[{"data":1,"prerenderedAt":170},["ShallowReactive",2],{"subject-cuo-yin":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8385,"cuo-yin","错银","错银画高清赏析","精选中国历代错银题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd869c06f5361a914db671dd68738ca2c.jpg",0,15,[14,34,49,58,69,82,89,98,109,118,126,134,143,151,162],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},243032,"cuo-yin-yan-di-yi-ming-243032","错银砚滴","宋","佚名","藏地不详","此件瑞兽砚滴，身形敦厚朴拙，昂首伫立，静穆沉稳。错银丝勾勒周身卷云纹，眉眼肌理间纹饰细腻灵动，颈间错金线圈环绕，更添华贵古韵。背部带钮小盖精巧雅致，既为注水之需，又让器型浑然一体。古铜胎身带着斑驳绿锈与红褐包浆，晕开岁月浸漫的痕迹，将瑞兽威仪凝为案头雅物，把文房清趣与复古意韵相融，尽显雅致沉静的宋式审美，静立间晕开隽永悠长的古典意趣。",[18,7,23,24,25,26,27],"铜制","雕刻","兽","牛","砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb222a043e2a876e449c2455a7a833ab9.jpg","","青铜器精选",[30],10,"795548",{"id":35,"slug":36,"title":37,"dynasty":38,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":44,"material":45,"size":46,"collection":29,"collections":47,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":33},245216,"cuo-yin-dao-bing-yi-ming-245216","错银刀柄","汉","汉代青铜器产生于青铜时代的晚期，在我国青铜史上占有特殊的地位，体现出独特的设计思想和特征，具有卓越的科学功能，并对当今设计有很大的启示作用。\n汉代青铜器很多都是素纹，大部分还是铸造的，也有的花纹、铭文是用錾子雕刻的。比如汉代的鎏金杯子、奁、盒、碗等用具上的花纹，多是雕刻的。\n汉代以后至唐代的铜器，铸造的花纹很多，其中有打料的铜、金、银器，并且也有了大、小焊的技术。\n西汉初期（高祖至景帝），此时的青铜器，基本为素面。其鼎主要承自秦式，但一般三足更矮。敦盒形。\n壶有大小二型并存，大型壶腹下部略呈收缩之状，腹比秦壶要鼓；小型壶的腹部较瘦长，经常铸出变形螭纹。钫此时更流行，有的做得很讲究，通腹有镶嵌绿松石的三角云纹。\n鍪和蒜头壶继续流行。日用器皿中，高灯多见，豆式熏炉盛行，带钩显琵琶形、棒形、琴形讲究的多做成鎏金、错金银、镶玉或绿松石。\n西汉中期至东汉早期（西汉武帝至东汉章帝）是西汉青铜器最发达的时期，也是汉代青铜器新风格最终形成的时期。这时期最多见的青铜用器是鼎、壶、钫、尊、熨斗、带钩、铜镜。\n灯：古代照明器具。青铜灯出现于战国时期，而盛行于汉代。最著名的当属长信宫灯了，灯的样子很多，较普通的是有圆盘，盘内有钎，盘下有柱，柱下有圈足；也有盘下作雁足状的，盘用来盛油或插烛。\n另有一种灯自铭为“行灯”，它圆盘边有把，盘下有三短足。青铜灯最富感染力的当属那些铸成人形、禽形、兽形、树形的艺术造型灯。\n博山炉：古代焚香的器具。一般炉体作圆形，用来放香料，体下有高足，有的足还铸成人形或鸟兽形；炉盖均高而尖，雕镂成山峦形上有人物、走兽，象征海上仙山“博山”，故名“博山炉”。盛行于汉代。\n樽：古代盛酒的器皿，器作圆形，直壁，有盖，腹较深，下有三兽足，旁有铺首衔环耳。\n洗：盥洗用器皿。形状象盆，圆形、宽口沿，平或圆底，腹外多有铺首衔环耳，内底常用双鱼作装饰，并多铸吉语。盛行于汉晋。\n耳杯：古代饮酒器。多漆制，称“羽觞”。铜质者，器作椭圆形，腹壁有二环耳。\n熨斗：古式熨烫衣服的工具。形状为圆腹宽口沿，有长柄，盛行于汉魏。\n东汉中晚期（和帝至献帝）青铜器又有了新的变化。此时使用较多的铜器日用品有：钟、扁壶、盆、釜、鐎斗、灯、博山炉、炉、熨斗、尊、耳杯、虎子、车马器、带钩、铜镜、玺印等。\n此时青铜器的特点是比以前轻薄、错金银技术在青铜器装饰中几乎消失，鎏金仍多，鎏金器上出现了细线阴刻云纹。",[7,23,41,24,42,43],"青铜器","兵器","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68f339a733760a53dbc10ad98739b2a2.jpg","未知","Xcm*Xcm",[],3,{"id":50,"slug":51,"title":52,"dynasty":38,"author":19,"museum":20,"description":39,"tags":53,"thumbUrl":55,"material":45,"size":46,"collection":29,"collections":56,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":57},243425,"cuo-yin-nu-ji-yi-ming-243425","错银弩机",[54,41