,"thumbUrl":48,"material":29,"size":30,"collection":31,"collections":49,"showCount":50,"zanCount":11,"manualWeight":11,"mainColor":34},289463,"rembrandt-self-portrait-drawing-at-a-window-yi-ming-289463","Rembrandt--Self-Portrait Drawing at a Window","佚名","这幅蚀刻版画以标志性的明暗反差，将窗边瞬间凝为永恒。沉郁的暗调铺满室内，唯有窗棂漏进的光，温柔抚过伏案的面庞与纸笔。软帽下的眉眼微蹙，视线似越过画纸投向观者，带着创作时的沉专注索。\n\n作者以疏密错落的排线铺陈层次，粗粝线条晕开暗部厚重质感，纤细笔痕勾勒出窗外柔缓的乡野景致，一动一静间让画面呼吸感尽显。笔触精准捕捉了眼角纹路、面部肌理，将独处描摹时的松弛与敏锐悉数定格，让这方寸小画兼具烟火气与沉静力量，尽显蚀刻版画独特的肌理魅力，把创作者鲜活的神态与心绪永远封存在纸面之上。",[42,43,44,45,7,46,47],"版画","黑白","人物","男性","肖像","绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fbab3be12e21f8b4b9a3e915891e4c9.jpg",[],1,{"id":52,"slug":53,"title":54,"dynasty":18,"author":39,"museum":20,"description":55,"tags":56,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":60,"showCount":50,"zanCount":11,"manualWeight":11,"mainColor":61},289160,"goya-they-got-the-confessor-to-climb-in-by-the-window-yi-ming-289160","Goya--They Got the Confessor to Climb in by the Window","晕染的灰调晕开隐秘暧昧的氛围，昏暗的室内只剩三人紧绷的肢体动作承载故事。蒙头的女子俯身托扶，带着刻意遮掩的疏离感，将躬身翻墙的男子稳稳托住，男子局促的姿态泄露着慌张与急切。\n\n极简的笔触省略了场景的多余细节，将所有焦点交付于偷摸的肢体张力之间，小心翼翼的动作下，满是打破禁忌的情欲躁动，带着隐秘的讽刺意味，暗喻着道貌岸然之下的荒唐越界。画面留白烘托出不安紧绷的情绪，让观者于无声处脑补出这场闹剧的荒唐底色，将私密偷欢时的忐忑氛围刻画得入木三分。",[44,57,58,59,7],"素描","淡彩","宗教",[],"BDBDBD",1777535774843]