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纹交叠装饰，錾刻工艺细腻入微，通体镀金莹润厚重，华贵质感扑面而来。整体将藏传佛教的宗教肃穆与清代金作的精巧工艺相融，细节处皆见匠心，凝练出庄严神圣的信仰美学。",[26,7,27,23,286,560,561],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbb3dc010376fcda97e5a50ec726c142.jpg",[],{"id":582,"slug":583,"title":584,"dynasty":18,"author":19,"museum":20,"description":585,"tags":586,"thumbUrl":589,"material":53,"size":54,"collection":33,"collections":590,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274898,"tong-du-jin-ba-bao-san-yi-ming-274898","铜镀金八宝-伞","这件宝伞嵌于桃形佛龛之中，伞主法相威严，持法器安坐，周身纹饰錾刻细密繁复，华贵庄重。\n\n下承仰莲座，莲瓣饱满鲜活，脉理分毫毕现。莲茎缠绕翻卷的瑞草纹，与底座覆莲纹遥遥呼应，鎏金随着时光晕染出深浅层次，古铜底色晕开温润包浆，将藏地法器的庄严气度与工艺美学相融。它把护佑祈福的意涵凝于造像，静穆间尽显清代造像的精工巧思，藏着厚重的宗教意蕴。",[26,7,27,23,561,587,588,247],"伞","莲座","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6df6bb0e1d65a34bddac7a121b82a980.jpg",[],{"id":592,"slug":593,"title":594,"dynasty":18,"author":19,"museum":20,"description":595,"tags":596,"thumbUrl":598,"material":53,"size":54,"collection":33,"collections":599,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274896,"tong-du-jin-ba-bao-lun-yi-ming-274896","铜镀金八宝-轮","此器自上而下层次分明，桃形背光錾刻缠枝莲纹拱卫法轮，轮心纹饰庄严尽显圆满禅意。莲台层层绽露饱满莲苞，稳稳承托圣物。支架透雕卷草纹灵动舒展，与莲台静穆形成动静相宜的反差。底足覆莲环绕，鎏金历经岁月晕染，古旧包浆更衬器物雍容华贵。整器庄重精巧，将藏传佛教清净意蕴与精湛造办工艺相融，是佛前供器中的佳品，尽显信仰与工艺交织的大美。",[26,7,27,23,597,560,221],"法轮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F332c5c6ab0006cda5b1c7dc212698bc4.jpg",[],{"id":601,"slug":602,"title":603,"dynasty":18,"author":19,"museum":20,"description":604,"tags":605,"thumbUrl":608,"material":53,"size":54,"collection":33,"collections":609,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},274831,"tong-du-jin-zhi-hu-yi-ming-274831","铜镀金执壶","此器以紫铜为胎，素面沉静古雅，与鎏金饰件形成明暗冷暖的鲜明反差。壶嘴造型遒劲，錾刻瑞兽首为饰，威严灵动，气韵雄浑。口沿、肩腹、底足的鎏金饰带，分别浮雕八宝瑞纹与覆莲瓣，纹饰饱满细腻，线条婉转流畅，尽显錾刻工艺的精湛卓绝。整体形制承袭藏地贲巴壶的经典样式，将宗教礼器的肃穆庄重与金属细工的华美精巧融为一体，是兼具礼供实用与陈设审美价值的佳器，尽显当时造作工艺的不俗水准。",[26,7,606,49,27,25,607],"执壶","宗教用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a8514868f5358173417364e30062ec5.jpg",[],{"id":611,"slug":612,"title":613,"dynasty":18,"author":19,"museum":20,"description":614,"tags":615,"thumbUrl":620,"material":53,"size":54,"collection":33,"collections":621,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274828,"guang-xu-kuan-tong-du-jin-xing-yi-ming-274828","光绪款铜镀金鉶","它仿古青铜制式，鎏金覆身，宝光暗蕴。兽首衔耳雄劲灵动，棱角间带着沉凝威仪。口沿回纹往复回环，规矩中藏着圆满寓意。器身满铺鳞形纹饰，层层叠叠如春水漾波，细密排布尽显韵律之美。三兽足稳稳承托器身，露铜足底与鎏金形成冷暖反差，古拙厚重感油然而生。\n\n它兼收上古青铜的礼制肃穆与清宫造办处的华贵精工，华贵却不失古雅气韵，是仿古铜作里的精巧佳器。",[26,7,616,27,617,618,499,619],"饪食器","兽耳","三足","礼器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fddc73ea8acd1a56a0f29a2416db6cd9e.jpg",[],{"id":623,"slug":624,"title":557,"dynasty":18,"author":19,"museum":20,"description":625,"tags":626,"thumbUrl":627,"material":53,"size":54,"collection":33,"collections":628,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},274821,"tong-du-jin-ba-bao-guan-yi-ming-274821","此器鎏金莹亮，华贵雅致。