[{"data":1,"prerenderedAt":115},["ShallowReactive",2],{"subject-diao-xiang":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7137,"diao-xiang","雕像","雕像画高清赏析","精选中国历代雕像题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff861beaa12d4a0ea3482bdd9c184cdb8.jpg",0,6,[14,37,56,66,82,97],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},232295,"a-er-ma-22-lao-lun-si-a-er-ma-ta-de-ma-232295","阿尔玛22","不详","劳伦斯·阿尔玛-塔德玛","藏地不详","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[23,24,25,26,7,27,28,29],"油画","设色","人物","大理石","大海","蓝天","古典服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6354b2f86e1df3f6e02e092df4f6c8b7.jpg","未知","Xcm*Xcm","",[],2,"BDBDBD",{"id":38,"slug":39,"title":40,"dynasty":18,"author":41,"museum":20,"description":42,"tags":43,"thumbUrl":52,"material":31,"size":32,"collection":33,"collections":53,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":55},289260,"pietro-da-cortona-allegory-in-honor-of-cardinal-antonio-yi-ming-289260","Pietro da Cortona--Allegory in Honor of Cardinal Antonio","佚名","这幅棕色调的古典装饰草图，以巴洛克的恢弘叙事铺陈画面。左侧柱廊间，河神斜卧静诉川泽脉络，高台上坐像威然拱卫着天使托举的肖像，古典雕像阵列沿柱廊次第铺展。右侧拟人化群像动静交织，托举天球的女性化身庄重端凝，其余形象或躬身或仰望，满溢肃穆的颂赞氛围。\n\n画师以排线晕染铺陈光影，让拱廊纵伸拓开深邃空间，将纪念性寓意融于戏剧化的古典场景中，动感张力与典雅庄重交融，尽显这类装饰创作的磅礴气度。",[44,45,46,47,48,49,7,50,51],"素描","宗教画","寓言画","人物画","古典建筑","天使","人物群像","西洋画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F006202b9f0da6decb335aa770dc028f7.jpg",[],1,"795548",{"id":57,"slug":58,"title":59,"dynasty":18,"author":41,"museum":20,"description":60,"tags":61,"thumbUrl":64,"material":31,"size":32,"collection":33,"collections":65,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":36},289099,"jean-henri-alexandre-pernet-architectural-capriccio-yi-ming-289099","Jean Henri Alexandre Pernet--Architectural Capriccio","这幅椭圆形构图的画，将怀古幽思藏在残垣之间。蚀损的古典柱廊爬覆着野藤，风化的肌理刻满时光的辙痕。中心雕像静立在泉台之上，缄默凝望这片被遗忘的旧景。\n三两行人散落其间，或围坐低语，或凭台远眺，让冷寂废墟漾开鲜活暖意。朦胧天光晕开柔淡雾色，为断壁残瓦覆上一层怀旧薄纱，将岁月的沧桑与日常的悠然融于一处，仿佛踏入被时光封存的梦境，指尖能触到旧时代残留的温柔余温。",[51,44,24,62,48,7,25,63],"建筑废墟","树木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5abfdb52e283776b76664df882beab8.jpg",[],{"id":67,"slug":68,"title":69,"dynasty":18,"author":41,"museum":20,"description":70,"tags":71,"thumbUrl":80,"material":31,"size":32,"collection":33,"collections":81,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":36},289090,"jean-jacques-lequeu-longitudinal-and-cross-sections-yi-ming-289090","Jean Jacques Lequeu--Longitudinal and Cross Sections","这幅室内立面设计尽显新古典主义的典雅克制。左上与左下方案以对称门楣、浮雕壁龛为骨架，复刻大理石肌理凸显石材冷冽质感，雕塑与雕花壁柱烘托出庄重仪式感，将建筑理性融于形制细节。\n\n右上与右下则以布艺柔化空间氛围，湖蓝与墨绿帘幔呼应墙面浮雕，采光窗嵌入装饰逻辑，让规整的古典形制晕染出通透暖意。细密排线精准区分材质层次，将装饰美学与实用功能平衡统一，还原了法式贵族宅邸的优雅范式，是新古典室内设计的细腻范本，尽显克制奢华的古典美学意趣。",[72,73,74,24,75,76,7,77,78,79],"建筑画","西式建筑","室内设计","剖面图","壁饰","窗饰","厅堂","古典装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0314a264bf4808629ccada37f5a55b60.jpg",[],{"id":83,"slug":84,"title":85,"dynasty":18,"author":41,"museum":20,"description":86,"tags":87,"thumbUrl":95,"material":31,"size":32,"collection":33,"collections":96,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":36},289089,"jean-jacques-lequeu-section-and-plan-of-the-small-dining-room2-yi-ming-289089","Jean Jacques Lequeu--Section and Plan of the Small Dining Room2","这幅新古典主义室内设计图，以对称构图尽显庄重雅致。立面中央设拱形壁龛，古典女雕像成为视觉焦点，两侧木门对称排布，檐下饰带以茛苕纹与人面浮雕点缀，将古典符号融于餐室设计，暗合贵族审美意趣。\n\n下方平面图呼应立面，细致呈现壁龛基座细节，让设计逻辑完整自洽。绘图以淡墨排线晕染光影，清晰区分石材肌理与立面层次，既饱含艺术美感，又兼具工程实用性，淋漓尽致展现了法式宅邸对古典美学的追慕，将礼制秩序与优雅格调藏于每一处细节之中。",[88,89,90,7,91,92,44,93,94],"界画","建筑设计","室内空间","门窗","手绘","欧式建筑","餐厅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e7c2499a582e26bbff8bb7fb9333202.jpg",[],{"id":98,"slug":99,"title":100,"dynasty":18,"author":101,"museum":20,"description":102,"tags":103,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":114,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":36},232150,"helene-rouart-in-her-father-s-study-circa-1886-1895-national-gallery-london-de-jia-232150","Helene Rouart in Her Father's Study - circa 1886-1895 - National Gallery - London","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[23,104,105,106,107,108,109,110,7,111,112,113],"印象派","人物肖像","室内场景","女性","椅子","桌子","纸张","挂画","墙面","玻璃柜",[],1777535749602]