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Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[50,51,52,53,54,55,56,57,58,59,60,61,62,7,63],"油画","写实","明暗对比","人物","群体","盔甲","旗帜","长枪","鼓","乐器","服饰","武器","光影","昏暗场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8654790adb9d9086ef2631f67d1f00db.jpg","未知","Xcm*Xcm","油画精选",[67],58,"37474F",{"id":72,"slug":73,"title":74,"dynasty":75,"author":76,"museum":20,"description":77,"tags":78,"thumbUrl":101,"material":102,"size":103,"collection":104,"collections":105,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":107},219014,"mu-niu-tu-yi-ming-219014","牧牛图","宋","佚名","小河两岸溪流纵横，在树荫下草木茂盛，是放牧的好地方。牛群由六头牛组成，其中三头牛在争吵后相互厮打。而另外两个牧童则坐在牛背上，静静地交谈。笔力强劲，墨色厚重，画面没有标记，日期较晚。",[79,23,24,26,27,80,81,82,28,83,84,85,86,87,88,89,90,91,92,93,94,95,96,97,98,7,99,100],"高清","工笔","长卷","牛","牧童","树木","草地","山石","小桥","溪流","山水","淡墨","皴法","田园","野趣","平远构图","草木","坡岸","小径","幼兽","静谧","自然","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8dd986111c132cf50382a2bc3bf6d21.jpg","绢本,设色","68.2x140.3","宋画精选",[104],52,"795548",{"id":109,"slug":110,"title":111,"dynasty":45,"author":112,"museum":47,"description":113,"tags":114,"thumbUrl":123,"material":65,"size":66,"collection":37,"collections":124,"showCount":125,"zanCount":11,"manualWeight":11,"mainColor":40},230593,"su-miao-5-da-fen-qi-230593","素描5","达芬奇","列奥纳多·达·芬奇［意大利语：Leonardo da Vinci；儒略历1452年4月15日（公历4月23日）~1519年5月2日］。意大利文艺复兴画家、科学家、发明家。 现代学者称他为“文艺复兴时期最完美的代表”，是人类历史上绝无仅有的全才，其最大的成就是绘画，他的杰作《蒙娜丽莎》和《最后的晚餐》等作品，体现了他精湛的艺术造诣。\n达·芬奇思想深邃，学识渊博、擅长绘画、雕刻、发明、建筑，通晓数学、生物学、物理学、天文学、地质学等学科 。保存下来的手稿大约有6000页。达·芬奇认为自然中最美的研究对象是人体，人体是大自然的奇妙之作品，画家应以人为绘画对象的核心。\n达·芬奇生于托斯卡纳的芬奇镇附近。他在少年时已显露艺术天赋，15岁左右到佛罗伦萨拜师学艺，成长为具有科学素养的画家、雕刻家。并成为军事工程师和建筑师。 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Dance Class - - Metropolitan Museum of Art (USA)","德加","午后柔光漫过窗棂，晕开冷绿墙面的生硬。芭蕾少女们散落在教室各处，鬓边的绒红花在素白纱裙间跃动鲜活。有人倚在琴架旁垂睫喘息，有人踮起脚尖舒展肢体，薄纱裙摆蹭过木地板漾开柔软褶皱。拄杖老教师静立一侧，目光温柔追随着排练的身影。\n\n没有舞台聚光灯下的完美姿态，只有日常排练里的松弛与投入。灵动笔触定格下幕后的真实瞬间，将少女们的青涩、疲惫与专注揉进暖调光影，把庸常的排练日常淬成诗意刹那，让观者窥见舞台光环之下，那些不为人知的柔软韧劲。",[156,50,53,157,158,159,160,161,162,163,164,165,7,62,166],"印象派","芭蕾舞女","舞蹈教室","木地板","绿色墙壁","乐谱架","乐谱","舞鞋","老师","镜子","白色舞裙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc19e32e6a4a08ea4fc716f459a8eb6db.jpg",[],13,{"id":171,"slug":172,"title":173,"dynasty":45,"author":174,"museum":47,"description":175,"tags":176,"thumbUrl":187,"material":65,"size":66,"collection":67,"collections":188,"showCount":189,"zanCount":11,"manualWeight":11,"mainColor":70},225828,"the-dance-hall-in-arles-1888-fan-gao-225828","The Dance Hall in Arles 1888","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[177,50,178,179,180,181,182,183,53,184,60,7,185,186],"名画","后印象派","色彩强烈","粗犷笔触","室内场景","舞厅","人群","灯光","聚会","热闹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ac917e4a97038284307323705bda8eb.jpg",[67],11,{"id":191,"slug":192,"title":193,"dynasty":18,"author":194,"museum":47,"description":195,"tags":196,"thumbUrl":204,"material":26,"size":37,"collection":37,"collections":205,"showCount":206,"zanCount":11,"manualWeight":11,"mainColor":40},216833,"zhan-zheng-tong-ban-hua-12-lang-shi-ning-216833","战争铜版画-12","郎世宁","这一系列铜质战争版画是由清朝乾隆皇帝旨令制作的，描绘了他在位期间在内陆省份和边疆的军事行动场景。