[{"data":1,"prerenderedAt":65},["ShallowReactive",2],{"subject-dao-ju-6992":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6992,"dao-ju-6992","道具","道具画高清赏析","精选中国历代道具题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b48906229f54e9cee3e09f49adeed54.jpg",0,2,[14,37],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":12,"manualWeight":11,"mainColor":36},233702,"za-ju-mai-yan-yao-tu-ye-yi-ming-233702","杂剧（卖眼药）图页","宋","佚名","北京故宫博物院","作品所绘内容为南宋杂剧《卖眼药》的场景，有关专家认为当是官本杂剧中的《眼药酸》。《武林旧事 卷十》 “官本杂剧段数”中有《眼药酸》剧名。此外，元末明初陶宗 仪《南村辍耕録 卷二十五》“院本名目”条下，于“诸杂大 小院本”名目中，载有十数种“酸”目。杂剧剧名中加“酸” 字多是以仕途无望的落魄文人为嘲弄对象的，《眼药酸》也不 例外。\n图中一人腰插一扇，中间开裂，上书一字似“浑”，可能 是插科打译、故意装傻的意思。此人臂肘间有“点青”，右手 指眼睛，左手握一板。另一人衣冠绘满眼睛图案，一手捏着眼 膏瓶，显然是在推销眼药。画幅右侧有一大鼓，仅见小半。是 图虽然绘制的是戏剧场景，但人物的动作、神态表现得非常到 位，体现了画家对当时市井生活的关注。另外，人物的服饰、 装扮对于研究宋代文化具有一定的参考价值。",[23,24,25,26,27,28,29,7,30],"国画","书画","册","工笔","设色","人物","杂剧","器","绢本设色","高23.8厘米，宽24.5厘米","",[],38,"795548",{"id":38,"slug":39,"title":40,"dynasty":41,"author":42,"museum":43,"description":44,"tags":45,"thumbUrl":61,"material":62,"size":63,"collection":33,"collections":64,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":36},231973,"de-jia-3-de-jia-231973","德加3","不详","德加","藏地不详","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[46,47,48,49,50,51,52,53,54,55,56,57,58,7,59,60],"印象派","色粉画","人物群像","戏剧场景","动态捕捉","夸张表情","服饰","剑","舞台","光影","笔触奔放","人物互动","古装","场景氛围","人物动态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b5491b6960634c88a8e46ab35783fae.jpg","未知","Xcm*Xcm",[],1777535785407]