[{"data":1,"prerenderedAt":86},["ShallowReactive",2],{"subject-cui-se":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6450,"cui-se","翠色","翠色画高清赏析","精选中国历代翠色题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd170db7b679473926936dd3c23616532.jpg",0,5,[14,38,49,62,72],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":34,"collections":35,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},242128,"cui-qiu-ye-xing-er-zhui-yi-ming-242128","翠秋叶形耳坠","清","佚名","藏地不详","耳坠指耳饰的一种，指带有下垂饰物的耳饰（耳环）。有时耳坠等同于耳环，又称耳坠子，是耳朵饰品的代称。耳坠又指耳垂，是属于耳朵结构的一部分，位于耳朵的下半部，比较肥厚的那部分。在最传统的命理学说法中，耳坠的厚与薄代表一个人的命运。\n古时候，人们讲究“耳大如轮，眼大有神”，注重以貌取人，认为耳垂小了是没有福气的象征。但是人一出世，天生的小耳垂，又有啥办法弥补呢？传说，只有戴上耳坠。才能把耳轮拉长。因此，妇女都喜欢戴一副耳坠。 问起这一风俗的来历，传说，还是三国时期貂蝉传下来的呢。 貂蝉原是东汉末汉献帝时司徒王允的一名歌伎，她长得相貌出众、能歌善舞，色伎俱佳，很受王允的宠爱，以亲女看待。当时，董卓专权，挟天子以令诸侯，大臣们对他恨之入骨，但是敢怒而不敢言。王允为此事也闷闷不乐，终日不思茶饭。 貂蝉虽是女流，可王允的心事，她却宗宗看在眼里，件件记在心中。她很会察言观色，为主人分忧解愁。在一个月光皎洁的夜晚，貂蝉在花园里设下香案，为主人祝祷。她虔诚地燃起三柱香火，仰天一拜说道：“明月呀明月，你虽昭昭洁白如洗，可知我家老爷心中烦恼？苍天呀苍天！我貂蝉虽乃女流之辈，老爷婢女，若能为老爷分担忧愁，我愿万死不辞。”恰在此时，王允因忧国心烦，夜不能寐，来到后花园赏月散心。他听见有人祝祷，连忙躲在一座假山后面，静听起来。他听完貂婶的祝愿，心情无比激动和感激，忙上前来，搀扶起这一歌女。 王允问貂婢：“你向苍天明月祈告，为我分忧解愁，可知我忧在何处？愁为何事呀！” 貂蝉说：“当然知道。” 王允又问：“既然知道，又有什么妙法替我杀了董卓？” 貂婢说：“只要老爷相信得过我，奴婢愿效犬马之劳，即使赴汤蹈火，也心甘情愿。” 王允听了，顿时为这女子的仗义和气魄所感动，当即认貂蝉为女儿。后来王允与貂蝉合议：先将貂蝉献于董卓，后再暗许吕布，以离间两人之交，让这董吕两人勾心斗角，互相杀害。 貂蝉耳垂小，怕自己美中不足，使董、吕二人看不上，使密谋落空。她想办法弥补，想了很久，终于想出了良法，就在家中拿了些碎银子，叫银匠给自己作了一对银耳坠，挂在耳垂上。这样过了不久，耳垂果然变大了，为她的美容又增添了不少姿色。 董卓一见貂蝉大喜！吕布一见貂蝉着迷，使董卓和吕布因争夺这一美女而激烈相斗。又因吕布貂蝉私通，恐事发觉，心神不安。王允设计使吕布为内应，结果董卓被杀了。 从此，戴耳坠也就传到了民间。",[18,23,24,25,26,27,28,29,30,7],"饰品","玉石","翡翠","金饰","珍珠","秋叶","福字","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9985d0e4f7c2191e8257c9a2d927ee22.jpg","未知","Xcm*Xcm","",[],1,"37474F",{"id":39,"slug":40,"title":41,"dynasty":18,"author":19,"museum":20,"description":42,"tags":43,"thumbUrl":47,"material":32,"size":33,"collection":34,"collections":48,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":37},241731,"cui-san-yang-pei-yi-ming-241731","翠三羊佩","古人的很多生活器具都是由玉雕成的，能常戴在身上的惟有玉佩。繁钦诗中“美玉”是指玉做的佩，或写作“佩”。