[{"data":1,"prerenderedAt":55},["ShallowReactive",2],{"subject-diao-xian":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3806,"diao-xian","钓线","钓线画高清赏析","精选中国历代钓线题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe21dd60fea833be1aafb87910d35216.jpg",0,2,[14,43],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":37,"size":38,"collection":39,"collections":40,"showCount":41,"zanCount":11,"manualWeight":11,"mainColor":42},222176,"han-jiang-diao-ting-zhou-lu-zhi-222176","寒江钓艇轴","明","陆治","台北故宫博物院","陆治（1496－1576），字叔平，明代画家。吴县（今江苏苏州）人，因居包山，自号包山。倜傥嗜义，以孝友称。\n陆治（1496－1576）明代画家。吴县（今江苏苏州）人，字叔平，因先世由汴徙居吴之包山梅梁里，遂自号包山。倜傥嗜义，以孝友称。好为诗及古文辞，善行、楷，尤心通绘事。游祝允明、文徵明门，其於丹青之学，务出其胸中奇，一时好称，几与文埒。工写生得徐、黄遗意。点染花鸟竹石，往往天造。山水受吴门派影响，也吸取宋代院体和青绿山水之长，用笔劲峭，景色奇险，意境清朗，自具风格，在吴门派画家中具有一定新意，与陈淳并重于世。晚年贫甚，衣处士服，隐支硎山，种菊自赏。有贵官子因所知某以画请，作数幅答之。其人厚其贽币以谢。治曰：吾为所知非为贫也。立却之。求其画者，请之而强必不可得，不请之乃或可得。卒年八十一。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,7],"高清","名画","国画","书画","立轴","设色","工笔","寒江","孤舟","蓑笠","枯树","竹子","雪景","人物","纸本设色","65.7x36.6厘米","",[],21,"795548",{"id":44,"slug":45,"title":46,"dynasty":18,"author":19,"museum":47,"description":48,"tags":49,"thumbUrl":52,"material":39,"size":39,"collection":39,"collections":53,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":42},230939,"han-jiang-diao-ting-tu-lu-zhi-230939","寒江钓艇图","藏地不详","萧寒荒寂间，虬曲枯木褪去繁枝，薄雪覆身，岸畔衰草凝着霜华。孤舟静泊，渔翁拥蓑戴笠，垂纶独钓，任飞雪漫过江天，自守一方安闲。\n\n笔致苍劲写枯木，尽透老辣荒寒，人物简笔勾勒，静穆自在的神态跃然绢上。浅淡设色晕染出清冽冬日，将江野冷寂揉成一片空明澄澈。题诗与画境相融，把寒江独钓的幽寂，化作世外高逸的精神栖所，寄寓着超脱尘俗、静守本心的雅趣，淡而愈厚，清韵悠长。",[25,26,27,18,28,29,31,32,33,30,35,50,51,7],"印章","山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4301604eb72c0415bd85976d519f8a4f.jpg",[],17,1777535787749]