这些版画主要由当时在宫廷服务的欧洲传教士绘制，如郎世宁、王志成、艾启蒙和安德烈。柏林国家图书馆的东亚部分拥有五个系列的64幅版画。",[197,198,51,199,89,86,84,200,132,53,201,202,203,7],"铜版画","版画","战争","河流","军队","山峦","峡谷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd7ec70d8b5648e77e5c725a112f26da7.jpg",[],7,{"id":208,"slug":209,"title":210,"dynasty":45,"author":153,"museum":47,"description":211,"tags":212,"thumbUrl":216,"material":65,"size":66,"collection":37,"collections":217,"showCount":218,"zanCount":11,"manualWeight":11,"mainColor":107},232109,"de-jia-54-de-jia-232109","德加54","埃德加·德加（Edgar 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War Scene - - Musee d'Orsay (France)",[50,27,246,247,132,53,248,249,250,251,252,253,254,7,255],"中世纪","战争场景","裸体人物","士兵","枯树","火焰","战场","尸体","弓箭","人物群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff621e3c45b09b3d92fe8b32435117374.jpg",[],{"id":259,"slug":260,"title":261,"dynasty":45,"author":142,"museum":47,"description":143,"tags":262,"thumbUrl":263,"material":65,"size":66,"collection":37,"collections":264,"showCount":240,"zanCount":11,"manualWeight":11,"mainColor":40},231212,"su-miao-466-xi-fang-231212","素描466",[115,53,224,225,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72cf094d48d6094d53e582aab01af4f5.jpg",[],{"id":266,"slug":267,"title":268,"dynasty":45,"author":76,"museum":47,"description":269,"tags":270,"thumbUrl":273,"material":65,"size":66,"collection":37,"collections":274,"showCount":275,"zanCount":11,"manualWeight":11,"mainColor":230},289181,"goya-he-wakes-up-kicking-yi-ming-289181","Goya--He Wakes Up Kicking","粗犷利落的速写笔触，将睡梦惊起的瞬间牢牢定格。男子骤然惊醒，抬腿蹬踹，肢体绷紧满是张力，面部神情惊惶错愕，将本能的慌乱展露无遗。\n\n浓墨晕染衣物暗部，淡笔轻勾皮肉光影，明暗对比强烈，让画面充满粗粝的临场感。潦草的手写题注添了几分随性速写质感，没有精雕细琢的修饰，却把人从酣眠中陡然挣脱的惊悸刻画得入木三分，将日常里猝然的情绪迸发，提炼成极具戏剧张力的鲜活切片，粗朴笔触让这份临场惶惑更具冲击力。",[53,115,131,271,7,26,272],"男性","黑白","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F620bedfc9395ffc9e54f1c590f7dd888.jpg",[],2,{"id":277,"slug":278,"title":279,"dynasty":45,"author":280,"museum":47,"description":281,"tags":282,"thumbUrl":286,"material":65,"size":66,"collection":37,"collections":287,"showCount":275,"zanCount":11,"manualWeight":11,"mainColor":40},232542,"mi-lai-si-86-yue-han-ai-fu-li-te-mi-lai-si-232542","米莱斯86","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[115,131,283,133,51,53,249,145,284,7,285],"单色","儿童","互动场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F497af1daf19eec0781ba33d2d8902f63.jpg",[],{"id":289,"slug":290,"title":291,"dynasty":45,"author":292,"museum":47,"description":293,"tags":294,"thumbUrl":305,"material":65,"size":66,"collection":37,"collections":306,"showCount