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利玛窦向中国明万历皇帝呈献第一件自鸣钟起，陆续有西洋钟表进献宫廷。清康熙帝把西洋钟表作为一种新科学加以重视，将西洋钟表（也称自鸣钟）贮于端凝殿南端，并将此处命名为自鸣钟处，还在宫内成立了做钟处。到乾隆时，钟表已成为帝后们生活中不可缺少之物，不但在各宫殿内陈设，就连外出乘坐的车、轿、船、马鞍上也都置有钟表。因而每年都要使用大批新奇钟表。这些钟表有清宫做钟处、广州、苏州制造的，也有英国、法国、德国、瑞士、日本等国制造的。",[147,44,7,28,250,51],"装饰纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3976de4a357942c9d2dabc772291a38e.jpg",[],{"id":254,"slug":255,"title":256,"dynasty":18,"author":19,"museum":20,"description":257,"tags":258,"thumbUrl":261,"material":56,"size":57,"collection":31,"collections":262,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":60},241703,"yin-tai-lv-fa-lang-qian-bao-shi-xiao-zi-shi-hai-luo-yi-ming-241703","银胎绿珐琅嵌宝石硝子石海螺","这件器物以天然海螺为基座，螺身晕着柔和的虹彩珠光，莹润朴拙，带着深海馈赠的灵动气息。上方宝盒以花丝珐琅工艺打造，墨绿珐琅为底托，缠枝花卉顺着器身舒展蔓延，朱红与宝蓝釉色交织撞色，镶嵌的颗颗宝石在光影里折射出细碎华光，宝顶攒簇珠宝，层层递进尽显华贵雍容。将天然造物的浑然意趣与精工珐琅的奢美巧思相融，是两种美学碰撞的精妙之作，藏着旧时光里的极致匠心与独特审美意涵。",[167,168,7,101,259,73,260],"海螺","银胎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3fb60d7bc142904e7cf3d6835be12847.jpg",[],{"id":264,"slug":265,"title":266,"dynasty":18,"author":19,"museum":20,"description":267,"tags":268,"thumbUrl":271,"material":56,"size":57,"collection":31,"collections":272,"showCount":106,"zanCount":11,"manualWeight":11,"mainColor":60},229159,"jin-tai-xi-yang-fa-lang-pan-yi-ming-229159","金胎西洋珐瑯盘","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[42,269,24,270,7,208,75,168],"珐瑯器","西洋风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F185f3f7c15833d5b204027fd6f5acbe5.jpg",[],{"id":274,"slug":275,"title":276,"dynasty":18,"author":19,"museum":20,"description":165,"tags":277,"thumbUrl":283,"material":56,"size":57,"collection":31,"collections":284,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},250156,"qian-long-kuan-qia-si-fa-lang-gou-lian-wen-lu-hu-yi-ming-250156","乾隆款掐丝珐琅勾莲纹卤壶",[42,27,170,44,278,279,208,23,171,7,280,281,282],"日用器","缠枝纹","花卉纹","金色装饰","多色彩绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf5a801fed22167a0decb06b7cf4c123.jpg",[],{"id":286,"slug":287,"title":288,"dynasty":18,"author":19,"museum":20,"description":289,"tags":290,"thumbUrl":293,"material":56,"size":57,"collection":31,"collections":294,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":117},250155,"qian-long-kuan-fa-lang-chan-zhi-lian-wen-san-xiang-zu-gai-lu-yi-ming-250155","乾隆款珐琅缠枝莲纹三象足盖炉","清代的玉炉很多，但用芙蓉石制作的炉却极少，这是因为做炉需要较大块的料，而芙蓉石一般裂纹很多不宜使用。中国芙蓉石的产量小，颜色与质地亦欠佳。",[44,7,291,292,168],"缠枝莲","兽足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c5c2b6dc1220db7490768c3fae34fc5.jpg",[],{"id":296,"slug":297,"title":298,"dynasty":18,"author":19,"museum":20,"description":165,"tags":299,"thumbUrl":303,"material":56,"size":57,"collection":31,"collections":304,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},250011,"qian-long-kuan-qia-si-fa-lang-shui-cheng-yi-ming-250011","乾隆款掐丝珐琅水丞",[300,167,168,208,158,301,7,173,302],"掐丝","吉祥纹饰","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a39e9e392a1675e740f0528a7b1e731.jpg",[],{"id":306,"slug":307,"title":308,"dynasty":18,"author":19,"museum":20,"description":309,"tags":310,"thumbUrl":313,"material":56,"size":57,"collection":31,"collections":314,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},249805,"qia-si-fa-lang-gou-lian-wen-dou-shi-he-yi-ming-249805","掐丝珐琅勾莲纹豆式盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[27,44,170,18,300,7,311,312],"莲纹","器形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58e95cff83e85a96762ca5859f91100a.jpg",[],{"id":316,"slug":317,"title":318,"dynasty":18,"author":19,"museum":20,"description":165,"tags":319,"thumbUrl":324,"material":56,"size":57,"collection":31,"collections":325,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},249761,"qia-si-fa-lang-wu-gong-gou-lian-wen-liu-fang-shuang-er-san-zu-gai-lu-yi-ming-249761","掐丝珐琅五供-勾莲纹六方双耳三足盖炉",[42,27,320,7,321,322,224,292,170,168,44,323,45],"铜胎","六方造型","双耳","金属器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F899fff872387b0a47ab2561ac104e8d6.jpg",[],{"id":327,"slug":328,"title":329,"dynasty":18,"author":19,"museum":20,"description":330,"tags":331,"thumbUrl":334,"material":56,"size":57,"collection":31,"collections":335,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},249599,"yin-shao-lan-long-xi-zhu-wen-zhang-jing-ping-yi-ming-249599","银烧蓝龙戏珠纹长颈瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[332,7,147,168,333,124],"银烧蓝","龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c8c0047d496b60257b28d8252a9a4a9.jpg",[],{"id":337,"slug":338,"title":339,"dynasty":18,"author":19,"museum":20,"description":340,"tags":341,"thumbUrl":347,"material":56,"size":57,"collection":31,"collections":348,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},249584,"guang-fa-lang-ba-bao-wen-mian-pen-yi-ming-249584","广珐琅八宝纹面盆","整器釉色如深海凝萃，浓艳沉静。描金纹饰熠熠生辉，口沿环饰瑞蝠，姿态舒展灵动，暗喻洪福绵延。内壁八宝纹样错落铺陈，缠枝卷草婉转环绕其间，金彩与宝蓝底色相互映衬，华贵雅致。铜鎏金口沿勾勒出柔和器型轮廓，让器物更显规整端庄。它将祈福寓意与装饰美学相融，既保有面盆的实用属性，又以精妙珐琅工艺彰显不凡格调，尽显清代造办处的精湛工技，把宫廷富丽雅致的审美意趣藏于一器之中。",[42,167,168,342,343,7,208,344,345,346],"日用具","广珐琅","蓝地金彩","八宝纹","宗教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43cbb4c1b54cc3128e69fa4e50fec8ee.jpg",[],{"id":350,"slug":351,"title":352,"dynasty":353,"author":19,"museum":20,"description":354,"tags":355,"thumbUrl":361,"material":56,"size":57,"collection":31,"collections":362,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},248950,"qia-si-fa-lang-chan-zhi-lian-wen-chu-ji-gu-yi-ming-248950","掐丝珐琅缠枝莲纹出戟觚","明","此器取古觚形制，敞口束腰，挺拔端方。鎏金出戟搭配卷草形附耳，为古雅器形缀上华贵细节。天蓝珐琅为底，缠枝莲舒展盘绕，宝相花饱满妍丽，掐丝走线婉转流畅，勾勒出花叶的柔润轮廓，填色匀净鲜亮，釉色莹润似玉。鎏金饰件的暖调光泽，与冷调珐琅相映成趣，让整体层次分明，尽显明式重工器物的雍容富丽。\n\n古朴器型与繁美工饰相融，将仿古意趣与华贵审美合二为一，尽显手作匠心凝练的古典风韵。",[27,356,167,357,358,359,7,360],"缠枝莲纹","礼器","明代风格","器物纹饰","蓝地金饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa6abdc25ec878249f931ee3115fd574.jpg",[],{"id":364,"slug":365,"title":366,"dynasty":18,"author":19,"museum":20,"description":367,"tags":368,"thumbUrl":370,"material":56,"size":57,"collection":31,"collections":371,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},245688,"jin-xiang-si-long-xi-zhu-zhuo-yi-ming-245688","金镶四龙戏珠镯","传统腕饰，流行于全国各地。其多用金、银、玉等制圆环，束于臂腕间。汉代即有。套在手腕脚腕上的环形装饰品。",[4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