[{"data":1,"prerenderedAt":237},["ShallowReactive",2],{"subject-dou-jia":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},257,"dou-jia","豆荚","豆荚画高清赏析","精选中国历代豆荚题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c0707106fa1daffd9814ce8b0afa130.jpg",0,16,[14,41,61,75,90,104,119,130,142,153,170,183,194,205,216,224],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":39,"manualWeight":11,"mainColor":40},233213,"dou-jia-qing-ting-tu-ye-xu-xi-233213","豆荚蜻蜓图页","五代十国","徐熙","北京故宫博物院","图中画的是田野苗圃间菜豆花与蜻蜓之类昆虫常见的景物。画面为长圆扇形，画家以独具的慧眼撷之入画，采取了特写镜头，只取其豆花的枝头，豆茎自左下向右上斜出，枝叶微下垂，枝上有浅紫色的豆花、绿色的豆叶和沉甸甸地挂下来的长长豆荚。枝梢上歇息着一只大蜻蜓，正在吮吸豆荚嫩叶的鲜汁。蜻蜓呈黄褐色，张开双翼，长长的身子下垂，尾部稍有弯曲。\n图中豆荚一枝，果实乍结。一只黄褐色的蜻蜓轻轻停落在枝端，将豆荚压得微微颤动。画面构图简洁自然，疏密得体。画家用中锋细笔勾勒豆荚枝叶的轮廓，用花青、石绿轻染，以白粉点花瓣，线条沉稳，色彩丰富，形象写实逼真。图中尤以蜻蜓描绘得出神入化，其翅膀透明的质感以及清晰的纹络都表现得清清楚楚，活灵活现，反映了宋画在写实方面所达到的高度水平。\n整幅作品结构自然，疏密得体，色彩丰富，工写结合。其中蜻蜓的描绘神妙入微。画家不仅再现了蜻蜓的形态，甚至连透明的翅膀及纹络都表现了出来。而豆花则以简笔写出，野趣天然。\n整幅作品结构自然，疏密得体，中锋运笔，线条沉稳，色彩丰富，写实逼真，作者善于刻画和铺排是这幅作品在技巧上的特色。菜豆的枝干、花叶、荚部是用粗简的线条勾出，然后略施粉彩，尤其对蜻蜓的描绘神妙入微。蜻蜓身子晕染工细，头部网网眼和翅翼细细刻画轻轻染色，十分清晰透剔，甚至连透明的翅膀及纹络状的小组织，都细微地表现了出来。蜻蜓身上的色斑与浅紫色的豆花，一深一浅，使主题显明突出，这充分反映了宋画在写实方面所达到的高度水平。从绘画题材及笔墨技巧上看，具有徐熙画的特征。《圣朝名画评》说，徐熙画花卉“多做园圃以求情状，虽蔬菜茎苗，以人图写”。但本图无款识，至少可以这样说，虽非出于徐熙之手笔，但可以代表北宋徐熙一派的画风，亦可以说此幅是徐派留下来的凤毛麟角般的珍品。此图右下方押“徐熙”二字伪印。\n此图无款，有“徐熙”朱印。旧题为徐熙作。徐熙“善画花竹林木、蝉蝶草虫之类，多游园圃以求情状，虽蔬菜茎苗亦人图。写意出古人之外，自造于妙。尤能设色，绝有生意”。从这幅作品亦可领略上述特点，所以虽非出于徐熙之手，也可代表北宋徐熙一派的画风。\n此图写豆茎一枝自右下向左上斜出，而梢头着一大蜻蜓。这农家随处可见的景物，画家以独具的慧眼撷之入画，可谓别开生面。豆花、豆叶，点缀生动，长豆三两根，垂垂可喜。茎、叶、豆荚，均以墨勾，疏疏几笔，中设豆绿色，叶中锈斑、虫蚀均为描出，紫白色的豆花和蜻蜓，以没骨法晕染，蜻蜓尤备极工细，神韵奕奕。对花写照的写生功力，令人惊叹。色调素雅，变化层次微妙，工写兼施，相映成趣。构图善从一角生发，全幅荡漾着空灵的诗意，尤觉流走圆美。不是面面俱到，或泛泛大略，而是择取一枝一梢作精心的观赏，一枝一叶总动情，这种审美性格为宋人所独具，风气所开，遥领千古。此图笔墨间随处散发着一种田园佳趣，尤为感人至深，而熠耀其中的是诗意的空间。宋画一如宋诗，其异于唐人之处：一为田园气息，二为哲理之思（以景喻理）。",[23,24,25,26,27,28,7,29,30,31,32],"名画","国画","书画","花鸟","工笔","设色","蜻蜓","叶子","花","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F880a27b634787e986672e82222fc17bb.jpg","绢本","纵27厘米，横23厘米","",[],105,1,"795548",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":47,"description":48,"tags":49,"thumbUrl":54,"material":36,"size":55,"collection":56,"collections":57,"showCount":59,"zanCount":39,"manualWeight":11,"mainColor":60},222808,"bian-dou-hua-wang-wu-222808","扁荳花","清","王武","台北故宫博物院","王武，1632年生，1690年逝世，吳縣（今江蘇蘇州）人。