,7,42],"汉代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F946c1a94d08df2b3f8476e14e290750f.jpg",[],"BDBDBD",{"id":59,"slug":60,"title":61,"dynasty":62,"author":19,"museum":20,"description":63,"tags":64,"thumbUrl":66,"material":45,"size":46,"collection":29,"collections":67,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":33},244435,"cuo-yin-long-wen-dui-yi-ming-244435","错银龙纹镦","周","青铜器（Bronze Ware）在古时被称为“金”或“吉金”，是红铜与其他化学元素锡、铅等的合金，刚刚铸造完成的青铜器是金色，但因为出土的青铜因为时间流失产生锈蚀后变为青绿色，被称为青铜。\n青铜器的使用开始于新石器时代晚期的土耳其和伊拉克地区，及叙利亚古代TellRamad遗址出土的铜珠等。中国青铜器开始于马家窑至秦汉时期，以商周时期的器物最为精美。在中国仰韶文化早期和马家窑文化时期就已经出现。\n中国最初出现的是小型工具或饰物。夏代始有青铜容器和兵器。商中期，青铜器品种已很丰富，并出现了铭文和精细的花纹。商晚期至西周早期，是青铜器发展的鼎盛时期，器型多种多样，浑厚凝重，铭文逐渐加长，花纹繁缛富丽。随后，青铜器胎体开始变薄，纹饰逐渐简化。春秋晚期至战国，由于铁器的推广使用，铜制工具越来越少。秦汉时期，随着陶器和漆器进入日常生活，铜制容器品种减少，装饰简单，多为素面，胎体也更为轻薄。\n中国青铜器制作精美，在世界青铜器中享有极高的声誉和艺术价值，代表着中国5000多年青铜发展的高超技术与文化。\n我国商、周时代的青铜器具，不单是盛物用的容器，同时也是宗庙中的礼器。青铜器的数量可以表示出身份地位的高低，青铜器形制的大小也可以显示出权力的等级。青铜器中，最重要的器类就是鼎。远古的青铜器可以分为食器、酒器、水器、乐器四大类。食器中包括鼎、鬲等等。其中鼎是最重要的礼器。\n西周中晚期我国形成了列鼎制度，据《春秋公羊传》记载，天子用9鼎，诸侯用7鼎、卿大夫用5鼎、士用3鼎或1鼎。同时。与鼎一同出现的还有簋，通常为九鼎八簋，七鼎六簋，五鼎四簋，三鼎二簋。在西周中晚期的墓葬制度中，鼎为单数而簋为双数。青铜鼎随着时代的发展，形制也在发生变化。商代早期多为圆腹尖足，也有方鼎。到了中期出现了扁足鼎等等。商代晚期尖足鼎逐渐减少，圆腹柱足鼎开始居多，鬲鼎逐渐多了起来。《尔雅》记载“鼎之款足者，谓之鬲”。鬲鼎也称为分裆鼎，是鬲和鼎的混合体，鼎从商代开始铸有各式样的神秘纹饰，多为兽面纹，如饕餮纹、蝉纹、象纹等等，纹饰变化巧妙。容器内部铸有族徽或祖先的名字。\n青铜是铜和锡铅的合金。在中国古代早期的工艺美术中青铜工艺成为奴隶社会工艺美术的典型代表是我们的祖先对人类物质文明的巨大贡献。商周时期是中国历史上的青铜时代，它以品类丰富、造型优美、纹饰华丽、制作精巧、风格独特而著称。此时是冶炼铸造技术可以说有了突发猛进的发展，在应用上具有广泛的适用性。成为中国艺术史的一个组成部分。本文以商周时期的青铜器主要代表作品作品：《后母戊大方鼎》、《盂鼎》为例，从青铜器作为“礼器”的艺术精神与青铜器的造型、装饰艺术特点来谈谈商周青铜器艺术。\n中国古代青铜器，就使用规模、铸造工艺、造型艺术及品种而言。中国古代青铜器在世界艺术史上占有独特地位。商周时期是中国历史上的青铜时代，青铜流行于新石器时代晚期至秦汉时代。以商周器物最为精美，品种已很丰富器型多种多样，并出现了铭文和精细的花纹浑厚凝重。商周青铜器艺术装饰承接新石器时代艺术中若干精髓，经过长期绵延不断的变化，形成独特的体系，在成为中国艺术史的一个组成部分。商周时期，青铜的冶炼业作为生产力的标志而达到高峰。是中国古代青铜器发展的鼎盛时期。",[41,7,65,43],"龙纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F521991daf31bd384ad7cd74ccee2edd1.jpg",[],2,{"id":70,"slug":71,"title":72,"dynasty":73,"author":19,"museum":20,"description":74,"tags":75,"thumbUrl":79,"material":45,"size":46,"collection":29,"collections":80,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":33},245226,"shi-sou-cuo-yin-ping-yi-ming-245226","石叟错银瓶","明","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[76,23,7,24,77,78],"明代","纹饰","瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faaf79744df9d37869648f6d8b8c38c7a.jpg",[],1,{"id":83,"slug":84,"title":85,"dynasty":62,"author":19,"museum":20,"description":63,"tags":86,"thumbUrl":87,"material":45,"size":46,"collection":29,