[{"data":1,"prerenderedAt":96},["ShallowReactive",2],{"subject-ding-xiang":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2661,"ding-xiang","丁香","丁香画高清赏析","精选中国历代丁香题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab8c1fc721132cfdc39d78db2f67e138.jpg",0,4,[14,39,64,83],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":34,"size":35,"collection":35,"collections":36,"showCount":37,"zanCount":12,"manualWeight":11,"mainColor":38},214736,"hua-hui-ce-5-yun-shou-ping-214736","花卉册-5","清","恽寿平","私人收藏","恽寿平（1796-1873）是清代著名的画家，他擅长画花鸟，尤其是花卉。他的花卉册是他的代表作之一，包含了他对花卉的描绘和描写。\n\n恽寿平的花卉册以其精细的笔墨和精美的色彩著称，他善于捕捉花卉的细节和美感，并将其再现在画布上。他画的花卉通常都是生动传神，有时也带有一些象征意义。恽寿平还创作了许多花卉图谱，用来介绍各种花卉的特征和用途。\n\n恽寿平的花卉册不仅深受藏家的喜爱，也被认为是清代花卉画的杰出代表作之一。他的作品不仅为后人留下了宝贵的艺术瑰宝，而且也为我们展示了清代花卉画艺术的魅力。",[23,24,25,26,27,28,29,30,31,7,32,33],"高清","国画","书画","册","没骨","设色","花卉","牡丹","桃花","清代","名画","纸本,设色","",[],1106,"BDBDBD",{"id":40,"slug":41,"title":42,"dynasty":43,"author":44,"museum":45,"description":46,"tags":47,"thumbUrl":57,"material":58,"size":59,"collection":60,"collections":61,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":63},225777,"lilac-bush-fan-gao-225777","Lilac Bush","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[48,49,7,50,51,52,53,54,29,55,28,56],"油画","后印象派","灌木丛","小路","草地","天空","树木","户外","笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1aca7c17fd0984074c350a66306c0d18.jpg","未知","Xcm*Xcm","油画精选",[60],38,"795548",{"id":65,"slug":66,"title":67,"dynasty":18,"author":68,"museum":69,"description":70,"tags":71,"thumbUrl":79,"material":28,"size":80,"collection":35,"collections":81,"showCount":82,"zanCount":11,"manualWeight":11,"mainColor":38},222731,"xian-e-chang-chun-tu-zi-bai-ding-xiang-lang-shi-ning-222731","仙萼长春图紫白丁香","郎世宁","台北故宫博物院","本册共十六开内容分别描绘牡丹、桃花、芍药、海棠玉兰、虞美人、蝴蝶花、黄刺玫牡丹、石竹、樱桃、罂粟、紫白丁香、百合花牡丹、翠竹牵牛、荷花慈姑花、豆花稷穗、鸡冠花、菊花等，其中有八开还画有鸟禽，整册内容与《石渠宝笈三编》著录之〈郎世宁画花卉册〉一致，对幅皆是空白，而最末一开有宋体书款「臣郎世宁恭画」，依据画风特色推测是郎世宁雍正时期的花鸟佳作。全册不仅设色精緻，构图手法也见新意。特别能于鸟禽形体姿态上有超乎传统的表现，是西法透视手法的精采成果。画中花鸟多处能够显示光影明暗，透过白色颜料提点高光的技巧也常见运用。整册画风都一再显示其与郎世宁雍正前期画风有关。",[23,24,25,26,72,28,73,7,74,75,76,77,78],"工笔","花鸟","鸟","枝叶","花朵","写实","中西合璧","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ffcb1593f89bbebafa1e0c5468c60b4.jpg","宽28.4公分，高33.7公分",[],27,{"id":84,"slug":85,"title":86,"dynasty":18,"author":87,"museum":45,"description":88,"tags":89,"thumbUrl":93,"material":58,"size":59,"collection":35,"collections":94,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":38},238797,"hua-hui-xiao-ce-dong-gao-238797","花卉小册","董诰","董诰（1740年－1818年），字雅伦，号蔗林，浙江省杭州府富阳县（今浙江省杭州市）人，生于顺天府（今北京市），清代大臣、书画家。工部尚书董邦达长子，与其父有“大、小董”之称。\n乾隆二十九年（1764）中举，隔年会试，名列一甲第三，得中探花，乾隆帝将其改为二甲第一，作金殿传胪，形降实升。嘉庆四年（1799），董诰六十岁，以从庶吉士、编修、工部侍郎、军机大臣、东阁大学士等，擢为文华殿大学士（即宰相），首席军机大臣，上书房总师傅，钦赐“紫禁城骑马”。直军机先后四十年。董诰精书法，善绘画，更通晓军事。他五次归还故里，生活简朴，平易近人，从不倨傲，深为邻里称道。董诰卒于嘉庆二十三年（1818），终年七十九岁。\n董诰死后六天，嘉庆帝亲临祭奠，赠太傅，赐谥号文恭，入祀贤良祠。嘉庆亲写哀诗“只有文章传子侄，绝无货币置田庄”，并亲自拨款建立“董公祠”。",[24,25,26,28,72,73,90,91,92,7,32],"花","叶","枝干","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9984731b85ee0896951fbbd0b5358cde.jpg",[],12,1777535757168]