[{"data":1,"prerenderedAt":450},["ShallowReactive",2],{"subject-feng-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},5038,"feng-jing","风景","风景画高清赏析","精选中国历代风景题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2c2d55767478c13a43fc46ff87e71da.jpg",0,33,[14,41,56,80,90,101,119,130,143,158,174,187,201,216,229,240,249,261,273,285,297,310,323,332,342,356,367,377,389,406,418,426,437],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":11,"manualWeight":11,"mainColor":40},225899,"arm-of-the-seine-near-giverny-02-1897-mo-nai-225899","Arm of the Seine near Giverny 02, 1897","不详","莫奈","藏地不详","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[23,24,25,26,27,28,29,30,31,32,7,33,34],"印象派","油画","光影","色彩","笔触","河流","树木","水面","天空","自然景观","波光","河岸","未知","Xcm*Xcm","油画精选",[37],68,"795548",{"id":42,"slug":43,"title":44,"dynasty":18,"author":45,"museum":20,"description":46,"tags":47,"thumbUrl":53,"material":35,"size":36,"collection":37,"collections":54,"showCount":55,"zanCount":11,"manualWeight":11,"mainColor":40},225877,"wheatfield-under-thunderclouds-july-fan-gao-225877","Wheatfield under thunderclouds (July - )","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[24,48,49,50,51,7,52],"后印象派","麦田","雷雨云","田野","沉郁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79518c24488244980b0d190df84ca60c.jpg",[37],40,{"id":57,"slug":58,"title":59,"dynasty":18,"author":45,"museum":20,"description":46,"tags":60,"thumbUrl":76,"material":35,"size":36,"collection":37,"collections":77,"showCount":78,"zanCount":11,"manualWeight":11,"mainColor":79},225855,"the-white-orchard-april-fan-gao-225855","The white orchard (April - )",[24,48,61,62,63,51,64,65,66,67,68,7,69,70,71,72,73,74,75],"果树","白色花朵","草地","树木枝干","田园风光","春天","笔触奔放","色彩明亮","自然景物","开花植物","户外场景","土地","农耕痕迹","色彩丰富","写实表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F816cb6097e57fb16f3a062018db540fa.jpg",[37],25,"BDBDBD",{"id":81,"slug":82,"title":83,"dynasty":18,"author":19,"museum":20,"description":21,"tags":84,"thumbUrl":87,"material":35,"size":36,"collection":37,"collections":88,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":79},225934,"giverny-mo-nai-225934","Giverny",[24,23,7,85,63,31,86,29,51,69],"枯树","云朵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0800caf2567818f4cbe8a82dad1c4f0.jpg",[37],21,{"id":91,"slug":92,"title":93,"dynasty":18,"author":19,"museum":20,"description":21,"tags":94,"thumbUrl":97,"material":35,"size":36,"collection":37,"collections":98,"showCount":99,"zanCount":11,"manualWeight":11,"mainColor":100},226040,"summer-1874-mo-nai-226040","Summer, 1874",[24,23,95,51,29,96,7],"夏季","人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ae6cd20aa093c954df90c3013aa2966.jpg",[37],17,"37474F",{"id":102,"slug":103,"title":104,"dynasty":18,"author":105,"museum":20,"description":106,"tags":107,"thumbUrl":115,"material":35,"size":36,"collection":116,"collections":117,"showCount":118,"zanCount":11,"manualWeight":11,"mainColor":79},230646,"you-hua-titian-landscape-with-st-theodore-overcoming-the-dragon-google-art-project-ti-xiang-230646","油画-Titian---Landscape-with-St.-Theodore-Overcoming-the-Dragon---Google-Art-Project","提香","提香·韦切利奥，又译提齐安诺·维伽略（ Tiziano Vecelli或Tiziano Vecellio，约 1488\u002F1490年 – 1576年8月27日 ），英语系国家常称呼为提香（Titian），他是意大利文艺复兴后期威尼斯画派的代表画家。\n提香出生于意大利东北部阿尔卑斯山地区的卡多列。10岁时随兄长到威尼斯，在乔凡尼·贝利尼的画室学画，与画家乔尔乔内是同学。