[{"data":1,"prerenderedAt":40},["ShallowReactive",2],{"subject-di-mian-lu-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2926,"di-mian-lu-jing","地面路径","地面路径画高清赏析","精选中国历代地面路径题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3763cc4bb201a1b8b86ddc7581cfe77c.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},216094,"tai-ping-le-shi-tu-ce-2-dai-jin-216094","太平乐事图册-2","明","戴进","台北故宫博物院","此册共十开，分别绘「婴戏」、「骑牛」、「娱乐」、「戏耍」、「捕鱼」、「试射」、「耕罢」、「观戏」、「木马」、「牧归」等题材。其中数开以宋元名画为本：如第二开妇人哺乳之形象，可见于南宋李嵩〈市担婴戏〉（国立故宫博物院）；第九开「木马」则取自元任仁发〈果老见明皇〉（北京故宫博物院）；第十开则摹自宋人〈春社醉归〉。其余几开，皆透过人物之「观看」，将观者目光聚焦于画中场景，而营造某种叙事情节。绘人物之线条采「钉头鼠尾」（起笔钝重、收笔细）之笔法，与画史对戴进人物风格之描述吻合。然整体笔墨略显软弱、平直，或为晚期浙派画家根据戴进真迹加以临仿之作。",[23,24,25,26,27,28,29,30,31,7,32,33],"国画","设色","册","人物","牛","树","山石","民俗活动","树木","山石景观","人物互动","纸本,设色","22.8x22cm","",[],14,"BDBDBD",1777535836303]