顶部宝罐饱满端庄，双耳垂系饰带，覆塔式顶盖挺拔规整，暗合聚福纳祥的美好寓意。罐下仰莲台瓣层叠舒展，柔婉雅致，承接上下浑然一体。中部支架取缠枝卷草之形，涡旋灵动，线条繁复却流畅利落，錾刻工艺尽显精妙，将柔美与劲挺融为一体。底座镂空莲叶纹，沉稳大气，稳稳承托整体器物。\n\n比例匀称合度，从宝罐的静穆端庄到支架的灵动柔美过渡自然。金泽沉敛温润，尽显细腻造作工法，静立间带着祈福纳吉的平和意蕴，是藏传佛教供器里的精巧之作。",[26,7,23,27,561,221,49],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15995b00099130bfa28ec9993318a99a.jpg",[],{"id":630,"slug":631,"title":632,"dynasty":18,"author":19,"museum":20,"description":633,"tags":634,"thumbUrl":638,"material":53,"size":54,"collection":33,"collections":639,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274804,"tong-du-jin-qian-qing-yu-liu-fang-xing-ta-yi-ming-274804","铜镀金嵌青玉六方形塔","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[26,635,27,23,636,49,7,637],"玉石","佛塔","嵌玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb924e0baff5e6eb18f97311c474fd870.jpg",[],{"id":641,"slug":642,"title":643,"dynasty":18,"author":19,"museum":20,"description":644,"tags":645,"thumbUrl":648,"material":53,"size":54,"collection":33,"collections":649,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},274799,"tong-du-jin-qian-qing-shi-yuan-ta-yi-ming-274799","铜镀金嵌青石圆塔","宝顶法轮宝瓶鎏金熠熠，下接层层相轮收束有致。鎏金垂帐悬于相轮四周，錾刻缠枝卷草，灵动机巧。覆钵以青石为胎，沉朴石色与亮眼鎏金相映成趣，口沿饰鎏金花丝璎珞，华贵雅致。下承仰覆莲须弥座，落于錾饰珐琅彩宝纹的八角基座之上。整体融藏式佛塔的肃穆仪轨与宫廷精工于一体，藏汉工艺合璧，既有宗教造像的庄严沉静，又尽显作工的细腻华贵，是兼具审美价值与工艺价值的精巧之作。",[23,636,26,7,646,27,647],"嵌石","宗教器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fe6edde3b2e37cc471b141e381e582e.jpg",[],{"id":651,"slug":652,"title":653,"dynasty":18,"author":19,"museum":20,"description":654,"tags":655,"thumbUrl":659,"material":53,"size":54,"collection":33,"collections":660,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},274793,"tong-du-jin-san-huan-san-xiang-zu-yuan-lu-yi-ming-274793","铜镀金三环三象足圆炉","清代的玉炉很多，但用芙蓉石制作的炉却极少，这是因为做炉需要较大块的料，而芙蓉石一般裂纹很多不宜使用。中国芙蓉石的产量小，颜色与质地亦欠佳。",[26,7,27,532,656,499,657,658],"炉","兽首","环","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3be09b25817b474a9d1631e605011347.jpg",[],{"id":662,"slug":663,"title":664,"dynasty":665,"author":19,"museum":20,"description":666,"tags":667,"thumbUrl":674,"material":53,"size":54,"collection":33,"collections":675,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},274697,"tie-du-jin-liu-fang-chu-xing-la-qian-yi-ming-274697","铁镀金六方杵形蜡扦","明","此器层层递进，形制庄重典雅。顶尖烛针承托浅盘，兽首衔饰勾连起双层灯盘，巧思尽显。柱身以双葫芦为主体，通体透雕缠枝卷草与莲纹，虚实相映，繁而不乱。六角基座以回纹饰边，开光内满饰镂刻纹样，细节处尽显匠心。