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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[72,106,151,152,153,7],"玉石","木质","文竹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe42ef27b6007d1c1e65c8646bbc8533.jpg",[],{"id":157,"slug":158,"title":159,"dynasty":18,"author":19,"museum":20,"description":56,"tags":160,"thumbUrl":162,"material":31,"size":32,"collection":33,"collections":163,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},263539,"fang-ge-you-fang-ping-yi-ming-263539","仿哥釉方瓶",[23,161,7,60],"仿哥釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b4838fdbcd3827d04cf846fd4e2f7fd.jpg",[],{"id":165,"slug":166,"title":167,"dynasty":18,"author":19,"museum":20,"description":21,"tags":168,"thumbUrl":171,"material":31,"size":32,"collection":33,"collections":172,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},263536,"su-san-cai-shou-er-xiao-fang-ping-yi-ming-263536","素三彩兽耳小方瓶",[23,169,170,7],"素三彩","兽耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67aa07607e18af95268eb241595a8266.jpg",[],{"id":174,"slug":175,"title":176,"dynasty":18,"author":19,"museum":20,"description":21,"tags":177,"thumbUrl":183,"material":31,"size":32,"collection":33,"collections":184,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},259260,"qian-long-kuan-zi-di-fen-cai-chan-zhi-lian-kai-guang-shi-ju-shuang-er-fang-bi-ping-yi-ming-259260","乾隆款紫地粉彩缠枝莲开光诗句双耳方壁瓶",[23,24,178,179,26,7,180,181,29,182],"缠枝莲","书法","开光","描金","瓷器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01b58a3125bce0a10312c0e8ad5b352c.jpg",[],{"id":186,"slug":187,"title":188,"dynasty":18,"author":19,"museum":20,"description":189,"tags":190,"thumbUrl":192,"material":31,"size":32,"collection":33,"collections":193,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},258898,"xuan-tong-kuan-dong-qing-you-xing-yuan-guan-er-fang-ping-yi-ming-258898","宣统款冬青釉杏圆贯耳方瓶","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[58,23,191,7,61,72],"釉彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdf72a7c63aa94dd57b51afaa99d3134.jpg",[],{"id":195,"slug":196,"title":197,"dynasty":18,"author":19,"museum":20,"description":198,"tags":199,"thumbUrl":202,"material":31,"size":32,"collection":33,"collections":203,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},258135,"yong-zheng-kuan-tian-lan-you-huan-er-fang-ping-yi-ming-258135","雍正款天蓝釉环耳方瓶","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[23,200,72,201,7],"天蓝釉","环耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e6fd3714e9fc506ed23463721c5175c.jpg",[],{"id":205,"slug":206,"title":207,"dynasty":18,"author":19,"museum":20,"description":198,"tags":208,"thumbUrl":211,"material":31,"size":32,"collection":33,"collections":212,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":51},258113,"yong-zheng-kuan-fang-ge-you-wu-kong-xian-wen-fang-ping-yi-ming-258113","雍正款仿哥釉五孔弦纹方瓶",[23,161,60,209,7,210],"弦纹","五孔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e6fbf7d6bf9929f493619ffdc5bd2dd.jpg",[],{"id":214,"slug":215,"title":216,"dynasty":18,"author":19,"museum":20,"description":198,"tags":217,"thumbUrl":219,"material":31,"size":32,"collection":33,"collections":220,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},258107,"yong-zheng-kuan-fang-ge-you-guan-er-fang-ping-yi-ming-258107","雍正款仿哥釉贯耳方瓶",[23,218,60,7,61],"仿古釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0a76cc07b78e952f6701aac84ffd352.jpg",[],{"id":222,"slug":223,"title":224,"dynasty":18,"author":19,"museum":20,"description":56,"tags":225,"thumbUrl":227,"material":31,"size":32,"collection":33,"collections":228,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},257991,"kong-que-lv-you-fang-ping-yi-ming-257991","孔雀绿釉方瓶",[58,23,226,7,191,72],"孔雀绿釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f5f24680f391c17ee4641621412e4f0.jpg",[],{"id":230,"slug":231,"title":232,"dynasty":41,"author":19,"museum":20,"descripti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