[{"data":1,"prerenderedAt":104},["ShallowReactive",2],{"subject-da-pan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6090,"da-pan","大盘","大盘画高清赏析","精选中国历代大盘题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d0be0e846f79492bb789cb63cc81855.jpg",0,7,[14,35,49,62,73,85,94],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},261015,"qing-hua-qi-lin-jiao-ye-tu-da-pan-yi-ming-261015","青花麒麟蕉叶图大盘","清","佚名","藏地不详","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,24,25,26,7,27],"陶瓷","青花","麒麟","蕉叶","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60519a06693050fbaad92dfd411de5ee.jpg","未知","Xcm*Xcm","",[],3,"795548",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":46,"material":29,"size":30,"collection":31,"collections":47,"showCount":48,"zanCount":11,"manualWeight":11,"mainColor":34},229085,"fen-cai-fan-lian-da-pan-yi-ming-229085","粉彩番莲大盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[41,42,43,23,44,45,7],"清代","粉彩","设色","番莲","缠枝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc6307309247a29ef00c65a3e74358a9.jpg",[],2,{"id":50,"slug":51,"title":52,"dynasty":18,"author":19,"museum":20,"description":53,"tags":54,"thumbUrl":58,"material":29,"size":30,"collection":59,"collections":60,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":34},261578,"de-hua-yao-bai-you-hua-hua-wen-da-pan-yi-ming-261578","德化窑白釉划花纹大盘","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为"象牙白"、"奶白"或 "天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[23,55,56,7,57],"白釉","划花纹","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd633cfd5aff1d447414adf316e816da6.jpg","瓷器精选",[59],1,{"id":63,"slug":64,"title":65,"dynasty":18,"author":19,"museum":20,"description":21,"tags":66,"thumbUrl":70,"material":29,"size":30,"collection":31,"collections":71,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},259140,"qing-hua-jin-di-kai-guang-hua-hui-wen-da-pan-yi-ming-259140","青花锦地开光花卉纹大盘",[67,24,68,69,7],"瓷器","锦地开光","花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F899f9d4a37cfab0c3cf5b7567ddcef26.jpg",[],"BDBDBD",{"id":74,"slug":75,"title":76,"dynasty":18,"author":19,"museum":20,"description":77,"tags":78,"thumbUrl":83,"material":29,"size":30,"collection":31,"collections":84,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},258386,"yong-zheng-kuan-dou-cai-kui-feng-lian-hua-ba-bao-wen-da-pan-yi-ming-258386","雍正款斗彩夔凤莲花八宝纹大盘","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[18,79,43,80,81,82,23,7],"斗彩","夔凤","莲花","八宝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3db3121e1d7ce89ec6bb26e38cf678a5.jpg",[],{"id":86,"slug":87,"title":88,"dynasty":18,"author":19,"museum":20,"description":89,"tags":90,"thumbUrl":92,"material":29,"size":30,"collection":59,"collections":93,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257846,"lang-yao-hong-you-da-pan-yi-ming-257846","郎窑红釉大盘","清代康熙后期景德镇官窑。康熙四十四年到五十一年（1705—1712），江西巡抚郎廷极在景德镇督造瓷器，故名。釉色以宝石红、宝石蓝、宝石绿最佳，宝石红有“郎窑红”之称。法国人称“牛血红”。在红釉中最杰出。洒蓝和霁蓝瓷，再上一道极薄釉子，然后加绘金花金彩，华丽静穆，匠心独运。素三彩创于此时。青花和斗彩也很有名。\n清初郎廷极所监督的江西景德镇窑及其所督造的瓷器之代称。其瓷器仿古暗合，摹仿明永乐、宣德红釉烧制，釉水颜色，桔皮砂眼几可乱真，款字也酷肖，极难辨识。刘廷玑《在园杂记》谈及此事，事距郎廷极督造瓷器时间很近，极可能系刘所目睹。",[23,91,41,7],"郎窑红釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbee1f29ef20f89e8fde4a3cbec8be16.jpg",[59],{"id":95,"slug":96,"title":97,"dynasty":18,"author":19,"museum":20,"description":39,"tags":98,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":103,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},257818,"kang-xi-kuan-lan-di-huang-yun-long-wen-da-pan-yi-ming-257818","康熙款蓝地黄云龙纹大盘",[41,23,99,100,101,7,102],"蓝地黄彩","龙纹","云纹","器",[],1777535744922]