\n\n鎏金虽历经岁月，金泽稍褪，却更添古朴厚重之感，既为礼佛燃灯之实用器，亦是陈设赏玩之佳物，尽显明代金属细作的精湛水准与审美意趣。",[247,223,7,668,669,670,671,672,27,673],"蜡扦","烛具","镂空雕刻","六方造型","杵形","宗教器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd603aacefafca555e88d238bd09b1db3.jpg",[],{"id":677,"slug":678,"title":679,"dynasty":18,"author":19,"museum":20,"description":680,"tags":681,"thumbUrl":683,"material":53,"size":54,"collection":33,"collections":684,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},274695,"bo-re-pin-tong-du-jin-fu-guan-shi-yin-pu-sa-yi-ming-274695","般若品铜镀金佛-观世音菩萨","此造像半跏趺坐于莲台，身姿舒展柔婉，鎏金躯体莹润华贵，肌理线条饱满柔和。宝冠璎珞细节刻画精巧入微，点蓝装饰晕染出清丽雅致的色调，与金辉相映愈显华贵。\n\n菩萨面容圆融恬和，双目垂敛，神情慈悲宁谧，左手持莲，右手施与愿印，将悲悯众生的禅意融于舒展仪态中。整体形制规整典雅，工巧精湛又不失灵动柔和的气韵，神性庄严与人性柔美相融，尽显静穆空灵的禅韵。",[23,190,682,26,7,27,402],"观世音菩萨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F611fafea3ee516e7857a3051b2a4d6bf.jpg",[],{"id":686,"slug":687,"title":688,"dynasty":18,"author":19,"museum":20,"description":689,"tags":690,"thumbUrl":692,"material":53,"size":54,"collection":33,"collections":693,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},274684,"bo-re-pin-tong-du-jin-fu-chu-zhu-zhang-pu-sa-yi-ming-274684","般若品铜镀金佛-除诸障菩萨","此造像以鎏金与合金铜分铸镶接，色调层次鲜明。菩萨呈游戏坐姿，面庞圆润饱满，双目垂敛含笑，神态慈悲温煦。宝冠高耸华丽，身佩璎珞环钏，蓝彩装饰衣袂与背光，醒目雅致，衬得金身熠熠生辉。右手轻拈青莲，左臂悠然搭于膝头，身姿舒展闲适，尽显自在超脱的仪范。莲台束腰饱满，仰覆莲瓣刻绘规整细腻，整体金水厚重莹润，铸工精巧细致，将藏传造像的庄严质感与柔美感融合无间，静穆间流露清宁慈悲的佛韵，尽显工艺匠心与造像神韵。",[23,28,26,27,7,691],"除诸障菩萨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67a0c78aa2552b3260020673579e390a.jpg",[],{"id":695,"slug":696,"title":697,"dynasty":18,"author":19,"museum":20,"description":302,"tags":698,"thumbUrl":700,"material":53,"size":54,"collection":33,"collections":701,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":81},274660,"tong-du-jin-fa-lang-si-ming-zhong-yi-ming-274660","铜镀金珐琅四明钟",[26,166,305,7,699],"人物纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F78d32dcee73f518b7a67cbadbc90b5db.jpg",[],{"id":703,"slug":704,"title":705,"dynasty":18,"author":19,"museum":20,"description":302,"tags":706,"thumbUrl":707,"material":53,"size":54,"collection":33,"collections":708,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},274616,"tong-du-jin-ming-bai-pi-tao-zhong-yi-ming-274616","铜镀金明摆皮套钟",[26,7,305,366,49],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ff3a2148be04836168cd5affab01911.jpg",[],{"id":710,"slug":711,"title":712,"dynasty":18,"author":19,"museum":20,"description":302,"tags":713,"thumbUrl":714,"material":53,"size":54,"collection":33,"collections":715,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":81},274604,"tong-du-jin-fa-lang-wei-ping-shi-zhong-yi-ming-274604","铜镀金珐琅围屏式钟",[166,26,7,327,366,90],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u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"tong-du-jin-dian-cui-qian-zhu-pan-chang-wen-mao-hua-yi-ming-268981","铜镀金点翠嵌珠盘肠纹帽花",[48,200,26,7,126,104,1040],"盘肠纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8f4fc5a63d9eb3e85ccc03d42914b37.jpg",[],{"id":1044,"slug":1045