[{"data":1,"prerenderedAt":101},["ShallowReactive",2],{"subject-dai-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6005,"dai-shi","带饰","带饰画高清赏析","精选中国历代带饰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3125c8533642036ef99862e82cfece2.jpg",0,7,[14,35,47,58,68,77,92],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},267321,"zhong-xiao-dai-yi-ming-267321","忠孝带","清","佚名","藏地不详","整体形制规整肃穆，明黄绦带衬以朱红织金饰件，宝相花纹缠枝连绵，华贵端庄。悬挂饰件精工细作，螺钿镶银累丝香囊錾刻缠枝暗纹，银累花丝灵动婉转，光泽莹润；素银烟袋、珐琅斋戒牌、角质挑杆搭配错落，兼具装饰与实用。白绫带垂坠舒展，朱红织金绶带流苏轻曳，将满汉工艺融于一身。\n它既是扈从仪制配饰，也以其名寄寓礼制深意，把装饰美学与礼制内涵完美结合，尽显清代配饰工艺的精湛造诣与礼制文化的厚重底蕴。",[23,7,24,25,26,27],"饰品","挂饰","布料","金属饰件","服饰配饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0effc5daca95b4e8b28b14ac842ef244.jpg","未知","Xcm*Xcm","",[],1,"F48FB1",{"id":36,"slug":37,"title":38,"dynasty":18,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":44,"material":29,"size":30,"collection":31,"collections":45,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},268745,"tie-dai-shi-yi-ming-268745","铁带饰","这件带饰铁为骨血，鎏金晕染出古雅华光。中心以珐琅填就团寿纹样，方正端凝，静静托举着绵长的祈愿。周遭透雕缠枝瑞兽，纹路灵动婉转，鎏金虽经年月磨蚀，仍能窥见昔时刀工的精巧细致，将瑞兽嬉游于枝蔓间的意趣定格。下接的铁环包浆厚重沉凝，拙朴的质感与牌面的华美相映成趣，平衡了饰件的精巧。\n\n它将日常佩饰与吉祥意涵相融，把对长寿安康的期许，藏入一錾一刻之间，是实用器具，亦是匠心凝聚的工艺小品，晕开旧时光里温柔的祈福心意。",[41,23,42,7,43],"铁器","雕刻","寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f4fd1079a2160bca0f8af86c58980cf.jpg",[],"37474F",{"id":48,"slug":49,"title":50,"dynasty":18,"author":19,"museum":20,"description":51,"tags":52,"thumbUrl":56,"material":29,"size":30,"collection":31,"collections":57,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},268731,"tong-xiang-lan-jing-dai-wa-yi-ming-268731","铜镶蓝晶带瓦","澄澈通透的蓝晶为主体，石内晕染着云雾状纹理，好似将幽蓝天河凝缩其中，自带清润灵韵。鎏金铜座錾刻缠枝卷叶，其间嵌饰松石，金辉翠色交相衬映，华丽又雅致。两侧带环以螭首为衔，线条古朴灵动，兼具实用性与装饰性。\n整体将宝石的温润清透与鎏金铜饰的华贵厚重相融，尽显旧时匠人的精巧心思，把日常配饰化作一件兼具古韵与美感的工艺品，承载着内敛庄重的古典审美意趣。",[23,53,54,55,42,7],"铜制","玉石","蓝晶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b17a90b78eac9aa8a73f3142538fc8e.jpg",[],{"id":59,"slug":60,"title":17,"dynasty":18,"author":19,"museum":20,"description":61,"tags":62,"thumbUrl":65,"material":29,"size":30,"collection":31,"collections":66,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},268720,"zhong-xiao-dai-yi-ming-268720","腰畔银饰素雅清隽，素色绦带垂坠如练，其上缀饰皆为精工细作之品。扇面形饰件以盘金绣勾勒骨格，缉珠锁边流光，绒珠点缀俏生生灵动鲜活，小饰件摹形取意，针线匀净细腻。配色柔婉和谐，将装饰之美与吉祥寄寓藏于方寸，把佩饰的实用功能与审美意趣融于一体，尽显旧时手工造物的细腻匠心，是传统服饰佩饰工艺的精巧缩影。",[23,25,63,7,64],"刺绣","绣品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6635455a64d70544ee94714eb9f4dcda.jpg",[],"BDBDBD",{"id":69,"slug":70,"title":17,"dynasty":18,"author":19,"museum":20,"description":71,"tags":72,"thumbUrl":75,"material":29,"size":30,"collection":31,"collections":76,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},267516,"zhong-xiao-dai-yi-ming-267516","此佩配色明丽和谐，鹅黄绦带搭配朱红饰件，撞色醒目雅致。绦带嵌饰光洁圆润的珠石，亮眼夺目，尽显华贵之气。\n\n左右垂挂饰件章法对称又各具意趣，一侧坠饰錾刻精美的银质构件，流苏摇曳生姿；另一侧置放烟管，还原旧时佩饰的实用功能。成对扇形饰件以墨色为底，松石点缀其间，衬以明黄流苏，细节处见匠心。素白长绦垂落，柔化硬朗线条，增添飘逸灵动感。\n\n整器将礼制内涵与装饰美感相融，实用与雅饰合二为一，是清代佩饰工艺的精巧缩影，暗合忠孝寄寓，尽显旧时仪制审美意趣。",[23,73,7,25,54,74],"衣帽","佩饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a8ed2c8e371467cdb81fb86e78b9214.jpg",[],{"id":78,"slug":79,"title":80,"dynasty":81,"author":19,"museum":20,"description":82,"tags":83,"thumbUrl":89,"material":29,"size":30,"collection":31,"collections":90,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":91},228635,"yu-yu-long-hua-cao-wen-dai-shi-15-yi-ming-228635","玉鱼龙花草纹带饰-15","明","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[84,54,42,85,86,87,88,7],"明代","镂空","鱼","龙","花草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe33c1e78f0ff698a39b19e23ed830a2b.jpg",[],"795548",{"id":93,"slug":94,"title":95,"dynasty":81,"author":19,"museum":20,"description":82,"tags":96,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":100,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},228633,"yu-yu-long-hua-cao-wen-dai-shi-13-yi-ming-228633","玉鱼龙花草纹带饰-13",[54,84,42,97,86,87,88,98,7,99],"透雕","玉器","纹饰",[],1777535745533]