字勤中，晚號忘庵，又號雪顛道人。明代畫家王鏊六世孫，精鑑賞，富收藏，擅畫花鳥，風格工整秀麗，正如王時敏所云：“神韻生動，應在妙品中。”為清初院畫的名家。亦擅詩文。傳世作品有《水仙柏石圖》、《紅杏白鴿圖》、《鴛鴦白鷺圖》等。",[50,24,26,28,27,51,32,52,30,7,53],"高清","书法","扁豆花","藤蔓","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbe5cc35daef658d871bd3f676303498.jpg","34.2x50.4","花鸟画精选",[56,58],"设色画精选",76,"BDBDBD",{"id":62,"slug":63,"title":64,"dynasty":65,"author":66,"museum":67,"description":68,"tags":69,"thumbUrl":72,"material":36,"size":36,"collection":36,"collections":73,"showCount":74,"zanCount":11,"manualWeight":11,"mainColor":60},228838,"lian-hua-dou-jia-tu-ce-shen-zhou-228838","莲花豆荚图册","明","沈周","藏地不详","此作用笔松秀淡逸，以清浅墨色晕染果实，晕化柔和雅致，墨色层次疏淡清润，墨点点缀其上，朴拙天真，尽得果实鲜活意态。枝叶以枯淡墨线勾勒，笔致苍劲随性，不求描摹工细，却将叶片舒展之姿尽显，枯荣之态暗含其间。\n画面留白开阔疏朗，以简驭繁，尽显文人写意的简淡风骨，将日常乡野小景，绘出悠然清逸的林下意趣，平淡之中藏着天真雅致的文人心境，笔底全是松弛自在的闲适之味。",[50,23,24,25,70,71,26,7,30],"册","水墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6db9f55c64cddb22c8eac5284a05317e.jpg",[],46,{"id":76,"slug":77,"title":78,"dynasty":79,"author":80,"museum":67,"description":81,"tags":82,"thumbUrl":87,"material":36,"size":36,"collection":36,"collections":88,"showCount":89,"zanCount":39,"manualWeight":11,"mainColor":40},227927,"dou-jia-qing-ting-tu-yi-ming-227927","豆荚蜻蜓图","宋","佚名","《豆荚蜻蜓图》是宋代佚名画家创作的一幅 设色画，现藏于 。\n此图画面为长圆扇形，绘豆花上栖息一只黄褐色蜻蜒，枝叶微向下垂。\n整幅作品结构自然，疏密得体，色彩丰富，工写结合。\n其中蜻蜒的描绘神妙入微。\n画家不仅再现了蜻蜒的形态，甚至连透明的翅膀及纹络都表现了出来。\n而豆花则以简笔写出，野趣天然。\n此图旧传为徐熙所作。\n图中画的是田野苗圃间菜豆花与蜻蜓之类昆虫常见的景物。\n画面为长圆扇形，画家以独具的慧眼撷之入画，采取了特写镜头，只取其豆花的枝头，豆茎自左下向右上斜出，枝叶微下垂，枝上有浅紫色的豆花、绿色的豆叶和沉甸甸地挂下来的长长豆荚。\n枝梢上歇息着一只大蜻蜓，正在吮吸豆荚嫩叶的鲜汁。\n蜻蜓呈黄褐色，张开双翼，长长的身子下垂，尾部稍有弯曲。\n图中豆荚一枝，果实乍结。\n一只黄褐色的蜻蜓轻轻停落在枝端，将豆荚压得微微颤动。\n画面构图简洁自然，疏密得体。\n画家用中锋细笔勾勒豆荚枝叶的轮廓，用花青、石绿轻染，以白粉点花瓣，线条沉稳，色彩丰富，形象写实逼真。\n图中尤以蜻蜓描绘得出神入化，其翅膀透明的质感以及清晰的纹络都表现得清清楚楚，活灵活现，反映了宋画在写实方面所达到的高度水平。\n图右下方押“徐熙”二字伪款，不见于著录。\n本幅鉴藏印有：“徐熙”朱文杯形，另一印不辨。\n注：中国古代书画鉴定组定为宋人画。\n旧题为徐熙所作，押‘馀熙”印。\n押印是否可靠，现今难以证实。\n但此图的画法与画史对徐熙画风的记载颇相吻合，可能是北宋时徐熙画派的画家所作。\n整幅作品结构自然，疏密得体，色彩丰富，工写结合。