":275,"zanCount":11,"manualWeight":11,"mainColor":40},232485,"he-er-bai-yin-144-he-er-bai-yin-232485","荷尔拜因144","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[115,116,53,199,295,296,297,51,7,298,121,299,300,301,302,303,304],"兵器","刀剑","群像","冲突","战斗场景","人物动态","刀剑兵器","群像构图","写实风格","线条勾勒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F262814b3c37e6ebebc42c7a1c4fdc034.jpg",[],{"id":308,"slug":309,"title":310,"dynasty":45,"author":153,"museum":47,"description":211,"tags":311,"thumbUrl":315,"material":65,"size":66,"collection":37,"collections":316,"showCount":275,"zanCount":11,"manualWeight":11,"mainColor":107},232245,"dance-class-metropolitan-museum-of-art-usa-oil-on-panel-de-jia-232245","Dance Class - - Metropolitan Museum of Art (USA) - oil on 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Rosa--The Fall of the Giants","奔放粗粝的炭笔线条织就出狂暴的陨落瞬间，巨人们肢体扭曲着从云端轰然砸落，云层被冲撞得支离破碎。画面里满是失控的张力，前景的骑手与巨兽裹挟着坠落的躯体，混乱中翻涌着覆灭的悲鸣。\n依靠排线疏密区分明暗，凌厉笔触带着失重的坠落感，将神战终末里巨人族的毁灭定格。粗粝的笔触感放大了悲剧的野性力量，让观者仿佛能听见崩坏的轰鸣与濒死的哀嚎，把宏大壮烈的末日图景凝固在纸面之上。",[115,121,53,356,357,358,7,359],"巨人","神话","混乱","西洋画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98920a1ed056c02914749f17cf64ee61.jpg",[],1,{"id":364,"slug":365,"title":366,"dynasty":45,"author":76,"museum":47,"description":367,"tags":368,"thumbUrl":373,"material":65,"size":66,"collection":37,"collections":374,"showCount":362,"zanCount":11,"manualWeight":11,"mainColor":40},288654,"attributed-to-francesco-allegrini-group-of-five-allegorical-figures-yi-ming-288654","attributed to Francesco Allegrini--Group of Five Allegorical Figures","棕褐墨色在纸面肆意游走，灵动线条勾勒出张力满溢的群像图景。端坐的神女衣袂舒展垂落，神情凝敛自带神性威严，抬手间似在降下谕示。右侧立身者引吭振臂，姿态激越仿若将神旨高声传扬。下方凡躯奔突扭曲，惶惑与挣扎顺着笔锋倾泻而出，伏身的猎犬贴着倒地身影，更添凄惶意绪。\n\n潦草随性的笔触精准锚定每一处动态，虚实明暗间，神性的肃穆与俗世的躁动拉扯碰撞。留白处余韵悠长，寥寥数笔便将寓意图景的戏剧张力全然铺开，情绪顺着笔尖流淌成画面肌理，即兴又充满力量感。",[116,369,370,53,115,371,7,372],"人物画","寓言","兽类","激昂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3038894d18652244127293402cad0564.jpg",[],{"id":376,"slug":377,"title":378,"dynasty":18,"author":76,"museum":47,"description":379,"tags":380,"thumbUrl":387,"material":37,"size":388,"collection":37,"collections":389,"showCount":362,"zanCount":11,"manualWeight":11,"mainColor":40},233108,"ping-ding-xi-yu-zhan-tu-ye-yi-ming-233108","平定西域战图页","《平定西域战图》又称《平定准噶尔回部得胜图》、《平定伊犁回部战图》等。册页装，一函。图版十六幅，法国铜板制印，图版下署画家、刻工姓名。本馆藏有两部，一部首为乾隆御制序，乾隆诗文墨题画上，末有大学士傅恒、尚书舒赫德、于敏中等跋；另一部前为御制序，每图后附御题诗文，后为傅恒等跋，清内府造办处木版刷印。\n清廷在入主中原后，康、雍、乾三朝屡屡用兵西北，以肃清厄鲁特蒙古噶尔部割据势力。乾隆二十年至二十六年间（公元1755-1761年），两次平定准噶尔部叛乱的战役，对于维护国家稳定起到重要作用。 