古人对玉佩的热爱不是因为玉的贵重，而是源于玉的品格，所以古语有“君子无故，玉不去身”。",[44,24,30,45,46,7,23],"清代","羊","三羊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77d05d4874fea009bb2465a191dd71ff.jpg",[],{"id":50,"slug":51,"title":52,"dynasty":18,"author":19,"museum":20,"description":53,"tags":54,"thumbUrl":59,"material":32,"size":33,"collection":34,"collections":60,"showCount":36,"zanCount":11,"manualWeight":11,"mainColor":61},241728,"cui-hua-die-bei-yun-yi-ming-241728","翠花蝶背云","这件饰品玉色浓翠莹润，匀净鲜亮。以整片荷叶为底形，浮雕兼透雕琢磨出花蝶依偎的景致。叶脉舒展婉转，蝶翼纹路细腻灵动，花瓣轻绽柔婉，生机暗含其间。构图饱满却通透留白相宜，将料色之美与雕刻之工相融，借荷叶蝴蝶暗合吉祥意趣，尽显小件玉雕工料俱佳的雅致风韵，温婉古韵扑面而来。",[44,24,30,23,55,7,56,57,58],"花鸟","花","蝶","工笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ef75bc0367a25302a9ef9bfb1337275.jpg",[],"0D904F",{"id":63,"slug":64,"title":65,"dynasty":18,"author":19,"museum":20,"description":66,"tags":67,"thumbUrl":70,"material":32,"size":33,"collection":34,"collections":71,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},241914,"cui-pan-chang-bei-yun-yi-ming-241914","翠盘肠背云","取满色浓绿翠料，以透雕技法摹刻盘肠结。线条婉转回环，环环相扣不见断痕，将绳结的柔媚缱绻以玉质的莹润通透呈现。整器匀净浓绿，水头充盈，色泽鲜亮匀凝，雕琢毫无滞涩，虚实相生间尽显雅致工巧。\n盘肠自带“连绵不断、福寿绵长”的吉意，这件饰物将玉料之润美与吉祥寓意相融，尽显治玉工艺的细腻考究，是兼具审美意趣与美好祈愿的精巧之作。",[44,24,30,68,23,7,69],"吉祥纹样","盘肠纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faeb17502e7b9d3f82bf9c213ae9f35e7.jpg",[],{"id":73,"slug":74,"title":75,"dynasty":18,"author":19,"museum":20,"description":76,"tags":77,"thumbUrl":10,"material":32,"size":33,"collection":34,"collections":84,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},229907,"cui-yu-yin-ni-he-yi-ming-229907","翠玉印泥盒","中国古代印章材料，以铜为主，兼用金、银、玉、石等材料。铜质印章因其质具有延展性，以铜铸印，其文古朴雄浑；以铜镌印，其文劲健有神。金、玉因其材贵重，所传甚少而弥足珍贵。取金制印，价值贵重。但纯金印少见，常有鎏金印，皆官印。银质腻刀，则印文柔媚，常见小型银印，玲珑可喜，多为私印。玉温润有光泽，质细密而硬脆。玉印所传甚少，今可见者百余方而已。\n战国古玺无论官玺、私玺,质地大都是铜质,间有银和玉,印材选用并无定制。而到了秦代就有了严格规定，只有帝王印自称“玺”，以玉作印材。臣民用印称“印”，不能用玉。汉代规制尚“俭”皇族偶有用玉的，如“皇后之玺”和“淮阳王玺”。私印中用玉的则屡见不鲜。两汉玉印在古印中是十分珍责稀少的一类。一般玉印制作精良、章法严谨、笔势圆转，粗看笔划平方正直，却全无板滞之意。由于玉质坚硬，不易受刀，也就产生了特殊的篆刻技法，即所谓的“平刀直下”的“切刀法”。又由于玉质的不易腐蚀受损，使传世下印得以比较好地保留了它的本来面目。",[24,30,78,79,80,44,81,7,82,83],"青绿","器","文房","文房用具","圆形","玉器工艺",[],"BDBDBD",1777535756460]