\n其中蜻蜓的描绘神妙入微。\n画家不仅再现了蜻蜓的形态，甚至连透明的翅膀及纹络都表现了出来。\n而豆花则以简笔写出，野趣天然。\n整幅作品结构自然，疏密得体，中锋运笔，线条沉稳，色彩丰富，写实逼真，作者善于刻画和铺排是这幅作品在技巧上的特色。\n菜豆的枝干、花叶、荚部是用粗简的线条勾出，然后略施粉彩，尤其对蜻蜓的描绘神妙人微。\n蜻蜓身子晕染工细，头部网网眼和翅翼细细刻画轻轻染色，十分清晰透剔，甚至连透明的翅膀及纹络状的小组织．都细微地表现了出来。\n蜻蜓身上的色斑与浅紫色的豆花，一深一浅，使主题显明突出，这充分反映了宋画在写实方面所达到的高度水平。\n从绘画题材及笔墨技巧上看，具有徐熙画的特征。\n《圣朝名画评》说，徐熙画花卉“多做园圃以求情状，虽蔬菜茎苗，以人图写。\n”但本图无款识，至少可以这样说，虽非出于徐熙之手笔，但可以代表北宋徐熙一派的画风，亦可以说此幅是徐派留下来的凤毛麟角般的珍品。\n此图右下方押“徐熙”二字伪印。\n此图无款，有“徐熙”朱印。\n旧题为徐熙作。\n徐熙“善画花竹林木、蝉蝶草虫之类，多游园圃以求情状，虽蔬菜茎苗亦人图。\n写意出古人之外，自造于妙。\n尤能设色，绝有生意”。\n从这幅作品亦可领略上述特点，所以虽非出于徐熙之手，也可代表北宋徐熙一派的画风。\n此图写豆茎一枝自右下向左上斜出，而梢头着一大蜻蜓。\n这农家随处可见的景物，画家以独具的慧眼撷之入画，可谓别开生面。\n豆花、豆叶，点缀生动，长豆三两根，垂垂可喜。\n茎、叶、豆荚，均以墨勾，疏疏几笔，中设豆绿色，叶中锈斑、虫蚀均为描出，紫白色的豆花和蜻蜓，以没骨法晕染，蜻蜒尤备极工细，神韵奕奕。\n对花写照的写生功力，令人惊叹。\n色调素雅，变化层次微妙，工写兼施，相映成趣。\n构图善从一角生发，全幅荡漾着空灵的诗意，尤觉流走圆美。\n不是面面俱到，或泛泛大略，而是择取一枝一梢作精心的观赏，一枝一叶总动情，这种审美性格为宋人所独具，风气所开，遥领千古。\n此图笔墨间随处散发着一种田园佳趣，尤为感人至深，而熠耀其中的是诗意的空间。\n宋画一如宋诗，其异于唐人之处：一为田园气息，二为哲理之思(以景喻理)。",[50,23,24,25,83,27,28,26,7,29,84,85,86],"扇面","宋代","昆虫","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48eea5d1a6887f57421ffd7e0488a89c.jpg",[],23,{"id":91,"slug":92,"title":93,"dynasty":45,"author":94,"museum":95,"description":96,"tags":97,"thumbUrl":99,"material":100,"size":101,"collection":56,"collections":102,"showCount":103,"zanCount":11,"manualWeight":11,"mainColor":60},214560,"mo-zui-za-hua-tu-ce-7-shi-tao-214560","墨醉杂画图册-7","石涛","私人收藏","石涛此册花鸟山水，除两开山水外，都是各种农家花卉果蔬小品，包括芙蓉河石、黄瓜豇豆、水仙竹枝、杏果柿子、莲藕扁豆等，作画构图新奇，笔法松柔秀拙，笔情恣肆，淋漓洒脱，具有一种豪放郁勃的生动气息!",[50,24,25,70,71,98,26,53,7,51,32],"写意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdaa2f55a704ff2548d16f954b2f29491.jpg","纸本,设色","纵51.4厘米，横35.4厘米",[56],13,{"id":105,"slug":106,"title":107,"dynasty":45,"author":108,"museum":109,"description":110,"tags":111,"thumbUrl":116,"material":36,"size":36,"collection":36,"collections":117,"showCount":103,"zanCount":11,"manualWeight":11,"mainColor":118},203049,"hua-niao-za-hua-ce-yun-shou-ping-203049","花鸟杂画册","恽寿平","上海博物馆","藤蔓蜿蜒，翠叶层叠间，淡紫小花轻绽，嫩荚垂悬如坠。一只小虫静栖枝上，触角微张，姿态憨然。画作以没骨法晕染，色彩清润雅致，叶片的脉络、花瓣的柔润皆以色彩层次自然带出，无墨线束缚却形神兼备。