\n在提香所处的时代，他被称为“群星中的太阳”，是意大利最有才能的画家之一，兼工肖像、风景及神话、宗教主题绘画。他对色彩的运用不仅影响了文艺复兴时代的意大利画家，更对西方艺术产生了深远的影响",[24,108,109,96,110,111,112,113,29,86,114,7],"素描","宗教","龙","兽","山水","城堡","岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7cb8dcd1c64b95edbfe31e5fad71dc4.jpg","",[],16,{"id":120,"slug":121,"title":122,"dynasty":18,"author":19,"museum":20,"description":21,"tags":123,"thumbUrl":127,"material":35,"size":36,"collection":37,"collections":128,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":79},226003,"poppy-field-in-giverny-03-1890-v2-mo-nai-226003","Poppy Field in Giverny 03, 1890 v2",[24,23,7,124,125,29,126,31],"罂粟花田","原野","远山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fabce1683b6c405e21bf83d870ccaec23.jpg",[37],11,{"id":131,"slug":132,"title":133,"dynasty":18,"author":19,"museum":20,"description":21,"tags":134,"thumbUrl":140,"material":35,"size":36,"collection":37,"collections":141,"showCount":142,"zanCount":11,"manualWeight":11,"mainColor":40},226075,"the-house-among-the-roses-1925-1926-mo-nai-226075","The House among the Roses, 1925-1926",[23,24,7,135,136,31,25,137,27,138,139],"花卉","小径","色彩融合","玫瑰","植被","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F777dd79ccce3ba9f9910c5a8bcc1eef5.jpg",[37],8,{"id":144,"slug":145,"title":146,"dynasty":18,"author":147,"museum":20,"description":148,"tags":149,"thumbUrl":155,"material":35,"size":36,"collection":116,"collections":156,"showCount":157,"zanCount":11,"manualWeight":11,"mainColor":79},289533,"auguste-renoir-studies-of-landscape-trees-and-exotic-fruit-yi-ming-289533","Auguste Renoir--Studies of Landscape, Trees, and Exotic Fruit","佚名","这组写生小稿松弛随性，水色晕染带着鲜活松弛的意趣。暖橙糅着明黄铺就郊野天光，灰调晕开柔化了光影边界，蓝绿冷色晕簇出植被与异果，寥寥淡线轻勾轮廓。\n\n创作者以即兴笔触捕捉自然瞬息，没有规整构图，零散色块与晕染间草木、云色舒展自在，将郊野一隅的光影风物定格在即兴涂抹里。水色交融间生机漫溢，细碎色块拼凑郊野朦胧氛围，藏满对自然的敏锐感知。",[150,151,7,29,152,153,154],"水彩画","速写","植物","果实","写生稿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76f80d7196dea4e1da3f9993ef01fd92.jpg",[],3,{"id":159,"slug":160,"title":161,"dynasty":18,"author":147,"museum":20,"description":162,"tags":163,"thumbUrl":171,"material":35,"size":36,"collection":116,"collections":172,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":40},289139,"marco-ricci-capriccio-with-roman-ruins-yi-ming-289139","Marco Ricci--Capriccio with Roman Ruins","这幅画以残垣织就怀古梦境，将罗马废墟揉入抒情景致。斑驳拱券残存铭文，诉说岁月侵蚀的沉疴，虬曲斜枝携霜红枝叶晕开萧瑟秋意。石狮子盘踞高座，鬃毛的粗粝纹理凝固旧日威严，下方匠人在残石间忙碌，为荒颓废墟暗涌进鲜活生机。远景城郭轻笼烟霭，另一处颓败殿宇隐在林梢，暖调柔光漫过断壁，将怀古怅惘晕成温柔底色。画作以细腻笔触平衡沧桑与鲜活，把虚构的残景绘成带着呼吸的诗意挽歌，引观者沉陷古典余韵的温柔怅惘之中。",[24,164,165,166,167,168,96,169,29,7,170],"设色","古罗马遗迹","拱门","石柱","狮子","残垣断壁","古典绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76d8e2b9a0bf24480d362f20cc1de8e4.jpg",[],2,{"id":175,"slug":176,"title":177,"dynasty":18,"author":147,"museum":20,"description":178,"tags":179,"thumbUrl":185,"material":35,"size":36,"collection":116,"collections":186,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":79},288705,"william-trost-richards-sketchbook-of-new-england-yi-ming-288705","William Trost Richards--Sketchbook of New England","这幅素描以松灵的排线铺陈水岸暮色，近景虬曲矮枝错落排布，笔调随性晕染出郊野草木的生趣。水岸林木疏密有致，以层层短线勾勒出叶片蓬松质感，树影在镜面般的水面晕开，模糊实景与虚像的边界，揉碎了柔和天光。\n\n远景村镇融在朦胧雾气之中，尖顶塔楼成为视觉锚点，将视线引向悠远灰调天际。