[{"data":1,"prerenderedAt":88},["ShallowReactive",2],{"subject-dou-hua":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3605,"dou-hua","豆花","豆花画高清赏析","精选中国历代豆花题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99e5a05a9a06168177d3bb7fda38b174.jpg",0,4,[14,39,57,75],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":34,"showCount":36,"zanCount":37,"manualWeight":11,"mainColor":38},221000,"hua-hui-tu-ce-dou-hua-shi-zhu-yun-shou-ping-221000","花卉图册·豆花石竹","清","恽寿平","美国纳尔逊阿特金斯艺术博物馆","《花卉图册》绘有荷花、梨花、水仙、桃花、山矾、罂粟、茶蘼、金萱石榴、牵牛、双凤、桂枝及雁来红等十二种花。画用新没骨法，不用墨线钩勒，而直接着色点染而成。点色的用笔很洒脱、飘逸。十二种花，各具姿色。色彩艳而不俗，色调的表情是清丽和冷艳，在秀雅之中含有一种凛然难犯的韵味。画册中，作者或题名或赋诗，那秀劲古逸、和婉密丽的书体，与这种艳雅的画风相结合，相得益彰，更具魅力。该图册是恽寿平绘画中的精品。\n恽寿平（1633—1690），初名格，字寿平，号南田，武进（江苏常州）人。其诗格超逸，书法遒劲，擅长山水画，尤精没骨花卉画，画笔生动。",[23,24,25,26,27,28,29,7,30],"高清","国画","书画","册","没骨","设色","花鸟","石竹","纸本 设色","24.5×29.3cm","花鸟画精选",[33,35],"设色画精选",523,5,"BDBDBD",{"id":40,"slug":41,"title":42,"dynasty":18,"author":43,"museum":44,"description":45,"tags":46,"thumbUrl":52,"material":28,"size":53,"collection":54,"collections":55,"showCount":56,"zanCount":11,"manualWeight":11,"mainColor":38},222752,"xian-e-chang-chun-tu-07b-lang-shi-ning-222752","仙萼长春图-07b","郎世宁","台北故宫博物院","本册共十六开内容分别描绘牡丹、桃花、芍药、海棠玉兰、虞美人、蝴蝶花、黄刺玫牡丹、石竹、樱桃、罂粟、紫白丁香、百合花牡丹、翠竹牵牛、荷花慈姑花、豆花稷穗、鸡冠花、菊花等，其中有八开还画有鸟禽，整册内容与《石渠宝笈三编》著录之〈郎世宁画花卉册〉一致，对幅皆是空白，而最末一开有宋体书款「臣郎世宁恭画」，依据画风特色推测是郎世宁雍正时期的花鸟佳作。全册不仅设色精緻，构图手法也见新意。特别能于鸟禽形体姿态上有超乎传统的表现，是西法透视手法的精采成果。画中花鸟多处能够显示光影明暗，透过白色颜料提点高光的技巧也常见运用。整册画风都一再显示其与郎世宁雍正前期画风有关。",[23,47,24,25,26,28,48,29,49,50,7,51],"名画","工笔","飞鸟","麻雀","稷穗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3d348e9e77d0b308e8a29479ec471bb0.jpg","宽28.4公分，高33.7公分","",[],100,{"id":58,"slug":59,"title":60,"dynasty":61,"author":62,"museum":63,"description":64,"tags":65,"thumbUrl":70,"material":71,"size":72,"collection":33,"collections":73,"showCount":74,"zanCount":11,"manualWeight":11,"mainColor":38},221772,"da-dou-tu-ren-ren-fa-221772","大豆图","元","任仁发","日本京都国立博物馆","任仁发（1254—1327年），字子明，一字子垚，号月山道人，其先祖为邳县（今属江苏省）人，后迁居松江（今属上海）。擅长书法、绘画，书学李北海，画学李公麟。画马尤其出色，曾奉敕画御苑马厩中的名马，得到皇帝的赏识。擅长人物画，所画人物笔墨苍润，生动传神。此外任仁发还是一位很有成就的水利专家，曾先后主持修治浙西吴松江、大都（今北京）通惠河等工程，并有水利工程著作传世。\n传世作品有：至元十七年（1280）作《出圉图》卷，《二马图》卷，《张果见明皇图》卷，藏故宫博物院；《秋水凫鹥图》轴，藏上海博物馆；《饮中八仙图》《贡马图》《横琴高士图》《秋林诗友图》藏台北故宫博物院；《神骏图》《三骏图》《九马图》在美国；《饲马图》在英国；《文会图》《牵马图》等在日本。著有《浙西水利议答录》十卷。《书史会要》、《书画史》、《六研斋随笔》、《黄渡镇志》、《海上墨林》、《练水画徵录》。",[23,24,28,48,29,66,67,7,68,69],"蜻蜓","豆叶","枝叶","元代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3356f80cc6353f6b9795618f4536e468.jpg","纸本设色","纵18.7厘米，横19.4厘米",[33,35],55,{"id":76,"slug":77,"title":78,"dynasty":18,"author":43,"museum":44,"description":45,"tags":79,"thumbUrl":85,"material":28,"size":53,"collection":54,"collections":86,"showCount":87,"zanCount":11,"manualWeight":11,"mainColor":38},222737,"xian-e-chang-chun-tu-dou-hua-lang-shi-ning-222737","仙萼长春图豆花",[23,47,24,25,26,28,48,80,81,29,7,50,82,83,84,49],"写实","中西合璧","草地","石块","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf7cbebeb96400b2f7cc4f921366e047.jpg",[],37,1777535757215]