笔触细腻中藏灵动，将草木的生机与虫豸的意趣凝于尺幅，尽显对自然细微之美的捕捉与描摹，满溢着恬淡清新的文人意趣。",[112,28,26,7,113,114,115],"没骨","小虫","花卉","写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb252168483daab03d32c1417cdafa8fa.jpg",[],"d3bf98",{"id":120,"slug":121,"title":122,"dynasty":65,"author":123,"museum":67,"description":124,"tags":125,"thumbUrl":127,"material":36,"size":36,"collection":36,"collections":128,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":40},234678,"dou-jia-tang-lang-ce-ye-zhong-qin-li-234678","豆荚螳螂册页","钟钦礼","钟礼，字钦礼，号南越山人，尤擅画云山、草虫。此图采用没骨画法，描绘一只螳螂立在豆荚枝上，饱含生趣。",[24,25,70,28,26,7,126,32],"螳螂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5bf9c79368b74a231edc491d8e98dc18.jpg",[],11,{"id":131,"slug":132,"title":133,"dynasty":45,"author":94,"museum":109,"description":134,"tags":135,"thumbUrl":138,"material":36,"size":36,"collection":36,"collections":139,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":141},203452,"shu-guo-ce-shi-tao-203452","蔬果册","这幅画以水墨写意藤蔓豆荚，墨色浓淡相济，叶片阔笔挥洒，苍劲中见润泽；豆荚勾勒简练却形神兼备，藤蔓线条婉转灵动，似含生机。旁侧题字笔意洒脱，与蔬果之趣相映，朱红印章点缀，雅韵自生。画面简而不空，水墨淋漓间藏自然野趣，将日常蔬果点染出诗意，尽显文人画的随性与意趣，于小景中见大境界。",[24,25,71,70,136,32,51,137,7,30],"行书","蔬果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6c0251832ef828bd4f8fade4152af5f.jpg",[],8,"c7b998",{"id":143,"slug":144,"title":145,"dynasty":45,"author":146,"museum":67,"description":147,"tags":148,"thumbUrl":150,"material":36,"size":36,"collection":36,"collections":151,"showCount":152,"zanCount":11,"manualWeight":11,"mainColor":60},230291,"lin-lu-bao-shan-hua-ce-li-shan-230291","临陆包山画册","李善","这幅小品设色清雅柔润，淡赭晕染豆荚，将饱满绵密的肌理尽显，淡蓝铺陈叶片，墨线细勾叶脉，枯笔写就的枝蔓苍劲灵动。蝈蝈工细写实，翅脉纤毫毕现，触须轻颤欲动，将秋虫的鲜活之态凝于纸面，写意的花果与工致的草虫相映成趣。\n\n题诗与画面呼应，诗书印相融晕染出文人雅趣。画师将秋日篱边小景的生机尽数铺展，既有写生的真切生动，又不失写意的淡朴雅致，寥寥笔墨间揽尽清秋闲情，尽显传统花鸟小品的隽永意韵。",[24,25,149,28,71,26,7,30,85,136,32],"临摹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3038fe2fed241b071c06cc83341136e1.jpg",[],7,{"id":154,"slug":155,"title":156,"dynasty":65,"author":80,"museum":67,"description":157,"tags":158,"thumbUrl":165,"material":166,"size":167,"collection":36,"collections":168,"showCount":169,"zanCount":11,"manualWeight":11,"mainColor":60},287517,"qiu-shu-dou-teng-tu-li-zhou-yi-ming-287517","秋树豆藤图立轴","此作为水墨写意小品，以枯涩老笔绘秋树干，皴擦出斑驳苍劲的质感，缠绕的豆藤则以柔劲线条写出，宛转舒展。