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七子过关图》，均辑入《中国历代名画集》。",[23,24,25,26,54,55,227,216,28,29,228,229,56,230,231,232,233,234,59,88,235,7,236],"临摹","龙","虎","马","象","鹿","树木","山石","车辇","动物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89a77006da2a741773d5c2053a0a1462.jpg",[],14,{"id":241,"slug":242,"title":243,"dynasty":96,"author":49,"museum":20,"description":244,"tags":245,"thumbUrl":248,"material":37,"size":38,"collection":39,"collections":249,"showCount":250,"zanCount":11,"manualWeight":11,"mainColor":251},287834,"yu-jing-guan-xiang-yi-ming-287834","玉净观像","此作工笔重彩，古绢虽年深色泽暗哑，仍可见造像仪态端严静穆。菩萨足踏双莲，左手执锡杖，右手托琉璃净盏，身覆宝衣遍饰团花，描金点翠的缀饰依稀可见，织纹细密华贵，层次叠错间尽显工致。线条凝练圆柔，晕染细腻合度，将神圣威仪与沉静慈悲融为一体。晕散的古绢包浆晕开岁月质感，却未曾消磨造像清寂庄严的宗教气韵，尽显佛画工丽静雅的特质。",[23,24,87,54,28,29,132,246,247,7],"观音菩萨","莲花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c7c81474d35b5f26748f91d9da2ee93.jpg",[],13,"37474F",{"id":253,"slug":254,"title":255,"dynasty":48,"author":224,"museum":256,"description":257,"tags":258,"thumbUrl":263,"material":264,"size":265,"collection":39,"collections":266,"showCount":250,"zanCount":11,"manualWeight":11,"mainColor":43},223309,"fa-jie-yuan-liu-tu-juan-3-ding-guan-peng-223309","法界源流图卷-3","吉林省博物院","该作品的艺术价值堪与北宋名画《清明上河图》媲美，被誉为世界“佛文化、绘画”艺术颠峰之作，世界无价之宝。\n丁观鹏摹张胜温法界源流图卷，是中国艺术史上的一件瑰宝，规模宏伟，人物众多，用笔十分精细认真，如此长卷在世界的佛教绘画中是罕见的。面对这一人物众多，内容复杂，描绘精良的宏篇巨制，不能不令人信服地赞叹中国传统绘画刚健的生命力。由此引起世界上学术界和观赏者的深切关注，也就是非常自然的事情了。\n该卷中所描绘的形象非常繁多，既有佛界诸宗派的人物形象，也有各种动植物和各种佛具法器，均描绘精细，不仅比例准确，而且神态生动。这些形象的汇集与成功的描绘，不由地使人对该画的作者产生由衷敬佩。虽然他的生平事迹不见任何记载，他这件辉煌作品就足以使他在美术史乃至佛教史上永远放射着巨大的光芒。\n该作品用笔细致非凡，设色浓丽，端庄典雅，是清代画家丁观鹏精心创作杰作之一。",[23,55,54,26,29,28,133,259,260,137,59,229,231,56,7,247,261,262,62],"天王","罗汉","山水","楼阁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39be0fc022f890817bbffb782f3979ec.jpg","纸本，设色","纵33厘米、横1635厘米",[],{"id":268,"slug":269,"title":270,"dynasty":48,"author":49,"museum":20,"description":271,"tags":272,"thumbUrl":277,"material":37,"size":38,"collection":39,"collections":278,"showCount":279,"zanCount":11,"manualWeight":11,"mainColor":251},275052,"mu-bang-gu-diao-ku-lou-chu-yi-ming-275052","木棒骨雕骷髅杵","这件法器以沉穆木身为柄，上下以鎏金五股金刚杵收束，金辉凝萃尽显庄严气场。中段嵌接骨雕骷髅，彩绘勾勒眉眼唇齿，狞恶神态栩栩如生，承载着密宗修法中降伏心魔、慑退邪祟的加持寓意。