[{"data":1,"prerenderedAt":52},["ShallowReactive",2],{"subject-fa-lang-gong-yi-6141":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6141,"fa-lang-gong-yi-6141","珐瑯工艺","珐瑯工艺画高清赏析","精选中国历代珐瑯工艺题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c016734a5c6fe5d6fcdfa032d45cbac.jpg",0,2,[14,36],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},229175,"qian-long-tong-fa-lang-he-yi-ming-229175","乾隆铜珐瑯盒","清","佚名","藏地不详","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[23,24,25,7,26,27,28,29],"清代","琺瑯器","铜制","花卉","装饰图案","设色","清式风格","未知","Xcm*Xcm","",[],1,"BDBDBD",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":49,"material":30,"size":31,"collection":32,"collections":50,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},229976,"du-jin-li-tong-fa-lang-da-wan-1-yi-ming-229976","镀金里铜珐瑯大碗-1","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[23,25,42,7,28,43,44,45,46,47,26,48],"镀金","器","纹饰","吉祥图案","寿字","囍字","缠枝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb6a147325d40a7466fb759bbc5887bf.jpg",[],"795548",1777535801911]