叶片以浓淡墨色晕染，区分阴阳向背，鲜活灵动，垂挂的豆荚带着饱满秋意，尽显山野清趣。\n画侧题诗与画面呼应，诗画相生，将秋夜灯火、夜雨秋野的乡野意趣融于笔间。笔意萧散隽秀，墨色清润雅致，以极简笔墨勾勒出悠然的田园秋景，寄寓文人幽淡闲逸的山居情怀，尽显文人写意画的雅致意韵。",[50,24,159,71,160,161,162,7,163,164],"立轴","花鸟画","秋树","豆藤","秋景","题款","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdd6ed1bd6e0a838e20d2b4a2ced8b09.jpg","未知","Xcm*Xcm",[],5,{"id":171,"slug":172,"title":173,"dynasty":174,"author":80,"museum":67,"description":175,"tags":176,"thumbUrl":180,"material":36,"size":36,"collection":36,"collections":181,"showCount":182,"zanCount":11,"manualWeight":11,"mainColor":60},225499,"fu-shi-hui-257-yi-ming-225499","浮世绘257","不详","这是一幅雅致的虫草蔬果绘，跨页铺展乡野闲趣。左页豆枝垂坠，薄叶晕着浅褐秋意，小蚱蜢静伏长豆之上，怯怯窥望周遭；右页倭瓜饱满沉实，暖黄似浸过蜜色，螳螂昂首立身瓜顶，舒展长臂透着灵动生姿，柔蔓牵缠的粉白花萼蜷卧旁侧。\n\n线条清隽疏朗，设色温柔内敛，浅米纸底衬着草木青苍、瓜实暖调，晕开松弛的秋日闲情。配侧的俳句题字诗画合璧，将乡野一隅的细碎生机揉入笔端，带着侘寂悠然的和风意趣，把市井日常里的山野清欢，绘作隽永的风物闲章。",[177,70,28,27,7,30,178,126,179,53],"浮世绘","南瓜","蟋蟀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F215a6c5cb809a2aa1be1e56f0eb2b7d1.jpg",[],4,{"id":184,"slug":185,"title":186,"dynasty":45,"author":187,"museum":67,"description":188,"tags":189,"thumbUrl":191,"material":166,"size":167,"collection":36,"collections":192,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":60},236656,"bie-you-feng-wei-ce-huang-shen-236656","别有风味册","黄慎","黄慎（1687年6月14日—1772年），福建宁化人，初名盛，字恭寿，恭懋，躬懋、菊壮，号瘿瓢子，别号东海布衣。家贫，遂学画，擅长人物、山水、花鸟。他的人物画题材十分广泛和丰富，它不仅画神仙佛道和历史名人，也擅长从民间生活中取材，塑造了纤夫 、乞丐、流氓、渔民等下层人民的形象，这在古代的画家当中是十分难得的。康熙间至扬州卖画，人争客之。是中国清代杰出书画家，为“扬州八怪”之一。与郑燮友善。擅草书，后以狂草笔法作画。亦能诗。有《蛟湖诗钞》。\n黄慎14岁时，父亲客死湖南，两妹相继夭折，家境十分穷困，为生计，母亲命其学画，为人写真。16岁时，离家从师，他勤奋苦学，悉心钻研，画艺日进。",[24,25,70,71,190,26,7,32,136],"白描","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2ffa0e533315cf2da6940fe099d8c92.jpg",[],3,{"id":195,"slug":196,"title":197,"dynasty":45,"author":198,"museum":67,"description":199,"tags":200,"thumbUrl":202,"material":166,"size":167,"collection":36,"collections":203,"showCount":204,"zanCount":11,"manualWeight":11,"mainColor":60},237994,"za-hua-ce-xue-huai-237994","杂画册","薛怀","薛怀（1717—1804），清代著名书画家。