[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"subject-di-tu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2965,"di-tu","地图","地图画高清赏析","精选中国历代地图题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9152291837cc32b5aa7d84081d7475fe.jpg",0,2,[14,37],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":31,"material":32,"size":33,"collection":32,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},222075,"kun-yu-wan-guo-quan-tu-li-ma-dou-222075","坤舆万国全图","明","利玛窦","南京博物院","《坤舆万国全图》是意大利耶稣会的传教士利玛窦在中国传教时与李之藻合作刊刻的世界地图，该图于明万历三十年在北京付印后，刻本在国内已经失传。南京博物院所藏《坤舆万国全图》为明万历三十六年（1608）宫廷中的彩色摹绘本，是国内现存最早的、也是唯一的一幅据刻本摹绘的世界地图。\n利玛窦绘制《坤舆万国全图》时，以当时的西方世界地图为蓝本，并改变了当时通行的将欧洲居于地图中央的格局，把子午线向左移动170度从而将亚洲东部居于世界地图的中央，这样，中国就自然而然位于该图的中心。此举开创了中国绘制世界地图的模式。",[23,24,25,26,27,28,29,30,7],"高清","设色","彩绘","中西合璧","陆地","海洋","经纬线","地理","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9ebe279fb74033ccd7435beb56cf881.jpg","","高5英尺（1.52米），宽12英尺（3.66米）",[],68,"BDBDBD",{"id":38,"slug":39,"title":40,"dynasty":18,"author":41,"museum":42,"description":43,"tags":44,"thumbUrl":10,"material":57,"size":32,"collection":32,"collections":58,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},216498,"xuan-da-shan-xi-san-zhen-tu-142-yi-ming-216498","宣大山西三镇图-142","佚名","藏地不详","明万历三十一年秘阁本",[23,45,46,24,47,48,49,50,51,52,53,54,7,55,56],"国画","书画","界画","工笔","书法","行书","山水","建筑","马","文字","河流","山脉","绢本,设色",[],1777535783656]