\n\n骨雕的冷冽、木色的厚重与金饰的华贵相互碰撞，细节处工艺精巧，骷髅神态刻画入微，将密宗法器的怖畏庄严与手工匠心融于一身，凝练出极具张力的宗教美学气质。",[29,7,273,274,275,276],"雕刻","木质","骨雕","骷髅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd2505a04ea7e2674b8032c873ad9fa28.jpg",[],11,{"id":281,"slug":282,"title":283,"dynasty":48,"author":224,"museum":256,"description":257,"tags":284,"thumbUrl":289,"material":264,"size":265,"collection":39,"collections":290,"showCount":279,"zanCount":11,"manualWeight":11,"mainColor":43},223313,"fa-jie-yuan-liu-tu-juan-7-ding-guan-peng-223313","法界源流图卷-7",[23,55,54,29,260,133,285,28,233,234,286,34,7,71,287,59,88,288],"佛","屏风","火焰纹","花卉装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bca15cb25d345e9d926b5f3241d8c95.jpg",[],{"id":292,"slug":293,"title":294,"dynasty":48,"author":224,"museum":256,"description":257,"tags":295,"thumbUrl":301,"material":264,"size":265,"collection":39,"collections":302,"showCount":303,"zanCount":11,"manualWeight":11,"mainColor":43},223311,"fa-jie-yuan-liu-tu-juan-5-ding-guan-peng-223311","法界源流图卷-5",[23,55,54,26,29,27,28,247,59,233,296,236,297,133,260,298,299,7,300,234],"流水","佛造像","护法神","亭台","经卷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf1ab9da00eefabea7e3c33830c3033f.jpg",[],10,{"id":305,"slug":306,"title":307,"dynasty":48,"author":308,"museum":309,"description":310,"tags":311,"thumbUrl":315,"material":264,"size":316,"collection":39,"collections":317,"showCount":303,"zanCount":11,"manualWeight":11,"mainColor":43},222703,"luo-han-tu-jin-ting-biao-222703","罗汉图","金廷标","北京故宫博物院","图中罗汉眉目清秀，披发，戴耳环，臂腕佩钏、镯，着袒右式袈裟，自在坐，手捧如意，系模仿了菩萨的形象。罗汉、童子衣纹分别运用了蚯蚓纹、钉头鼠尾描，造型工整，设色清雅。《秘殿珠林三编》著录。",[23,24,25,54,55,29,28,234,296,216,312,7,313,314],"洞穴","童子","皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa9a122d614244b360fb3f53afe93099a.jpg","纵99.5厘米，横53.2厘米",[],{"id":319,"slug":320,"title":321,"dynasty":96,"author":322,"museum":20,"description":323,"tags":324,"thumbUrl":326,"material":37,"size":38,"collection":39,"collections":327,"showCount":328,"zanCount":11,"manualWeight":11,"mainColor":79},290920,"tian-shi-tu-zhou-chen-huai-290920","天师图轴","陈槐","弘治十八年（1505年）中式乙丑科三甲第一百二十二名进士",[24,87,27,215,29,28,325,216,7],"道教人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6c17cf072384604ef2a1fdbbee4756c.jpg",[],9,{"id":330,"slug":331,"title":332,"dynasty":48,"author":49,"museum":20,"description":333,"tags":334,"thumbUrl":338,"material":37,"size":38,"collection":39,"collections":339,"showCount":328,"zanCount":11,"manualWeight":11,"mainColor":79},234460,"ha-luo-ha-luo-guan-shi-yin-pu-sa-tang-ka-yi-ming-234460","哈罗哈罗观世音菩萨唐卡","唐卡（Thang-ga）也叫唐嘎，唐喀，系藏文音译，指用彩缎装裱后悬挂供奉的宗教卷轴画。唐卡是藏族文化中一种独具特色的绘画艺术形式，题材内容涉及藏族的历史、政治、文化和社会生活等诸多领域，传世唐卡大都是藏传佛教和本教作品。\n唐卡是藏族文化中一种独具特色的绘画艺术形式。具有鲜明的民族特点、浓郁的宗教色彩和独特的艺术风格，用明亮的色彩描绘出神圣的佛的世界；颜料传统上是全部采用金、银、珍珠、玛瑙、珊瑚、松石、孔雀石、朱砂等珍贵的矿物宝石和藏红花、大黄、蓝靛等植物为颜料以示其神圣。这些天然原料保证了所绘制的唐卡色泽鲜艳，璀璨夺目，虽经几百年的岁月，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