字小凤，号竹君，晚号竹居老人。桃源（今江苏泗阳县）监生，居山阳（今淮安市淮安区）。 边寿民甥。工书、画，花卉小品，清远绝俗。画用钩勒再以枯笔渍染，阴阳向背，极为明豁。写芦雁酷似其舅，又善画宜兴茶器。卒年八十七。《艺林月刊、墨林今话、墨香居画识、梧门诗话、宋元明清书画家年表附录》。",[24,25,70,190,32,51,201,7],"茄子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94921c4e6dc55d6984a98519331dfbe1.jpg",[],2,{"id":206,"slug":207,"title":208,"dynasty":45,"author":209,"museum":109,"description":210,"tags":211,"thumbUrl":10,"material":36,"size":36,"collection":36,"collections":214,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":215},203184,"hua-hui-ce-bao-kai-203184","花卉册","鲍楷","藤蔓婉转牵绕于素纸之上，叶片层叠舒展，脉络清晰可见；粉白小花轻绽，花瓣纹理细腻，嫩荚垂悬添生机。画作以工笔勾勒见长，线条流畅精准，设色淡雅温润，将花草的自然情态描摹得淋漓尽致。旁侧题款书法秀逸，与花鸟景致相映成趣，印章点缀更添文人雅韵。整体画面清新雅致，既显写生之真，又含笔墨之趣，尽显清代花鸟册页的温婉格调与艺术匠心。",[24,25,70,28,26,27,53,212,7,32,213],"花朵","书",[],"beb592",{"id":217,"slug":218,"title":219,"dynasty":45,"author":80,"museum":67,"description":220,"tags":221,"thumbUrl":222,"material":36,"size":36,"collection":36,"collections":223,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},235045,"yuan-ji-za-hua-tu-ce-yi-ming-235045","原济杂画图册","此作用淡墨晕染豆叶，浓墨勾勒叶脉，叶片俯仰错落，尽显舒展之姿。垂挂的豆荚以枯湿浓淡变化的墨色绘就，饱满写实，带着乡野蔬果的质朴生趣。\n左侧题书朴拙苍劲，诗画相映，文气悠然。整幅以水墨写就，未施艳色，将夏末豆花褪尽、豆荚渐熟的乡野闲景铺陈开来，把田园清趣藏在极简笔墨间，淡远萧疏，尽显文人寄情于寻常风物的雅致意趣，笔简意足，余韵悠长。",[24,71,136,32,70,26,7,30],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe100cc9f5a43244e1ea38ce809dc33a1.jpg",[],{"id":225,"slug":226,"title":227,"dynasty":45,"author":80,"museum":67,"description":228,"tags":229,"thumbUrl":235,"material":166,"size":167,"collection":36,"collections":236,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},229986,"diao-zhu-bian-dou-jia-fu-mu-zuo-yi-ming-229986","雕竹笾豆荚（附木座）","这件竹雕以田间豆荚为意，随形施艺，将竹材肌理与造物意趣相融无间。双荚饱满垂坠，仿若将熟未摘，带着郊野田亩的鲜活生气，枝蔓卷须回旋缠绕，柔劲灵动，还隐有小虫攀附荚间，把乡野一隅的生机凝于寸竹之上。\n\n刀工藏锋于拙，顺竹材天然纹理行刀，既留存竹质朴野的原生质感，又将豆荚的饱满圆融、卷须的纤柔舒展刻画入微，无多余修饰，却尽得造物之趣，将日常乡野小景化作案头清玩，把自然意趣与手工匠心揉为一体，尽显文人心底的雅致闲情。",[230,231,232,233,7,234],"清代","雕刻","木质","竹","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc60a5b91cbdd65de9b95093221e5685d.jpg",[],1777535723861]