[{"data":1,"prerenderedAt":62},["ShallowReactive",2],{"subject-dou-teng":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2097,"dou-teng","豆藤","豆藤画高清赏析","精选中国历代豆藤题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9b65c219869a1090b2377b85eb0da735.jpg",0,2,[14,42],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":37,"collection":38,"collections":39,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},234993,"hua-hui-ling-mao-ping-11-ren-yi-234993","花卉翎毛屏11","清","任颐","藏地不详","任颐(1839-1896)，初名润，字伯年，一字次远，号小楼(亦作晓楼)，萧山城厢镇人。其父善画肖像，任颐自幼随之习画。人物、山水、花卉、翎毛等均有扎实功底，尤以人物画见长，他在十余岁时即能勾勒出来访者容貌，使人见其画如见其人。\n咸丰十一年(1861)，太平军占领杭州、绍兴，任颐即投笔从戎，参加太平军，掌军旗，为前驱。同治二年(1863)，太平军撤离浙江，任留居家乡；次年，移居宁波，得到任熊、任薰悉心指导。同治七年(1868)春，随任薰去苏州，是年冬，转至上海定居。从此，任颐步入新兴的上海画派之列。\n任颐画路宽拓，所画人物具有独特的风韵，更以描写风俗人情、民间传说和神话故事中人物见长，如《女娲》、《钟 馗》、《八仙》、《群仙祝寿》等作品，将艺术与现实巧妙地容贯于画面。其人物肖像画既有深厚的传统基础，又注重写生，每次外出，备有速写本，随时勾录。寓居上海后，以卖画为生，创作甚富。《钟馗》、《关河一望萧索》、《苏武牧羊》、《野塘雨后》和《三友图》等为其代表作。且其参用画意的书法亦奇惊不凡，光绪二十二年(1896)逝世。\n任伯年因是浙江山阴人，故画面署款多写山阴任颐。儿时随父学画，十四岁到上海，在扇庄当学徒，后以卖画为生。所画题材，极为广泛，人物、花鸟、山水、走兽无不精妙。他的画用笔用墨，丰富多变，构图新巧，创造了一种清新流畅的独特风格，在正统派外别树一帜。\n任颐是近代杰出画家。字伯年，号小楼，浙江山阴人，因此他的画署款多写山阴任颐。任伯年的绘画题材广泛，人物、肖像、山水、花卉、禽鸟无不擅长。用笔用墨，丰富多变，构图新巧，主题突出，疏中有密，虚实相间，浓淡相生，富有诗情画意，清新流畅是他的独特风格。任伯年的主要成就是在于人物画和花鸟画方面，往往寥寥数笔，便能把人物整个神态表现出来，着墨不多而意境深远。其线条简练沉着，有力潇洒。他常画钟馗，他笔下的钟馗心胸磊落、不怕鬼，不信邪。他的花鸟画，总是把花与鸟连在一起，禽鸟显得很突出，花卉有时只作背景，整个画面充满了诗的意境。",[23,24,25,26,27,28,29,30,7,31,32,33,34],"国画","名画","书画","立轴","设色","工笔","花鸟","鸡","叶子","花","竹架","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc51dae55e91611f90ab3b25efa239ea.jpg","绢本，设色","149 x 61 cm","",[],26,"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":20,"description":48,"tags":49,"thumbUrl":57,"material":58,"size":59,"collection":38,"collections":60,"showCount":61,"zanCount":11,"manualWeight":11,"mainColor":41},287517,"qiu-shu-dou-teng-tu-li-zhou-yi-ming-287517","秋树豆藤图立轴","明","佚名","此作为水墨写意小品，以枯涩老笔绘秋树干，皴擦出斑驳苍劲的质感，缠绕的豆藤则以柔劲线条写出，宛转舒展。叶片以浓淡墨色晕染，区分阴阳向背，鲜活灵动，垂挂的豆荚带着饱满秋意，尽显山野清趣。\n画侧题诗与画面呼应，诗画相生，将秋夜灯火、夜雨秋野的乡野意趣融于笔间。笔意萧散隽秀，墨色清润雅致，以极简笔墨勾勒出悠然的田园秋景，寄寓文人幽淡闲逸的山居情怀，尽显文人写意画的雅致意韵。",[50,23,26,51,52,53,7,54,55,56],"高清","水墨","花鸟画","秋树","豆荚","秋景","题款","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdd6ed1bd6e0a838e20d2b4a2ced8b09.jpg","未知","Xcm*Xcm",[],5,1777535786778]