[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"subject-fen-xiang":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7815,"fen-xiang","焚香","焚香画高清赏析","精选中国历代焚香题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff81ef760b91d12544883a492e7b7cb53.jpg",0,2,[14,44],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":37,"material":38,"size":39,"collection":40,"collections":41,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":43},288495,"fen-xiang-bo-ruan-tu-li-song-288495","焚香拨阮图","宋","李嵩","藏地不详","李嵩（1166—1243），中国南宋画家，钱塘（今浙江杭州）人。少年时曾为木工，后成为画院画家李从训的养子，绘画上得其亲授，擅长人物、道释，尤精于界画，为光宗、宁宗、理宗（1190一1264）时期画院待诏。\n李嵩画过许多表现下层社会生活的风俗画，及表现农民劳动生活的《春溪渡牛图》、《春社图》和组画《服田图》等。传日的《货郎图》是李嵩传世的重要作品。他以货郎为题材，创作过多幅货郎图。除故宫博物院藏的一幅横卷外，余皆为小幅，分别藏于台北故宫博物院、美国堪萨斯州阿肯博物馆的尼尔逊美术馆及美国纽约大都会美术馆。\n李嵩具有多方面才能，尤其善于通过绘画，表达自己对生活的感受和态度，他的《夜湖图》《水殿招凉图》《观潮图》《西湖图》《仙山瑶涛图》《骷髅幻戏图》《观灯图》《柳塘聚禽图》《花篮图》等，都显示出他卓越的绘画技巧。其中《骷髅幻戏图》则以其不易被人理解的深刻的寓意，为美术史留下了一个画谜。",[23,24,25,26,27,28,29,30,31,32,33,34,35,7,36],"名画","国画","书画","立轴","设色","人物","美人","乐器","工笔","庭院","树木","芭蕉","文人","桌案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e91c925d5a97ce7aba2fd11b9a72400.jpg","未知","Xcm*Xcm","",[],92,"795548",{"id":45,"slug":46,"title":47,"dynasty":48,"author":49,"museum":20,"description":50,"tags":51,"thumbUrl":10,"material":38,"size":39,"collection":40,"collections":55,"showCount":56,"zanCount":57,"manualWeight":11,"mainColor":58},237856,"shi-nv-fen-xiang-shan-wang-sheng-237856","仕女焚香扇","明","王声","扇面之上，枯木虬枝横斜，奇石衬出幽境。两位仕女仪态柔静，一立一坐，执香侍立者素衣亭亭，坐观幽思者敛神沉静，将深闺焚香寄怀的闲情铺展开来。\n\n衣纹线条清劲婉转，寥寥数笔便勾勒出女子柔婉之态。布景写意疏朗，老树皴染苍朴，淡墨浅晕间晕染出空寂雅致的氛围。整体意韵清和古雅，把闺中女子幽微的情思藏于咫尺尺幅，淡简笔墨尽显尚雅的意趣，以小景见深致，尽显仕女小品的隽雅之美。",[24,25,52,31,27,28,29,53,33,7,54],"扇面","山石","印章",[],22,1,"BDBDBD",1777535782638]