[{"data":1,"prerenderedAt":94},["ShallowReactive",2],{"subject-fan-ying":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1824,"fan-ying","帆影","帆影画高清赏析","精选中国历代帆影题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98d8636b539c119568d60e606c81253e.jpg",0,4,[14,45,65,83],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":38,"material":39,"size":40,"collection":41,"collections":42,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},218686,"yan-yu-jiang-fan-tu-guo-xi-218686","烟雨江帆图","宋","郭熙","台北故宫博物院","这幅画描绘了秋雨中从泉水中升起的瀑布，一个撑着伞的行人，以及远处的河帆。这是郭熙图的一个更正式的版本，应该是明清两代的模仿对象。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,7],"国画","书画","水墨","设色","皴法","山水","烟雨","江帆","孤舟","山石","树木","云雾","江水","远山","近树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff4f60d63f6a7a645911e3539d415c2f.jpg","绢本,设色","28.1x27.7cm","山水画精选",[41],47,"BDBDBD",{"id":46,"slug":47,"title":48,"dynasty":49,"author":50,"museum":20,"description":51,"tags":52,"thumbUrl":59,"material":60,"size":61,"collection":41,"collections":62,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":64},216103,"jiang-fan-gui-zhao-wen-zheng-ming-216103","江帆归棹","明","文徵明","淡墨晕染间，江南水乡的氤氲之态尽显。远山隐于薄雾，轮廓柔和如黛；近岸林木疏朗，墨色层次清雅。江帆数点，似叶浮于粼粼波光；归棹轻摆，携着晚归的悠然意韵。文徵明以细劲中锋勾勒山石，披麻皴缓铺肌理，线条温润却藏筋骨。画面简而不空，每一处笔触皆含文人情致——对自然的亲近，对归居的向往，尽融于烟水帆影之中。吴门画派的秀逸典雅，在此化作含蓄诗意，引人沉湎于那份宁静致远的心境，仿佛能闻流水轻响，见晚风拂过帆樯。",[23,24,53,25,26,28,27,31,54,55,56,7,57,58],"册","流水","飞鸟","亭","小桥","老树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0d75f0a81c2bd9003aebb84de1cdf41.jpg","绢本,水墨","36x55cm",[41],33,"795548",{"id":66,"slug":67,"title":68,"dynasty":18,"author":69,"museum":70,"description":71,"tags":72,"thumbUrl":79,"material":80,"size":80,"collection":80,"collections":81,"showCount":82,"zanCount":11,"manualWeight":11,"mainColor":64},227800,"yan-jiang-fan-ying-tu-xia-sen-227800","烟江帆影图","夏森","藏地不详","此作用淡墨晕染出空濛烟江，远山清瘦，隐在漫卷的雾霭中，只露出错落峰尖，虚实间揉碎了天地边界，将江南烟雨的柔婉朦胧铺展开来。近岸林木简笔勾勒，与烟岚相融，愈发衬出江天的空寂辽远。左下角孤舟凌波，渔人悠然棹行，寥寥数笔便点染出江上行旅的幽寂况味。\n\n全幅以留白衬出水天长阔，笔简意足，将静穆禅意藏在烟波里，把江上一瞬的清寂之美定格，淡远含蓄，尽显山水空濛悠远的诗意。",[73,23,24,74,75,25,28,31,76,77,34,7,78],"高清","名画","扇面","江","树","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbaf554147c093468663cf70503980f95.jpg","",[],19,{"id":84,"slug":85,"title":86,"dynasty":18,"author":87,"museum":20,"description":88,"tags":89,"thumbUrl":91,"material":39,"size":80,"collection":41,"collections":92,"showCount":93,"zanCount":11,"manualWeight":11,"mainColor":44},218993,"jiang-ji-fan-ying-tu-yi-ming-218993","江矶帆影图","佚名","这个构图可能取自李唐《江山小景图》的开篇，其中山和树的笔触比较粗糙，水面没有画出波纹。",[73,23,24,74,25,26,27,28,90,7,31,33],"江矶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d811081870c628ebc7c26ba55f12af7.jpg",[41],12,1777535759305]