,"title":1038,"dynasty":18,"author":19,"museum":20,"description":198,"tags":1046,"thumbUrl":1047,"material":53,"size":54,"collection":33,"collections":1048,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},268980,"tong-du-jin-dian-cui-qian-zhu-pan-chang-wen-mao-hua-yi-ming-268980",[48,200,26,7,126,104,1040],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2abf1ce955277720a758cc27d5792d4f.jpg",[],{"id":1050,"slug":1051,"title":1052,"dynasty":18,"author":19,"museum":20,"description":1053,"tags":1054,"thumbUrl":1056,"material":53,"size":54,"collection":33,"collections":1057,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":81},268919,"tong-du-jin-qian-shi-bie-zhen-yi-ming-268919","铜镀金嵌石别针","它以叶瓣铺展成星芒造型，鎏金肌理摹仿叶脉绒感，带着经年沉淀的柔润光泽。主石稳踞中心，环缀八颗闪钻，包镶的金属座收拢水晶火彩，明暗流转间复刻旧日工坊的细密心思。\n\n暖调金质中和晶石冷冽清光，好似将冬夜落雪揉入鎏金枝叶，奢华里揉进自然意趣。这是藏在衣襟的旧日浪漫，将配饰化为袖珍的珠宝诗篇，静述着跨越年岁的精致复古美学。",[48,26,7,646,1055],"金属饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde5613a48031e9bcefa3fef59e57edc0.jpg",[],{"id":1059,"slug":1060,"title":1052,"dynasty":18,"author":19,"museum":20,"description":1061,"tags":1062,"thumbUrl":1064,"material":53,"size":54,"collection":33,"collections":1065,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":81},268916,"tong-du-jin-qian-shi-bie-zhen-yi-ming-268916","开放式轮状构图，鎏金铜胎上浮雕刻画缠枝卷云，柔婉灵动的线条将器物分割出七处对称镶石点位。中央主石沉稳醒目，六颗配石环伺四周，仿钻嵌石在暖调金底映衬下熠熠闪光，复古华贵扑面而来。\n\n它揉合西洋珠宝镶嵌工艺与中式传统卷草纹意趣，厚重金层光泽莹润饱满，錾刻肌理细腻生动，是西风东渐浪潮里，首饰审美中西合璧的精巧缩影。历经岁月洗练，金饰依旧光亮华贵，尽显旧时手作的细腻匠心。",[48,26,7,646,27,1063],"别针","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca8f878b6bcc472a035115dc7c88cc34.jpg",[],{"id":1067,"slug":1068,"title":1069,"dynasty":18,"author":19,"museum":20,"description":1070,"tags":1071,"thumbUrl":1072,"material":53,"size":54,"collection":33,"collections":1073,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},245927,"yin-du-jin-zhang-gou-yi-ming-245927","银镀金帐钩","此件器物以银为底，局部鎏金提亮。主体饰片取如意轮廓，透雕缠枝宝相花纹饰，团纹周正圆满，缠枝舒卷柔婉，线条剔透利落，华贵雅致兼得。素净圆润的钩身，与繁丽饰片形成疏密对比，链条环扣细密规整，兼顾悬挂帐幔的实用之能与陈设装饰之美。\n\n它将祈福寓意的宝相花融于日用器物，以透雕与鎏金工艺诠释传统金属细作的精巧，把雅致审美藏入日常起居，尽显旧时造物里的匠人之思与中式意趣。",[24,65,25,48,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11cdcfae08e8acee5726fae9e7b5181d.jpg",[],{"id":1075,"slug":1076,"title":1077,"dynasty":18,"author":19,"museum":20,"description":1078,"tags":1079,"thumbUrl":1080,"material":53,"size":54,"collection":33,"collections":1081,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},245920,"yin-du-jin-lu-shi-la-qian-yi-ming-245920","银镀金鹿式蜡扦","此作以灵鹿为形，昂首伫立，鹿角舒展挺拔，双目灵动有神，仿若自幽林踏风而来，自带祥瑞气韵。通体鎏金铜质搭配银饰，色泽冷暖相映，华贵雅致。鞍鞯錾刻宝相花纹饰，线条婉转细腻，肌理饱满，银饰包浆温润古拙，与鎏金的明黄光泽形成鲜明层次。鹿背与口部皆设扦座，将陈设美感与礼佛实用相融，构思精巧。