"collections":88,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},245044,"cuo-yin-ge-dui-yi-ming-245044","错银戈镦",[41,7,24,42,62,77],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe634049698744fead14d2c098336bde3.jpg",[],{"id":90,"slug":91,"title":92,"dynasty":62,"author":19,"museum":20,"description":63,"tags":93,"thumbUrl":95,"material":45,"size":46,"collection":29,"collections":96,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":97},244885,"cuo-yin-yun-wen-gu-yi-ming-244885","错银云纹箍",[41,23,7,94,24,62],"云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc3fa20b1ea3850eee709aa4863ffd6ce.jpg",[],"37474F",{"id":99,"slug":100,"title":101,"dynasty":73,"author":19,"museum":20,"description":102,"tags":103,"thumbUrl":107,"material":45,"size":46,"collection":29,"collections":108,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":97},244665,"cuo-yin-ding-yi-ming-244665","错银鼎","平沿立耳挺拔方正，鼓腹丰腴圆融，三柱足沉稳撑起器身，形制追摹上古礼器，浑朴厚重自带肃穆古意。\n器身错银为饰，银丝如素练盘绕，勾出回环往复的细腻纹样，在深褐铜色的映衬下，似星芒落于铜胎，冷冽银光中和了铜器的沉郁厚重，刚柔相济。\n整器无过多赘饰，仅凭线条与错银的明暗对比，将仿古的庄重与雅致审美相融，静穆间流露着追慕古风的清雅格调，是仿古铜作中的佳制。",[7,24,41,23,104,105,106],"礼器","饪食器","三足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86ee19a692689fd142acccef5f3e1d5a.jpg",[],{"id":110,"slug":111,"title":112,"dynasty":73,"author":19,"museum":20,"description":113,"tags":114,"thumbUrl":116,"material":45,"size":46,"collection":29,"collections":117,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},244650,"shi-sou-cuo-yin-shou-mian-wen-gui-yi-ming-244650","石叟错银兽面纹簋","青铜簋，为商周时期重要的青铜礼器和食器，主要盛放煮熟的黍、稷、稻、粱等食粮，作用相当于我们现在使用的大碗，人们使用工具从簋中取食。在商周礼制中，青铜簋通常在祭祀和宴飨时以偶数组合与以奇数组合的列鼎配合使用，如，天子用九鼎八簋，诸侯七鼎六簋，大夫五鼎四簋，元士三鼎二簋。\n现在所见最早的青铜簋是二里岗时期的。商代早中期，簋多为圆形，侈口、深腹、圈足；到了商代晚期，双耳簋开始增多。西周时期是簋的盛行时期，不仅出土数量增多，而且形制亦趋复杂，除双耳圈足簋外，还出现了四耳簋、三足簋、四足簋和方座簋等；西周中期后多有盖。至战国后始衰落。",[41,7,115,104,23,24,76],"兽面纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b43c6fe29c30cb31fa2a7d624f1274d.jpg",[],{"id":119,"slug":120,"title":121,"dynasty":73,"author":19,"museum":20,"description":74,"tags":122,"thumbUrl":124,"material":45,"size":46,"collection":29,"collections":125,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":97},244177,"cuo-yin-ping-yi-ming-244177","错银瓶",[76,23,7,24,123,43],"兽首","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f250cb10e1883d7e93d97e1bf415428.jpg",[],{"id":127,"slug":128,"title":129,"dynasty":73,"author":19,"museum":20,"description":130,"tags":131,"thumbUrl":132,"material":45,"size":46,"collection":29,"collections":133,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":97},243288,"cuo-yin-hu-yi-ming-243288","错银壶","造型端庄沉稳，撇颈鼓腹下接圈足，线条舒展柔和。