[{"data":1,"prerenderedAt":168},["ShallowReactive",2],{"subject-ci-pan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10117,"ci-pan","瓷盘","瓷盘画高清赏析","精选中国历代瓷盘题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F857d015a4090a682e5042588deae1460.jpg",0,13,[14,35,54,63,76,89,98,109,121,131,140,150,159],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},259791,"kang-xi-kuan-qing-hua-yi-shou-wen-pan-yi-ming-259791","康熙款青花异兽纹盘","清","佚名","藏地不详","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,24,25,26,27,7],"陶瓷","青花","异兽","虎","凤凰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac07f0b7fd29ce005e618869d69e5283.jpg","未知","Xcm*Xcm","",[],1,"795548",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":51,"material":29,"size":30,"collection":31,"collections":52,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":53},256678,"fen-cai-xiang-sheng-ci-guo-pin-pan-yi-ming-256678","粉彩像生瓷果品盘","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[41,42,43,44,23,45,46,47,48,49,50,7],"清代","粉彩","像生瓷","设色","蟹","核桃","花生","荔枝","红枣","果品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f11d94fad93be689b525c130134f409.jpg",[],"BDBDBD",{"id":55,"slug":56,"title":57,"dynasty":18,"author":19,"museum":20,"description":21,"tags":58,"thumbUrl":61,"material":29,"size":30,"collection":31,"collections":62,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},261020,"cheng-hua-kuan-qing-hua-shan-shui-ren-wu-tu-pan-yi-ming-261020","成化款青花山水人物图盘",[23,24,59,60,7],"山水","人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e244b06ff1d30f40bfe65dfaeae0d1b.jpg",[],{"id":64,"slug":65,"title":66,"dynasty":18,"author":19,"museum":20,"description":67,"tags":68,"thumbUrl":73,"material":29,"size":30,"collection":31,"collections":74,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":75},260507,"yong-zheng-kuan-wu-cai-hua-die-wen-pan-yi-ming-260507","雍正款五彩花蝶纹盘","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[23,69,70,71,72,7],"日用具","五彩","花卉","蝴蝶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe338ebbc0afb029bce4818626496dc5d.jpg",[],"37474F",{"id":77,"slug":78,"title":79,"dynasty":80,"author":19,"museum":20,"description":81,"tags":82,"thumbUrl":87,"material":29,"size":30,"collection":31,"collections":88,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":75},260419,"bai-di-lv-cai-hai-shui-hong-cai-si-yu-wen-pan-yi-ming-260419","白地绿彩海水红彩四鱼纹盘","明","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,7,83,84,85,86,69],"鱼","红彩","绿彩","海水纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff77544b7f969e232e5de4816ca087c7f.jpg",[],{"id":90,"slug":91,"title":92,"dynasty":80,"author":19,"museum":20,"description":21,"tags":93,"thumbUrl":96,"material":29,"size":30,"collection":31,"collections":97,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":53},259981,"wan-li-kuan-qing-hua-yu-zao-wen-pan-yi-ming-259981","万历款青花鱼藻纹盘",[23,24,83,94,95,7],"荷花","鱼藻纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5259f2051d4ac715e3a7554335cd2f7.jpg",[],{"id":99,"slug":100,"title":101,"dynasty":18,"author":19,"museum":20,"description":81,"tags":102,"thumbUrl":107,"material":29,"size":30,"collection":31,"collections":108,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},259488,"guang-xu-kuan-fan-hong-di-ba-bai-zhu-wen-pan-yi-ming-259488