整体造像写实生动，金属工艺炉火纯青，将瑞鹿的吉祥寓意与礼器功用合二为一，尽显工艺雍容考究，兼具宗教意趣与美学价值。",[24,65,25,27,7,269,819,49],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb489eb83b330d0ff7012589686b73262.jpg",[],{"id":1083,"slug":1084,"title":1085,"dynasty":18,"author":19,"museum":20,"description":1086,"tags":1087,"thumbUrl":1088,"material":53,"size":54,"collection":33,"collections":1089,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},245881,"yin-du-jin-shui-dun-yi-ming-245881","银镀金水囤","器型饱满端庄，盖托成套，圆钮凝立于盖顶，下饰一圈细密錾刻花饰，尽显匠人手底的细腻心思。银镀金层历经岁月晕染，深浅不一的锈色覆于器身，像是时光晕开的温柔印记。器壁隐约可见规整的浅纹饰，质朴中藏着雅致韵味，既是日常收纳的实用之器，也可作案头陈设的精巧摆件。经年摩挲的温润感凝于周身，静静承载着旧时的烟火日常，将实用审美悄然融于一体。",[65,7,27,268],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d1269120565459150728796f101ceb3.jpg",[],{"id":1091,"slug":1092,"title":1093,"dynasty":18,"author":19,"museum":20,"description":1094,"tags":1095,"thumbUrl":1096,"material":53,"size":54,"collection":33,"collections":1097,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},245845,"yin-du-jin-guo-cha-yi-ming-245845","银镀金果叉","整体鎏金层莹润匀净，色泽华贵又不失温润。柄首取如意云头造型，暗缀中式吉祥意韵。双齿修长挺括，线条利落流畅，将金工巧思藏于日常食具之中。系附的旧笺墨迹残存，晕开岁月斑驳的痕迹，似仍在絮语旧时工料往事。它褪去张扬奢华，把精致融于烟火食事里，内敛端庄间尽显旧时器物的雅致美学，静静沉淀着百年日常里的细腻意趣。",[65,25,366,49,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f59c3e1e97077b49e78cf05b5af7afd.jpg",[],{"id":1099,"slug":1100,"title":1101,"dynasty":18,"author":19,"museum":20,"description":1102,"tags":1103,"thumbUrl":1106,"material":53,"size":54,"collection":33,"collections":1107,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},245827,"mu-bing-xiang-yin-du-jin-ban-shi-yi-ming-245827","木柄镶银镀金板匙","浅弧金勺头经捶打成型，亮泽温润，包浆凝敛着岁月柔光。乌木柄色如沉炭，质地匀净，两端镶金衔接，冷调木色与暖光金饰相映成趣，将华贵融于简约形制中。\n\n它摒弃繁复雕饰，以材质肌理碰撞出雅致格调，既是可供实用的小器，亦承载着旧时的审美意趣，静立间尽显清隽内敛的东方造物美学，把奢华藏于极简轮廓，尽显小品器物中的精致匠心。",[18,487,88,25,65,1104,7,1105,49],"镶饰","日用器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3efdfdc05bca970ad2fb8c7c3c09dad3.jpg",[],{"id":1109,"slug":1110,"title":1111,"dynasty":18,"author":19,"museum":20,"description":1112,"tags":1113,"thumbUrl":1115,"material":53,"size":54,"collection":33,"co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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[18,65,25,1114,7],"日用器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdba435ed8fc5ce1ebc5c2f05aa2d04b2.jpg",[],{"id":1118,"slug":1119,"title":1120,"dynasty":18,"author":19,"museum":20,"description":1121,"tags":1122,"thumbUrl":1123,"material":53,"size":54,"collection":33,"collections":1124,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},245784,"xuan-tong-kuan-yin-du-jin-pen-yi-ming-245784","宣统款银镀金盆","敞口宽沿，浅腹下敛，圈足沉稳舒展，线条利落端庄，尽显规整大气的形制美感。银胎内敛沉静，表面鎏金虽经岁月磨蚀，斑驳脱落间晕染出厚重古意，明暗交错里沉淀着时光痕迹。