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canvas",[50,156,53,145,395,396,7,397,33],"室内","梳头","暖色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe0a55da86e34a835c04a2c5b4e65890.jpg",[],{"id":401,"slug":402,"title":403,"dynasty":45,"author":153,"museum":47,"description":211,"tags":404,"thumbUrl":407,"material":65,"size":66,"collection":37,"collections":408,"showCount":362,"zanCount":11,"manualWeight":11,"mainColor":40},232242,"dancer-adjusting-her-sandel-circa-1890-private-collection-pastel-de-jia-232242","Dancer Adjusting Her Sandel - circa 1890 - Private collection - pastel",[213,27,53,340,215,405,406,7,131],"足尖鞋","调整动作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda7c48513d466748308845d9ec1f7643.jpg",[],{"id":410,"slug":411,"title":412,"dynasty":45,"author":153,"museum":47,"description":211,"tags":413,"thumbUrl":417,"material":65,"size":66,"collection":37,"collections":418,"showCount":362,"zanCount":11,"manualWeight":11,"mainColor":70},232235,"dancer-seated-study-private-collection-pencil-de-jia-232235","Dancer Seated (study) - - Private collection - 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with a Fan - - - Metropolitan Museum of Art (USA)",[177,156,441,27,53,340,450,215,7],"扇子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae7701c51710762c91458aa4a9a3aab7.jpg",[],"F48FB1",{"id":455,"slug":456,"title":457,"dynasty":45,"author":153,"museum":47,"description":211,"tags":458,"thumbUrl":461,"material":65,"size":66,"collection":37,"collections":462,"showCount":362,"zanCount":11,"manualWeight":11,"mainColor":40},232212,"dancer-circa-1877-private-collection-pastel-de-jia-232212","Dancer – circa 1877 - Private collection - pastel",[213,53,340,459,7,27,224,300,460],"芭蕾","粉彩画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F394feb6f41c7b8d9732c34741f76d607.jpg",[],{"id":464,"slug":465,"title":466,"dynasty":45,"author":153,"museum":47,"description":211,"tags":467,"thumbUrl":470,"material":65,"size":66,"collection":37,"collections":471,"showCount":362,"zanCount":11,"manualWeight":11,"mainColor":107},232208,"dancers-princeton-university-art-museum-usa-oil-on-canvas-de-jia-232208","Dancers - - Princeton University Art Museum (USA) - oil on canvas",[50,156,27,7,53,340,459,468,433,297,469],"裙装","笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79558338eca28334ed915724c401e64a.jpg",[],{"id":473,"slug":474,"title":475,"dynasty":45,"author":153,"museum":47,"description":211,"tags":476,"thumbUrl":478,"material":65,"size":66,"collection":37,"collections":479,"showCount":362,"zanCount":11,"manualWeight":11,"mainColor":107},232207,"dancers-1895-private-collection-oil-on-canvas-de-jia-232207","Dancers - 1895 - Private collection - oil on canvas",[50,53,157,163,477,395,27,156,7,145,60],"芭蕾舞裙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F656b2c7b0a8232bd1bdb8c000b2db807.jpg",[],{"id":481,"slug":482,"title":483,"dynasty":45,"author":153,"museum":47,"description":211,"tags":484,"thumbUrl":486,"material":65,"size":66,"collection":37,"collections":487,"showCount":362,"zanCount":11,"manualWeight":11,"mainColor":107},232203,"dancers-circa-1897-1901-private-collection-pastel-de-jia-232203","Dancers - circa 1897-1901 - Private collection - 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