[{"data":1,"prerenderedAt":197},["ShallowReactive",2],{"subject-fa-shi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4169,"fa-shi","发饰","发饰画高清赏析","精选中国历代发饰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88da24574fef71de8346deb557e6bfd1.jpg",0,14,[14,48,66,76,87,95,110,119,134,143,152,158,171,187],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":41,"size":42,"collection":43,"collections":44,"showCount":45,"zanCount":46,"manualWeight":11,"mainColor":47},223525,"ge-le-tu-yi-ming-223525","歌乐图","宋","佚名","上海博物馆","《歌乐图卷》描绘了南宋宫廷歌乐女伎演奏、排练的场景。画面中九位女伎、一位老乐官和二位女童于庭院中一字排开，手持笛、鼓、排箫、琵琶等多种乐器。画中人物均穿着南宋时期的典型服饰：九位女伎身材修长，穿着红色窄袖背子，高髻上饰以角状配饰；男性乐官佩戴朝天幞头，女童则戴簪花幞头。此卷所绘的人物及场景是南宋社会文化生活的生动写照。\n在技法上，《歌乐图》设色细腻鲜艳，用笔精细而能够随物应形，通过不同的笔法表现不同物象的特定质感，如衣纹流畅、竹叶劲挺、树石沉雄，写实且富于意趣。画面构图疏朗简洁，节奏感强，整体上呈现出相当高的艺术水平。而以歌乐女伎为表现题材的作品在南宋人物画中极为少见，具有相当高的历史、艺术价值。\n画面右侧为一棵棕榈树，树干以淡墨晕染，树叶双钩，并填以石绿色，上层的树叶以树身为轴呈对称状；地面上点缀了几丛花草，草叶以没骨写意法画出，地面上白色的小花以浑点点出；地面局部晕染石青，并勾勒有平行的水平线表现地面质理。画面左侧的配景，靠右边为太湖石和竹丛的组合，地面点缀花草，花草的描绘方式与右侧配景中的花草一致。太湖石的轮廓线比较粗犷、写意，石面以石青晕染，局部施以皴擦表现质理。太湖石后的竹子，竹竿和竹叶双钩，中间几株竹竿以石青晕染。太湖石和后面的竹丛也呈中轴对称状。左边有一段栏杆，栏杆后绘有一棵盛开着白色花朵的树，似为梨树，树干双钩，树身晕染，树叶为瓜子形点叶，白色的花瓣以椭圆形的点进行表现，画面美感十足。\n画中所绘九女子，皆披褙子外衣，此服饰出现于北宋年间，流行于南宋时代。在河南禹县白沙一号北宋墓壁画《伎乐图》，和传世的南宋《瑶台步月图》页中都可见到。此外，女子梳高髻并簪有三朵花状饰物的发式与南宋《瑶台步月图》页和《荷亭儿戏图》页中的女子发式相近。图中另二个女孩装扮官员样，所戴直脚幞头也是宋时官帽样式。另一位手抱琵琶的男艺人，穿圆领窄袖袍衫，戴曲脚幞头，与河北宣化辽墓壁画《散乐图》中的吹乐艺人相同。从此图人物的服饰和幞头考察，有宋制和辽制混合的形迹。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,7,39,40],"高清","国画","书画","长卷","设色","工笔","人物","美人","孩童","乐器","竹","树","石","栏杆","庭院","服饰","桌子","棕榈树","绢本设色","25.5x158.7厘米","",[],69,2,"795548",{"id":49,"slug":50,"title":51,"dynasty":52,"author":19,"museum":53,"description":54,"tags":55,"thumbUrl":60,"material":61,"size":62,"collection":43,"collections":63,"showCount":64,"zanCount":11,"manualWeight":11,"mainColor":65},225579,"fu-shi-hui-69-yi-ming-225579","浮世绘69","不详","藏地不详","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[56,57,27,29,30,58,59,7],"浮世绘","木刻","花","布料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a15958ed7aefd3db02d4a856c7fd6ad.jpg","未知","Xcm*Xcm",[],21,"BDBDBD",{"id":67,"slug":68,"title":69,"dynasty":52,"author":19,"museum":53,"description":54,"tags":70,"thumbUrl":73,"material":61,"size":62,"collection":43,"collections":74,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":65},225422,"fu-shi-hui-180-yi-ming-225422","浮世绘180",[56,57,27,29,30,7,71,72],"服饰纹样","菊花装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6f88567d59bb8a6372300fcfc6cfe33.jpg",[],6,{"id":77,"slug":78,"title":79,"dynasty":52,"author":19,"museum":53,"description":54,"tags":80,"thumbUrl":85,"material":61,"size":62,"collection":43,"collections":86,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":65},225417,"fu-shi-hui-175-yi-ming-225417","浮世绘175",[56,57,27,29,30,81,7,82,83,84],"和服","茶具","托盘","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a07afaf00c9072961f6f1e7984f7e80.jpg",[],{"id":88,"slug":89,"title":90,"dynasty":52,"author":19,"museum":53,"description":91,"tags":92,"thumbUrl":93,"material":43,"size":43,"collection":43,"collections":94,"showCount":75,"zanCount":11,"manualWeight":11,"mainColor":65},225384,"fu-shi-hui-141-yi-ming-225384","浮世绘141","这是花魁出行的经典场景，四位女子款步行进，身姿温婉从容。发髻缀满华丽张扬的金饰，衬出人物明艳气度。和服纹样精巧细腻，水波纹路柔和舒展，撞色腰带与衣身呼应，青蓝与暖棕搭配和谐雅致。淡素底色衬托出织物柔丽质感，画师以流畅简练的墨线勾勒步态身形，将江户游廓艺伎的端庄风韵尽数铺展，晕染出雅致闲静的古典氛围，还原出当时风月町的雅致风情。",[56,27,57,29,30,38,7,59],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc045620eff3181184872596e936e3e9e.jpg",[],{"id":96,"slug":97,"title":98,"dynasty":52,"author":19,"museum":53,"description":54,"tags":99,"thumbUrl":107,"material":61,"size":62,"collection":43,"collections":108,"showCount":109,"zanCount":11,"manualWeight":11,"mainColor":65},225416,"fu-shi-hui-174-yi-ming-225416","浮世绘174",[100,56,101,27,30,102,7,103,28,104,29,71,105,106],"名画","木刻版画","传统服饰","扇子","彩色","装饰性","线条流畅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5477c822d26a0ceb9cb19269c340678a.jpg",