[{"data":1,"prerenderedAt":121},["ShallowReactive",2],{"subject-chun-shan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},559,"chun-shan","春山","春山画高清赏析","精选中国历代春山题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d7b2a6b68b9863c2efd8075842ca86e.jpg",0,5,[14,40,69,90,108],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":24,"size":34,"collection":35,"collections":36,"showCount":37,"zanCount":38,"manualWeight":11,"mainColor":39},219458,"chun-shan-xi-ge-tu-lu-zhi-219458","春山溪阁图","明","陆治","台北故宫博物院","弘治九年（1496年）生。世代耕读，其父与文徵明有交谊，遂从学于文徵明门下。早年为诸生，屡试不中，转为书画，善画山水、花鸟。隐居支硎山。",[23,24,25,26,7,27,28,29,30,31,32],"国画","设色","山水","皴法","溪阁","小桥","流水","树木","山石","楼阁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd616fa2129ced1c381c18d595332f452.jpg","118.5x66.1","山水画精选",[35],73,2,"795548",{"id":41,"slug":42,"title":43,"dynasty":18,"author":44,"museum":45,"description":46,"tags":47,"thumbUrl":62,"material":63,"size":64,"collection":35,"collections":65,"showCount":66,"zanCount":67,"manualWeight":11,"mainColor":68},219987,"si-shi-fang-gu-shan-shui-tu-wei-zhi-ke-219987","四时仿古山水图","魏之克","美国大都会艺术博物馆","此长卷以淡墨浅彩铺展四时景致，移步换景间尽显文人山水意趣。画家以细劲淡笔勾勒山峦脉络，皴擦出岩岫肌理，林木点染疏密有致，随季候变换枯荣：春山明润，新枝浅黛；夏木蓊郁，浓荫藏亭；秋林萧疏，霜色点染；冬岭清寂，寒石留白。屋舍田圃错落丘壑间，溪泉萦回穿绕林麓，将四时山光物候悄然串联。整体气韵淡逸简远，师古而不拘泥，把仿古山水的程式笔墨化为灵动的丘园胜境，藏着古人寄迹林泉的隐逸幽怀，尽显雅致空灵的山水风神。",[48,23,49,50,51,24,26,25,7,52,53,54,55,56,57,58,59,60,61],"高清","长卷","仿古山水","水墨","夏木","秋林","冬岭","屋舍","田圃","溪泉","亭台","文人山水","隐逸","淡逸空灵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b366db58b957e2587f750331f4c4cf3.jpg","纸本","105.83×59.58cm",[35],34,1,"BDBDBD",{"id":70,"slug":71,"title":72,"dynasty":73,"author":74,"museum":75,"description":76,"tags":77,"thumbUrl":84,"material":85,"size":86,"collection":87,"collections":88,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":68},290581,"chun-shan-chu-yun-zhou-zhang-peng-chong-290581","春山出云轴","清","张鹏翀","藏地不详","张鹏翀（1688～1745）清代画家。字天扉，一作天飞，号抑斋、南华山人、南华散仙，人谓之漆园散仙。崇明（今属上海市）人，居嘉定（今属上海）。幼年多病，资性滞钝。十七岁时开悟，遍读经史，精通诗文绘画，才思敏捷，命题咏，可应声立就，时人比之为古代东方朔、苏轼。作画亦顷刻能尽数纸。爱佳山水，常裹粮往游。\n雍正五年（1727）进士，官至詹事府詹事。曾以所作《经史法戒诗》《万寿圣德诗》《十慎箴》《春林淡霭图》《日长山静》画扇进献乾隆帝。帝亦曾以御画《松竹图》、御书“双清阁”匾额，以及笔砚、纱缎、绒貂之类赐之。在朝所进诗，及与诸同僚和者，不下数百篇。\n乾隆十年（1745），以省墓请假归乡，帝赐白金百两， 御制五律一章，以宠其行，行至山东临清以病卒。",[23,78,79,51,24,25,28,29,80,31,30,81,82,26,7,83],"书画","立轴","亭","印章","书法","云雾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3a2d0b96d95d1df047caa62a9b73bb9.jpg","未知","Xcm*Xcm","",[],3,{"id":91,"slug":92,"title":93,"dynasty":73,"author":94,"museum":20,"description":95,"tags":96,"thumbUrl":104,"material":105,"size":106,"collection":87,"collections":107,"showCount":67,"zanCount":11,"manualWeight":11,"mainColor":68},223109,"fang-zhao-ling-rang-chun-shan-cui-ai-zhou-dong-bang-da-223109","倣赵令穰春山翠霭轴","董邦达","董邦达（1699－1769或1774）清代官员、书画家。字孚闻、非闻，号东山，浙江富阳人。雍正十一年进士，乾隆二年授编修，官礼部尚书，谥文恪。好书、画，篆、隶得古法，山水取法元人，善用枯笔。其风格在娄东、虔山派之间。与董源、董其昌并列。",[48,97,23,78,79,24,25,26,98,81,7,83,99,100,101,31,102,103,30],"名画","临摹","河流","孤舟","房屋","松树","柳树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a4b13e24fcb7ef928d5dd05b077a07e.jpg","轴 纸本 设色","133.2x63.5",[],{"id":109,"slug":110,"title":111,"dynasty":73,"author":112,"museum":75,"description":113,"tags":114,"thumbUrl":119,"material":85,"size":86,"collection":87,"collections":120,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},251666,"qing-yu-ke-shi-chun-shan-fang-you-tu-shan-zi-yi-ming-251666","青玉刻诗春山访友图山子","佚名","随形施艺，俏色天成。金黄玉皮化作春日山峦的苍莽肌理，莹润玉肉间精雕亭台松影，山道蜿蜒隐现访友意趣。雕琢与留白相得益彰，将文人山居雅集的逸趣凝于玉中。\n\n刀法细腻却不炫技，保留玉质温润本真，静穆里晕开春日山林的清幽生机，把传统山水画意境缩于掌心，含蓄雅致尽显东方文人山水的留白意韵，是玉作与画意相融的精巧之品。",[115,116,25,117,80,82,7,30,118],"玉石","雕刻","人物","刻诗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbcaf169e6a42a8a110ca2e5cb39a61fe.jpg",[],1777535751878]