[{"data":1,"prerenderedAt":310},["ShallowReactive",2],{"subject-chuang-hu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4604,"chuang-hu","窗户","窗户画高清赏析","精选中国历代窗户题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4369f1c36643f1a59f3803bf7ad4ba03.jpg",0,17,[14,50,68,91,107,123,145,160,170,191,212,229,244,258,281,293,299],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":43,"material":44,"size":45,"collection":46,"collections":47,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":49},225728,"cafe-terrace-at-night-fan-gao-225728","Cafe Terrace at Night","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,7,38,39,40,41,42],"名画","油画","后印象派","设色","夜晚","咖啡馆","露台","桌椅","行人","建筑","星空","鹅卵石街道","灯光","树木","遮阳篷","门","人物","天空","星星","街道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc99b9b8fa41b5faffd98b459fbff668a.jpg","未知","Xcm*Xcm","油画精选",[46],84,"795548",{"id":51,"slug":52,"title":53,"dynasty":18,"author":19,"museum":20,"description":21,"tags":54,"thumbUrl":64,"material":44,"size":45,"collection":46,"collections":65,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":67},225703,"a-weaver-s-cottage-1884-fan-gao-225703","A Weaver's Cottage 1884",[24,39,55,56,7,57,58,59,60,61,62,63],"织布机","小屋","灯","布料","木制结构","工具","室内场景","笔触","写实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17825a2c204d7af79695adc115eb2f0b.jpg",[46],71,"37474F",{"id":69,"slug":70,"title":71,"dynasty":18,"author":19,"museum":20,"description":21,"tags":72,"thumbUrl":87,"material":44,"size":45,"collection":46,"collections":88,"showCount":89,"zanCount":90,"manualWeight":11,"mainColor":49},225736,"de-slaapkamer-fan-gao-225736","De slaapkamer",[23,24,73,74,75,76,77,78,79,80,81,7,82,83,84,85,86,61],"厚涂","笔触奔放","色彩鲜明","色彩对比强烈","表现主义","卧室","床","椅子","桌子","挂画","木地板","墙壁","枕头","被子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41b9903979093dab1417ced8def24ffa.jpg",[46],47,1,{"id":92,"slug":93,"title":94,"dynasty":18,"author":19,"museum":20,"description":21,"tags":95,"thumbUrl":103,"material":44,"size":45,"collection":46,"collections":104,"showCount":105,"zanCount":90,"manualWeight":11,"mainColor":106},225708,"absinth-fan-gao-225708","Absinth",[24,25,74,75,81,96,97,98,7,99,42,61,100,101,102],"玻璃瓶","高脚杯","液体","窗外行人","透明器皿","浅色桌面","模糊背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c30aac4efe7f28091c0e63b6d531d8e.jpg",[46],32,"BDBDBD",{"id":108,"slug":109,"title":110,"dynasty":18,"author":19,"museum":20,"description":21,"tags":111,"thumbUrl":120,"material":44,"size":45,"collection":46,"collections":121,"showCount":122,"zanCount":11,"manualWeight":11,"mainColor":49},225767,"in-the-cafe-agostina-segatori-in-le-tambourin-january-march-fan-gao-225767","In the café Agostina Segatori in Le Tambourin (January - March )",[24,25,73,39,112,113,28,114,115,116,117,7,118,119,74,75],"女性","室内","圆桌","玻璃杯","鼓形坐墩","墙面","装饰画","桌上物品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5ff734c082d4cbb0bac39c2d4b09413.jpg",[46],16,{"id":124,"slug":125,"title":126,"dynasty":18,"author":19,"museum":20,"description":21,"tags":127,"thumbUrl":142,"material":44,"size":45,"collection":46,"collections":143,"showCount":144,"zanCount":90,"manualWeight":11,"mainColor":49},225864,"van-goghs-bedroom-in-arles-1889-fan-gao-225864","Van Goghs Bedroom in Arles 1889",[24,128,129,130,74,131,132,133,134,7,84,135,136,137,38,138,85,86,139,140,141],"后印象主义","厚涂技法","色彩明快","卧室场景","木床","木椅","木桌","相框","水壶","地板","挂衣","室内空间","平面构图","色彩对比","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50cb4a8fa66d4f6486088b85fb1ffe4a.jpg",[46],11,{"id":146,"slug":147,"title":148,"dynasty":18,"author":149,"museum":20,"description":150,"tags":151,"thumbUrl":157,"material":44,"size":45,"collection":46,"collections":158,"showCount":159,"zanCount":11,"manualWeight":11,"mainColor":49},226106,"the-red-kerchief-portrait-of-mrs-monet-1873-mo-nai-226106","The Red Kerchief, Portrait of Mrs. Monet, 1873","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[24,152,153,7,154,155,156,23],"印象派","人物肖像","窗帘","雪景","光影色彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1e36bdef3a82a4740bc195dc8129733.jpg",[46],9,{"id":161,"slug":162,"title":163,"dynasty":18,"author":19,"museum":20,"description":21,"tags":164,"thumbUrl":167,"material":44,"size":45,"collection":46,"collections":168,"showCount":169,"zanCount":11,"manualWeight":11,"mainColor":106},225869,"view-of-a-butchers-shop-february-fan-gao-225869","View of a butchers shop (February - )",[24,25,165,166,39,7,154],"街景","肉铺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86a9b30232181c8ab53d0ba68a65f093.jpg",[46],8,{"id":171,"slug":172,"title":173,"dynasty":18,"author":174,"museum":20,"description":175,"tags":176,"thumbUrl":187,"material":44,"size":45,"collection":188,"collections":189,"showCount":190,"zanCount":11,"manualWeight":11,"mainColor":106},225523,"fu-shi-hui-281-yi-ming-225523","浮世绘281","佚名","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[177,178,26,39,179,180,181,81,80,182,183,184,7,185,186,154],"浮世绘","木刻","美人","洋装","和服","乐器","托盘","酒瓶","船只","地毯","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe79218199b0754aee056f18535257749.jpg","",[],4,{"id":192,"slug":193,"title":194,"dynasty":18,"author":195,"museum":20,"description":196,"tags":197,"thumbUrl":209,"material":44,"size":45,"collection":188,"collections":210,"showCount":211,"zanCount":11,"manualWeight":11,"mainColor":49},232532,"mi-lai-si-76-yue-han-ai-fu-li-te-mi-lai-si-232532","米莱斯76","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[24,63,26,39,61,198,199,80,81,200,201,7,202,203,204,115,205,206,154,207,208],"老人","女子","书籍","花卉","旗帜","篮子","画框","柠檬","木质地板","靠垫","织物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35965a9e92a1fbfaa6a3fa09fb6fb5fc.jpg",[],2,{"id":213,"slug":214,"title":215,"dynasty":18,"author":216,"museum":20,"description":217,"tags":218,"thumbUrl":227,"material":44,"size":45,"collection":188,"collections":228,"showCount":211,"zanCount":11,"manualWeight":11,"mainColor":49},231971,"the-cotton-exchange-in-new-orleans-musee-des-beaux-arts-pau-france-de-jia-231971","The Cotton Exchange in New Orleans - - Musee des Beaux-Arts - Pau (France)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[24,152,39,113,219,81,80,7,220,221,222,223,224,225,226],"棉花","报纸","高顶礼帽","书架","文件","西装","男性","办公场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F586e0b61bcd288a663f1a4b09686aab0.jpg",[],{"id":230,"slug":231,"title":232,"dynasty":18,"author":233,"museum":20,"description":234,"tags":235,"thumbUrl":242,"material":44,"size":45,"collection":188,"collections":243,"showCount":211,"zanCount":11,"manualWeight":11,"mainColor":49},225606,"rp-p-1962-111-lun-bo-lang-225606","RP-P-1962-111","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[236,237,238,239,63,240,39,200,80,154,7,61,241],"铜版画","蚀刻","明暗对比","光影","古典","衣物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68940a2abde6230499070caaa0e5fc1f.jpg",[],{"id":245,"slug":246,"title":247,"dynasty":18,"author":248,"museum":20,"description":249,"tags":250,"thumbUrl":256,"material":44,"size":45,"collection":188,"collections":257,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":49},232328,"a-er-ma-55-lao-lun-si-a-er-ma-ta-de-ma-232328","阿尔玛55","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[24,26,63,113,251,222,200,7,82,252,186,253,81,80,254,255,83,207],"家具","壁炉","榻","吊灯","装饰摆件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff781042946b9af276a03700843d56b7d.jpg",[],{"id":259,"slug":260,"title":261,"dynasty":18,"author":248,"museum":20,"description":249,"tags":262,"thumbUrl":279,"material":44,"size":45,"collection":188,"collections":280,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":49},232297,"a-er-ma-24-lao-lun-si-a-er-ma-ta-de-ma-232297","阿尔玛24",[24,263,264,265,266,267,268,269,7,270,271,205,139,272,36,273,274,275,276,277,278,23],"写实主义","古典风格","光影表现","色彩细腻","细节丰富","写实描绘","小女孩","木质椅子","织物坐垫","窗外花园","裙子","头巾","自然光","墙壁护墙板","人物画","室内外场景结合","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdacad720b40354758e8893559182bed8.jpg",[],{"id":282,"slug":283,"title":284,"dynasty":18,"author":216,"museum":20,"description":217,"tags":285,"thumbUrl":291,"material":44,"size":45,"collection":188,"collections":292,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":106},232238,"dancer-posing-pushkin-museum-of-fine-arts-russia-oil-on-canvas-de-jia-232238","Dancer Posing - - Pushkin Museum of Fine Arts (Russia) - oil on canvas",[24,152,39,286,61,7,287,154,83,288,289,290],"芭蕾舞者","城市背景","白色舞裙","足尖鞋","动态姿态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ed4d65d095c57570165d09abadb65e9.jpg",[],{"id":294,"slug":295,"title":296,"dynasty":18,"author":174,"museum":20,"description":175,"tags":297,"thumbUrl":10,"material":44,"size":45,"collection":188,"collections":298,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":106},225462,"fu-shi-hui-220-yi-ming-225462","浮世绘220",[177,26,39,79,80,7,154,61],[],{"id":300,"slug":301,"title":302,"dynasty":18,"author":233,"museum":20,"description":234,"tags":303,"thumbUrl":308,"material":44,"size":45,"collection":188,"collections":309,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},225605,"rp-p-1962-110-lun-bo-lang-225605","RP-P-1962-110",[236,63,238,39,113,304,305,306,7,82,307,239],"书桌","羽毛笔","纸张","长袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F989a26ffc619c1db88cee4d8b1db4f57.jpg",[],1777535722865]