[],5,{"id":111,"slug":112,"title":113,"dynasty":52,"author":19,"museum":53,"description":54,"tags":114,"thumbUrl":117,"material":61,"size":62,"collection":43,"collections":118,"showCount":109,"zanCount":11,"manualWeight":11,"mainColor":65},225415,"fu-shi-hui-173-yi-ming-225415","浮世绘173",[56,27,57,30,115,7,38,116],"菊","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d0264a76530b4ca8186311326fe22d0.jpg",[],{"id":120,"slug":121,"title":122,"dynasty":123,"author":19,"museum":53,"description":124,"tags":125,"thumbUrl":130,"material":61,"size":62,"collection":43,"collections":131,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":133},268598,"yin-du-jin-dian-cui-xiang-liao-zhu-tou-zhen-yi-ming-268598","银镀金点翠镶料珠头针","清","发簪，中国古代汉族人民用来固定和装饰头发的一种首饰。对于现代人来说已经是一个很古老的名词了，但是当在看古装剧时，却总是能被它们点缀出的精致效果所折服。\n将长发松松挽起，插上一枚别致的发簪，再配上典雅的长裙，即便性格再外放的女性，也可以成为让人眼前一亮的古典美人。发簪金属的光泽闪耀在发间，加上小而巧的坠饰，长发的风情便又是一种不一样的感受了。",[126,127,128,129,7],"饰品","银器","点翠","镶珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa54ce832628e7f74255a416ace7efcc4.jpg",[],4,"37474F",{"id":135,"slug":136,"title":137,"dynasty":52,"author":19,"museum":53,"description":54,"tags":138,"thumbUrl":141,"material":61,"size":62,"collection":43,"collections":142,"showCount":132,"zanCount":11,"manualWeight":11,"mainColor":65},225377,"fu-shi-hui-134-yi-ming-225377","浮世绘134",[56,57,27,30,81,7,139,140],"几何纹样","植物纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0952122f81b8d124b9435adf079a9a3.jpg",[],{"id":144,"slug":145,"title":146,"dynasty":52,"author":19,"museum":53,"description":54,"tags":147,"thumbUrl":149,"material":61,"size":62,"collection":43,"collections":150,"showCount":151,"zanCount":11,"manualWeight":11,"mainColor":65},225433,"fu-shi-hui-191-yi-ming-225433","浮世绘191",[56,57,27,29,30,148,38,7],"器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ea9e449d5fa89748f9f09d659fdeb5f.jpg",[],3,{"id":153,"slug":154,"title":122,"dynasty":123,"author":19,"museum":53,"description":124,"tags":155,"thumbUrl":156,"material":61,"size":62,"collection":43,"collections":157,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":133},268595,"yin-du-jin-dian-cui-xiang-liao-zhu-tou-zhen-yi-ming-268595",[126,127,128,129,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9cc3dfe35317162af171c444be4ca7d.jpg",[],{"id":159,"slug":160,"title":161,"dynasty":52,"author":162,"museum":53,"description":163,"tags":164,"thumbUrl":169,"material":61,"size":62,"collection":43,"collections":170,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":133},232104,"de-jia-49-de-jia-232104","德加49","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[165,27,29,166,167,38,7,168],"油画","光影","动态","地面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79bcc9abba66465f48761af023c8147e.jpg",[],{"id":172,"slug":173,"title":174,"dynasty":52,"author":175,"museum":53,"description":176,"tags":177,"thumbUrl":184,"material":61,"size":62,"collection":43,"collections":185,"showCount":186,"zanCount":11,"manualWeight":11,"mainColor":47},230634,"rembrandt-harmensz-van-rijn-0268-lun-bo-lang-230634","Rembrandt Harmensz.van Rijn - 0268","伦勃朗","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[178,179,29,180,181,7,38,166,182,183],"素描","蚀刻","女性","半身像","写实","线条描绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F742f7d3c8e5b1738a3442889dcb3cdc9.jpg",[],1,{"id":188,"slug":189,"title":190,"dynasty":123,"author":19,"museum":53,"description":191,"tags":192,"thumbUrl":195,"material":61,"size":62,"collection":43,"collections":196,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":133},268948,"yin-du-jin-dian-cui-qian-shan-hu-tiao-gan-yi-ming-268948","银镀金点翠嵌珊瑚挑杆","点翠晕开的云纹如撷来柔蓝轻云，莹润清透间托举着珊瑚镂刻的双喜，朱红秾艳撞着宝蓝雅致，将中式婚仪的吉庆温婉融于方寸。银镀金长杆素净光洁，将所有繁华收拢于簪首，顶端纤细金饰似欲随风轻晃，让端庄添了几分灵动俏皮。把闺阁嫁女的欢喜期许凝在这一支纤簪里，是旧时光里含蓄又热烈的中式浪漫注脚。",[126,7,193,128,194],"银镀金","珊瑚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cd8e36c2546648c91df991884cd5a1f.jpg",[],1777535726367]