器身以错银工艺装饰，颈间回纹工整周正，腹部变形兽面纹婉转缠绕，纤细银丝于灰朴器表勾连出灵动古雅的纹路，带着青铜古器的肃穆余韵，暗合复古审美意趣。\n\n对称的兽首衔环铺首为点睛之笔，浑厚古朴中和了满饰纹样的繁密，让器型于规矩中带着雄浑气度。冷灰底色衬着银线柔光，明暗交错间尽显沉静雅致，将复古礼制内涵与精巧工艺相融，尽显匠心巧思，是一件兼具古韵与工致的仿古佳器。",[76,23,7,24,43],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38cdfdbfb5e00690a7292a5c7c9831b5.jpg",[],{"id":135,"slug":136,"title":137,"dynasty":138,"author":19,"museum":20,"description":139,"tags":140,"thumbUrl":141,"material":45,"size":46,"collection":29,"collections":142,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},243273,"cuo-yin-shou-mian-wen-ding-yi-ming-243273","错银兽面纹鼎","清","此鼎立耳三足，形制古雅端方。器身错银勾勒兽面回纹，线条柔婉却自带着上古青铜的沉肃威仪。斑驳鎏金残痕隐于器身，依稀可窥当年华彩。它追摹商周古鼎神韵，又以清代细巧工艺诠释古韵，错银丝缕流畅细腻，将兽面的狞厉柔化，添了几分雅致静穆。岁月晕染下，铜色沉敛，斑驳痕迹成了时光馈赠，让这仿古铜器褪去匠造的刻意，愈发带着古拙沉静的气质，藏着旧时匠人复刻古意的精巧心思。",[41,7,115,104,23,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2dd4fb37ce539f98d9712e1788fffe0e.jpg",[],{"id":144,"slug":145,"title":129,"dynasty":138,"author":19,"museum":20,"description":146,"tags":147,"thumbUrl":149,"material":45,"size":46,"collection":29,"collections":150,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":97},243231,"cuo-yin-hu-yi-ming-243231","器形端庄雅致，撇口束颈，鼓腹敛足，对称双耳与腹部系钮呼应，线条浑朴古雅，尽显沉稳大气。\n通体以错银饰纹，颈部卷草纹婉转柔丽，腹部以菱形格为地，填饰缠枝花卉，细密银丝勾勒出花叶舒展之姿，系钮周遭饰以兽面纹，古意顿生。墨色古铜与亮泽银丝相映成趣，走线精细流畅，纹饰排布疏密得宜，尽显错银工艺的精妙功力，整器古韵盎然，是仿古铜作中的上乘之品。",[7,23,43,148,24],"日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13629dc18f9fe45ce054807a7aa1c586.jpg",[],{"id":152,"slug":153,"title":137,"dynasty":73,"author":19,"museum":20,"description":154,"tags":155,"thumbUrl":160,"material":45,"size":46,"collection":29,"collections":161,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},243154,"cuo-yin-shou-mian-wen-ding-yi-ming-243154","古铜凝色，瓜棱器腹圆润饱满，高挑立耳对称挺括，三柱足沉稳敦实，撑起庄重身姿。错银丝勾勒兽面纹，线条婉转灵动，兽面双目圆睁，威严暗藏其中。银丝在深褐铜色映衬下熠熠生辉，将上古礼器的厚重与仿古工艺的精巧相融，既有商周鼎彝的肃穆气韵，又带着手作的细腻匠心，方寸间尽显复古雅韵，静静诉说着跨越千年的青铜审美传承。",[73,41,23,7,115,105,156,157,106,158,159],"错银技法","兽面纹饰","双耳","铜鼎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59153aa372ac0bcf12a12d08a649ffc8.jpg",[],{"id":163,"slug":164,"title":165,"dynasty":62,"author":19,"museum":20,"description":63,"tags":166,"thumbUrl":10,"material":45,"size":46,"collection":29,"collections":169,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":97},242960,"cuo-yin-che-shi-yi-ming-242960","错银车饰",[7,41,167,168,23,24],"车饰","周代",[],1777535725427]