器物通体素净无饰，以极简形制凸显材质本身的质感张力，将内敛奢华藏于质朴之中，尽显典雅庄重的气韵，静静诉说着旧时光里的沉稳匠心。",[65,25,49,7,90,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1e9bf8b4cdf1eb027e67588986fe40f.jpg",[],{"id":1126,"slug":1127,"title":1128,"dynasty":18,"author":19,"museum":20,"description":1129,"tags":1130,"thumbUrl":1133,"material":53,"size":54,"collection":33,"collections":1134,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":81},242151,"yin-du-jin-qian-zhu-bao-qing-ting-wen-tou-hua-yi-ming-242151","银镀金嵌珠宝蜻蜓纹头花","中国妇女最偏爱的头花当属绒花，尤其是在女儿出嫁时，头上必须戴红色绒花，图火红吉利。在中国妇女中，只要条件允许，不仅婚礼喜庆日时要戴绒花，而且一年四季都愿意头戴绒花，求谐音吉祥。尤其到应时节序戴应季绒花：立春日戴春幡，清明日戴柳枝，端阳日戴艾草，中秋日戴桂花，重阳日戴茱萸，立冬日戴葫芦阳生……。清宫后妃们的头花，还有大批的绒花、绢花、绫花流存于世，这些花色彩协调，晕色层次丰富，堪称“乱真”之花。清代遗留下来的绒、绢、绫、绸等质地的头花有白、粉、桃红三晕色的牡丹花，浅黄、中黄、深黄三色的菊花，白、藕、雪青三色的月季花及粉、白相间的梅花等等，历时百年不久，仍鲜艳悦人。",[24,48,65,25,46,1131,1132,7],"蜻蜓","嵌宝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0a4511e68f933025708f39552d96d69.jpg",[],{"id":1136,"slug":1137,"title":1138,"dynasty":18,"author":19,"museum":20,"description":1139,"tags":1140,"thumbUrl":1142,"material":53,"size":54,"collection":33,"collections":1143,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":81},241820,"tong-du-jin-xiang-bao-shi-gou-huan-yi-ming-241820","铜镀金镶宝石钩环","铜胎镀金莹润厚重，包浆凝着岁月的华贵光泽。主石红宝石肌理浓郁如凝血，饱满光润，翠绿配石如莲瓣环簇，珐琅勾边界定层次，明暗交映间尽显雅致。卡扣处蓝宝石卧于如意座中，添了一抹清灵。周身錾刻缠枝卷云与吉字纹，线条婉转灵动，花丝细工尽显精妙。它融实用与装饰为一体，将中原细作工艺与珠宝镶嵌的华贵结合，藏着祈福纳祥的美好期许，尽显盛世造物的雍容雅致。",[24,26,25,1141,7,166,48,27],"镶嵌宝石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb9391eba9994dd45198d499900957f71.jpg",[],{"id":1145,"slug":1146,"title":1147,"dynasty":18,"author":19,"museum":20,"description":1148,"tags":1149,"thumbUrl":1153,"material":53,"size":54,"collection":33,"collections":1154,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":81},241816,"tong-du-jin-xiang-bao-shi-dai-gou-yi-ming-241816","铜镀金镶宝石带钩","此件以铜胎鎏金为底，累丝烧蓝勾勒边框，花丝盘绕细密精巧，蓝釉幽光衬得宝色愈盛。主石随形而置，艳红凝润自带厚重古韵，两侧配石清透如冰，辅以翠绿、酒红小宝石错落排布，色彩层次丰盈饱满。\n\n下方衔翡翠玉环，水色匀净淡雅，玉质温软中和了金饰的堂皇，刚柔并济尽显巧思。整体将花丝工艺的精妙与珠宝的材质之美融合到极致，尽显重工奢华的古韵审美，华贵内敛，是珠宝镶嵌工艺的精巧之作。",[1150,26,7,1151,166,635,27,48,1152],"清代风格","镶宝石","金属镶嵌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb51f3c14eae23e4ec348265bbd7ec4cf.jpg",[],{"id":1156,"slug":1157,"title":1158,"dynasty":18,"author":19,"museum":20,"description":1159,"tags":1160,"thumbUrl":1162,"material":53,"size":54,"collection":33,"collections":1163,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},229977,"du-jin-li-tong-fa-lang-wan-yi-ming-229977","镀金里铜珐瑯碗","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[24,26,166,7,201,1161,49,778],"花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f9991810b5093c99b09237b4210114d.jpg",[],{"id":1165,"slug":1166,"title":1167,"dynasty":18,"author":19,"museum":20,"description":1159,"tags":1168,"thumbUrl":1174,"material":53,"size":54,"collection":33,"collections":1175,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},229976,"du-jin-li-tong-fa-lang-da-wan-1-yi-ming-229976","镀金里铜珐瑯大碗-1",[24,26,7,1169,778,