","光绪款矾红地拔白竹纹盘",[23,69,7,103,104,105,106],"竹纹","蝙蝠纹","拔白技法","矾红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd23565d586d95f52577de8c63fb6cb14.jpg",[],{"id":110,"slug":111,"title":112,"dynasty":18,"author":19,"museum":20,"description":81,"tags":113,"thumbUrl":119,"material":29,"size":30,"collection":31,"collections":120,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":53},259476,"guang-xu-kuan-wai-bai-di-li-huang-di-fen-cai-miao-jin-jie-dai-wan-zi-wan-shou-wu-jiang-pan-yi-ming-259476","光绪款外白地里黄地粉彩描金结带“卍”字“万寿无疆”盘",[23,42,114,7,69,115,116,117,118,44],"描金","缠枝花卉","牡丹","卍字纹","万寿无疆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d3b445775c18258568022b5c4986365.jpg",[],{"id":122,"slug":123,"title":124,"dynasty":18,"author":19,"museum":20,"description":81,"tags":125,"thumbUrl":129,"material":29,"size":30,"collection":31,"collections":130,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},259375,"dao-guang-kuan-bai-di-fan-hong-cai-fu-wen-pan-yi-ming-259375","道光款白地矾红彩蝠纹盘",[23,126,127,128,7,69],"矾红彩","蝠纹","白地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F387487473bcb25ac330156383b1d9e66.jpg",[],{"id":132,"slug":133,"title":134,"dynasty":18,"author":19,"museum":20,"description":21,"tags":135,"thumbUrl":138,"material":29,"size":30,"collection":31,"collections":139,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":75},259365,"dao-guang-kuan-qing-hua-tuan-hua-wen-pan-yi-ming-259365","道光款青花团花纹盘",[23,7,24,70,136,137,44],"团花纹","龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8303e74a05f71cd4be0b9e5a2d95459f.jpg",[],{"id":141,"slug":142,"title":143,"dynasty":18,"author":19,"museum":20,"description":81,"tags":144,"thumbUrl":148,"material":29,"size":30,"collection":31,"collections":149,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":75},259362,"dao-guang-kuan-dou-cai-shou-zi-gou-yun-wen-pan-yi-ming-259362","道光款斗彩寿字勾云纹盘",[23,145,146,147,7,69],"斗彩","寿字纹","勾云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5cabeb11eb4dfed48e45f2d805cf68ca.jpg",[],{"id":151,"slug":152,"title":153,"dynasty":18,"author":19,"museum":20,"description":21,"tags":154,"thumbUrl":156,"material":29,"size":30,"collection":31,"collections":157,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":158},259232,"qian-long-kuan-qing-hua-fan-hong-cai-hai-shui-yun-long-wen-pan-yi-ming-259232","乾隆款青花矾红彩海水云龙纹盘",[23,155,137,86,7],"青花矾红彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c8719f5f224eee6d59546b42537ff95.jpg",[],"F48FB1",{"id":160,"slug":161,"title":162,"dynasty":18,"author":19,"museum":20,"description":163,"tags":164,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":167,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":75},259111,"zheng-de-kuan-li-bai-you-wai-huang-di-lv-cai-yun-long-wen-pan-yi-ming-259111","正德款里白釉外黄地绿彩云龙纹盘","将不含金属氧化物呈色元素的釉料施于胎骨洁白的器物上，入窑高温烧制而成的透明釉， 釉色因白润瓷胎的映衬而显出白色，现在习惯上将这种透明釉也称为白釉。\n瓷器釉料中的含铁量降低到0.75%以下，施于洁白的瓷胎上，入窑经高温烧制，就会出现白釉。严格地说，白釉是一种无色透明釉，而不是白色的釉 。白釉是瓷器传统釉色之一,真正的白釉应该是乳白色的乳浊釉,这种釉是近代才发明的。我国古代仅有元代枢府釉是失透的,其他白釉并不是白色的釉,\n白釉烧制工艺比青釉复杂，出现的时间也较青釉晚，一般瓷土和釉料，都或多或少含有一些氧化铁，器物烧出后必然呈现出深浅不同的青色来。如果釉料中的铁元素含量小于0.75%，烧出来的就会是白釉。\n白釉最早出现在汉代，比青釉瓷器晚了400多年，白釉瓷器开始是青白色的，因为瓷器中铁的含量高于1%就是青色的，少于1%就是白瓷了，所以中国白瓷经历青瓷、青白瓷、卵白釉、甜白釉、象牙白、白釉的发展过程。中国历史上白瓷产地有德化白瓷、定窑白瓷以及刑窑白瓷等。",[23,137,165,166,7],"云纹","黄地绿彩",[],1777535729089]