[{"data":1,"prerenderedAt":79},["ShallowReactive",2],{"subject-diao-lou":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3040,"diao-lou","碉楼","碉楼画高清赏析","精选中国历代碉楼题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb1b6be4afc3a400f4ea003bfdf7d4806.jpg",0,3,[14,42,60],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":40,"manualWeight":11,"mainColor":41},238590,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-ai-qi-meng-238590","平定两金川得胜图册","清","艾启蒙","德国国立柏林民俗博物馆","两金川即大小金川，位于今四川省西部，大金川是大渡河上流，小金川则是大渡河上流东面的一条支流，都为藏族聚居地。自元代开始，中央政府先后在两金川分设土司，令其各守疆界，相互牵制，借以捍卫边围。惟土司众多，彼此之间每因承袭土职或边界纠纷日寻干戈，仇杀不已。清初沿明旧制，颁授印信，大小金川接受清廷册封。土司们常以朝廷名号恃强掠夺，蚕食邻邦，不安住牧，声势日盛，边境不安，加之大小金川在地理位置上接近成都，远连卫藏，威胁到内地的安全，为求永靖边围，乾隆皇帝遂兴师进剿，乃有平定大小金川之役。\n《平定两金川得胜图》描绘了清乾隆十二年至四十一年（1747—1776年）清政府两次出兵平定四川大小金川叛乱的战绩。十六幅图分别为：收复小金川、攻克喇穆及日则丫口、攻克罗博瓦山碉、攻克宜喜达尔图山梁、攻克日旁一带、攻克康萨尔山梁、攻克木思工噶克丫口、攻克宜喜甲索等处碉卡、攻克石真噶贼碉、攻克葘则大海昆色尔山梁并拉枯喇嘛寺等处、攻克贼巢、攻克科布曲索隆古山梁等处碉寨、攻克噶喇依报捷、郊台迎劳将军阿桂凯旋、午门受俘、紫光阁凯宴成功诸将士。\n较之《平定准噶尔得胜图》，该组铜版战图在造型、透视、构图等方面受中国传统画法影响更深，整个画面多利用散点透视的方法，去掉了阴影和明暗对比，因而画面呈现出一种平面效果。树木、山石皆用线蚀法刻画，层次感和质感稍差。",[23,24,25,26,27,28,7,29,30,31,32,33,34],"铜版画","得胜图","画册","历史画","平定大小金川","山地","士兵","战争场景","线蚀法","散点透视","山石","林木","","纵51cm，横88.5cm","山水画精选",[37],42,1,"BDBDBD",{"id":43,"slug":44,"title":17,"dynasty":18,"author":45,"museum":46,"description":47,"tags":48,"thumbUrl":58,"material":35,"size":35,"collection":35,"collections":59,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},238603,"ping-ding-liang-jin-chuan-de-sheng-tu-ce-yi-ming-238603","佚名","藏地不详","此作以全景铺展山地鏖战实景，层叠山峦间碉楼星列、要塞棋布，还原了山地攻防的险峻格局。山道间兵卒攀越列阵，细节处处见真章，将崎岖川西的战事原貌尽数铺陈。\n\n笔触精细硬朗，以利落线条勾勒山石皴棱，既刻画出川地峰岭的雄蛮荒寂，也细致还原碉楼形制。整作兼具纪实性与艺术性，以厚重的史画质感定格鏖战瞬间，让观者可窥见这场平叛之战的艰险壮阔，裹挟着古战场的肃杀厚重之气。",[49,26,50,51,52,53,7,54,55,56,57],"册","工笔","皴法","山水","山峦","要塞","兵卒","古战场","肃杀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb85b1bb72dfecfa96c989d513a1f945a.jpg",[],{"id":61,"slug":62,"title":63,"dynasty":18,"author":64,"museum":46,"description":65,"tags":66,"thumbUrl":76,"material":77,"size":35,"collection":35,"collections":78,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},216824,"zhan-zheng-tong-ban-hua-22-lang-shi-ning-216824","战争铜版画-22","郎世宁","这一系列铜质战争版画是由清朝乾隆皇帝旨令制作的，描绘了他在位期间在内陆省份和边疆的军事行动场景。这些版画主要由当时在宫廷服务的欧洲传教士绘制，如郎世宁、王志成、艾启蒙和安德烈。柏林国家图书馆的东亚部分拥有五个系列的64幅版画。",[67,23,68,30,53,7,29,69,70,33,71,72,73,74,75],"清代","写实风格","战马","云雾","堡垒","军事建筑","人物动态","线条刻画","明暗处理","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faac8fa72fedad42d568d0a2bac8617ac.jpg","水墨",[],1777535768593]