49,92,1170,1171,1172,330,1173],"珐瑯工艺","吉祥图案","寿字","囍字","缠枝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb6a147325d40a7466fb759bbc5887bf.jpg",[],{"id":1177,"slug":1178,"title":1179,"dynasty":18,"author":19,"museum":20,"description":1159,"tags":1180,"thumbUrl":1183,"material":53,"size":54,"collection":33,"collections":1184,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},229975,"du-jin-li-tong-fa-lang-da-wan-yi-ming-229975","镀金里铜珐瑯大碗",[24,26,166,7,778,201,1161,1181,1182,49],"几何纹","传统工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe67afd5ab2d49cae505935043ab3a771.jpg",[],{"id":1186,"slug":1187,"title":1188,"dynasty":18,"author":19,"museum":20,"description":1189,"tags":1190,"thumbUrl":1193,"material":53,"size":54,"collection":33,"collections":1194,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},229408,"yin-du-jin-xiang-song-shi-man-da-yi-ming-229408","银镀金镶松石满达","通体鎏金明丽华贵，松石苍润点缀其间，二者相映成趣。盖面仿坛城形制，层层松石垒起肃穆法界，环绕宝相花饰，方寸间尽显精巧构思。器身以缠枝莲纹托举八吉祥，累丝工艺勾勒柔婉线条，饱满灵动的纹样藏着吉庆祈愿。\n\n整体圆浑端庄，金工细腻精湛，冷调松石中和鎏金的张扬，更添圣洁静雅。将藏地工艺巧思与佛教美学相融，把虔诚信仰凝于器物之中，尽显匠心底色。",[24,25,65,66,1191,23,286,7,1152,1192],"松石","镶石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc526f023e9e22a53232c54efb90c6ced.jpg",[],{"id":1196,"slug":1197,"title":1198,"dynasty":18,"author":19,"museum":20,"description":1199,"tags":1200,"thumbUrl":1201,"material":53,"size":54,"collection":33,"collections":1202,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},229402,"tong-du-jin-qian-bao-shi-dai-kou-yi-ming-229402","铜镀金嵌宝石带扣","整体形制温婉椭圆，主石猫眼凝润莹泽，光线流转时隐现金丝宝光，自带朦胧华贵的灵动感。环绕的绿松石作羽瓣排布，翠色鲜亮柔和，如攒簇新叶拱卫明玉，和主石的灰调柔光相映成趣。\n\n铜镀金底托掐丝细腻柔婉，勾勒出雅致轮廓，将宝石清透与金属沉敛熔为一体。工匠巧思天成，将天然灵石的肌理与金属细工精妙结合，雅致不失华贵，带着古典饰物独有的温润气度，尽显旧时配饰工艺的精巧造诣。",[24,48,49,26,7,209],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5fa94fef4ed680ac76a12bb15dc0efda.jpg",[],{"id":1204,"slug":1205,"title":1206,"dynasty":18,"author":19,"museum":20,"description":1207,"tags":1208,"thumbUrl":1210,"material":53,"size":54,"collection":33,"collections":1211,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},229399,"tong-du-jin-shi-er-chen-yi-wei-ru-yi-yi-ming-229399","铜镀金十二辰「已未」如意","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[24,26,7,27,1209,49],"十二辰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2e32945ea1142a0a34b60d4d255ea6c.jpg",[],{"id":1213,"slug":1214,"title":1215,"dynasty":18,"author":19,"museum":20,"description":284,"tags":1216,"thumbUrl":1217,"material":53,"size":54,"collection":33,"collections":1218,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":58},224017,"du-jin-xiang-zhu-dai-ban-1-yi-ming-224017","镀金镶珠带版-1",[24,7,45,171,128,25,48,286,411,877,90],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8cbfb5d275b5521f9d48b71bb22fd690.jpg",[],1777535703355]