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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[23,24,26,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f08233f70f4316faa265cb4e7a8f157.jpg",[],{"id":60,"slug":61,"title":62,"dynasty":18,"author":19,"museum":20,"description":63,"tags":64,"thumbUrl":69,"material":28,"size":29,"collection":30,"collections":70,"showCount":49,"zanCount":11,"manualWeight":11,"mainColor":50},241950,"yin-du-jin-xiang-mi-zhu-fei-he-wen-bie-zhen-yi-ming-241950","银镀金镶米珠飞鹤纹别针","以银镀金为骨，莹白米珠密密铺就仙鹤身形，将灵禽展翅掠飞的姿态凝练定格。鹤眼以珊瑚点缀，一抹朱红点亮神采，让仙鹤更显鲜活灵动。尾端垂悬的翡翠坠角，莹润翠绿如凝水，与通体的柔白米珠相映成趣，清丽雅致。\n细作排布工整细腻，将花丝镶嵌工艺的精巧尽显，把仙鹤的翩跹仙气具象呈现，含蓄寄寓着长寿祥瑞的美好祈愿，尽显旧时首饰的华贵韵致。",[65,66,67,7,68],"清代","银镀金","米珠镶嵌","饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8006c5500d2676c779ed196eaecfba8a.jpg",[],{"id":72,"slug":73,"title":74,"dynasty":18,"author":19,"museum":20,"description":75,"tags":76,"thumbUrl":80,"material":28,"size":29,"collection":30,"collections":81,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},263718,"hu-se-mei-zhu-fei-he-wen-xian-chou-yi-ming-263718","湖色梅竹飞鹤纹线绸","湖色底色清润柔和，梅竹飞鹤以暗纹隐于绸面之间，唯有光影流转时，方能窥见纹样清姿。梅枝横斜、竹影疏朗、飞鹤振翅，将文人钟爱的岁寒意趣与祥瑞遐思织入经纬。\n\n素色暗纹不彰不显，尽显中式留白的克制美学，绸面顺滑细腻，把旧时风雅揉进日常器物之中。暗纹里藏着东方独有的含蓄浪漫，淡而不寡，简而不薄，将清隽古意晕染在每一寸织物之间，尽显雅致从容的旧时意韵。",[77,78,79,7],"布料","梅","竹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faccbb59efc9747085b6edcd9abcce544.jpg",[],{"id":83,"slug":84,"title":85,"dynasty":18,"author":19,"museum":20,"description":86,"tags":87,"thumbUrl":89,"material":28,"size":29,"collection":30,"collections":90,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},258817,"shen-de-tang-kuan-huang-di-fen-cai-fei-he-wen-shi-yi-ming-258817","慎德堂款黄地粉彩飞鹤纹匙","明黄釉地匀净鲜亮，自带华贵宫廷气场。数只飞鹤姿态灵动舒展，红顶雪羽配黑喙纤爪，以粉彩精心晕染勾勒，羽翼纹路丝丝细腻，似振翅欲飞于明黄底色之上，仙鹤承载长寿祥瑞之意，为这件日用小品添了吉庆意趣。\n\n勺沿描金勾勒柔婉器形，修长勺柄线条流畅雅致，将规整的宫廷制式与粉彩装饰的柔媚鲜活相融，将日常食具化作精巧雅丽的瓷中佳品，尽显晚清彩瓷装饰的细腻考究。",[23,24,26,7,88],"日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a7b5f47aa751e347aa377c9f648dec7.jpg",[],{"id":92,"slug":93,"title":94,"dynasty":95,"author":19,"museum":20,"description":96,"tags":97,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":104,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":105},248765,"ti-hong-shou-zi-fei-he-tao-shi-wen-yuan-he-yi-ming-248765","剔红寿字飞鹤桃实纹圆盒","明","雕漆,是漆工艺中的一个品种,是中国漆器特有的装饰技法,是在油光漆兑入入漆颜料,数十层乃至上百层地髹涂在用漆封闭处理过的胎骨上,每天只能髹涂二至三道,髹涂下道漆不可等上道漆干透,否则漆层容易缺脱,这样逐层累积到需要的厚度,用刀剔刻出浮雕花纹,表现层次与质地的美感.",[98,99,100,101,7,102,103],"漆器","剔红","雕刻","寿字","桃实","明代",[],"BDBDBD",1777535744180]