画作以细腻明暗过渡拉开空间层次，带着松弛的临场写生感，将日暮河畔的湿润水汽与慵懒晚风揉进铅色里，定格乡野河畔的恬然静谧，尽显自然乡野的温柔诗意。",[108,7,29,180,181,182,183,184],"湖泊","倒影","村落","飞鸟","写实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F121ba0c17ed7683a29196f0154266e1c.jpg",[],{"id":188,"slug":189,"title":190,"dynasty":18,"author":147,"museum":20,"description":191,"tags":192,"thumbUrl":198,"material":35,"size":36,"collection":116,"collections":199,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":200},288579,"attributed-to-francesco-allegrini-the-rape-of-europa-yi-ming-288579","attributed to Francesco Allegrini--The Rape of Europa","这幅速写以奔放灵动的棕褐线条，定格下劫掠的瞬间。前景里少女衣袍褶皱带着疾飞的张力，随奔牛一同向前掠动，她的姿态裹挟着惊惶，被奔行的节奏牢牢牵动。远景牧人抬手惊呼，坡上的牛羊却兀自安闲，动静对冲放大了场景的戏剧感。寥寥线条便精准抓住神话的核心张力，潦草的笔触带着蓬勃的生命力，将奔放的韵律藏于笔锋，把追逐奔逃的刹那凝在纸面，让这个经典场景拥有了鲜活的临场悸动。",[108,193,96,194,195,7,196,197],"白描","牛","神话场景","动态场景","紧张氛围","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F233db348fdc663dbff5ec6c360b68905.jpg",[],"FFFFFF",{"id":202,"slug":203,"title":204,"dynasty":18,"author":205,"museum":20,"description":206,"tags":207,"thumbUrl":214,"material":35,"size":36,"collection":116,"collections":215,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":79},232037,"de-jia-21-de-jia-232037","德加21","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[24,23,164,96,208,209,210,126,31,7,211,212,213],"马","水域","岸边","户外","骑马者","写意笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0d13ba0f77e0cf152aa023fa77e48b9.jpg",[],{"id":217,"slug":218,"title":219,"dynasty":18,"author":147,"museum":20,"description":220,"tags":221,"thumbUrl":226,"material":35,"size":36,"collection":116,"collections":227,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":79},289317,"francesco-allegrini-unidentified-scene-figures-in-a-landscape-yi-ming-289317","Francesco Allegrini--Unidentified Scene Figures in a Landscape","以淡褐晕染铺就朦胧底色，狂放写意的线条将郊野乱斗的张力拉扯到极致。前景人物肢体夸张扭曲，或俯身蓄势，或振臂嘶吼，粗粝的笔触裹挟着原始野性与躁动，精准捕捉动作里迸发的情绪。远景人群与林木晕染成模糊块面，虚化的背景将视线牢牢锁在前景冲突之上，留白烘托出紧绷的临场感。没有精雕细琢的刻画，潦草的线条却让郊野争执充满真实的戏剧张力，仿佛能听见呼喝与缠斗的声响，将混乱瞬间定格为永恒的动态诗篇，尽显速写独有的随性表现力。",[222,151,7,223,224,225,71],"人物画","群像","淡墨","动态人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F27f2f4e098796cb5ff563644e68829a9.jpg",[],1,{"id":230,"slug":231,"title":232,"dynasty":18,"author":147,"museum":20,"description":233,"tags":234,"thumbUrl":238,"material":35,"size":36,"collection":116,"collections":239,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":40},289284,"perugino-landscape-recto-landscape-verso-yi-ming-289284","Perugino--Landscape (recto); Landscape (verso)","以灰调铺底，借白色提亮晕染出河谷晨景。前景水面凝敛，几处碎白点染粼粼波光，将郊野的湿润静谧晕开。坡地密林随山势铺展，白色扫过树冠，晕出枝叶蓬松柔润的质感，蜿蜒亮带如溪涧穿林而过，隐入深黛坡峦。\n整体笔触松弛朦胧，以极简明暗勾勒层次，将山野的幽寂闲和尽数藏进朦胧雾色中，仿佛能嗅见林间湿润的草木气息，静穆里带着自然鲜活的呼吸感，把郊野清晨的恬淡诗意揉进了温柔的灰调里。",[7,235,29,236,136,237,108],"山林","山坡","淡彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffda9e54c1922edf852e0b4b2535ccea9.jpg",[],{"id":241,"slug":242,"title":243,"dynasty":18,"author":147,"museum":20,"description":244,"tags":245,"thumbUrl":247,"material":35,"size":36,"collection":116,"collections":248,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":79},289281,"philip-van-den-bossche-rugged-wooded-river-landscape-yi-ming-289281","Philip van den Bossche--Rugged Wooded River Landscape","近景苍劲古木虬曲扎根崖石，三位行人衣袂飘然，驻足低语间衬出林野幽寂。画师以疏密错落的排线铺陈光影，复刻出林木的婆娑层次与山石的粗糙肌理。\n\n中景崖岸蜿蜒衔接着河谷村落，屋舍隐桥错落嵌入氤氲山霭，将深林的荒疏与村居的烟火柔和衔接。淡笔留白晕染出空濛的郊野雾气，让山野层次愈发悠远。\n\n笔致简淡却层次丰盈，将北方乡野的清旷朴拙尽数藏于线条褶皱里，仿佛能让人踏入这幅画，静享漫游林麓的悠然隐逸之趣。",[108,193,112,235,246,114,96,28,182,7],"古树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff910edd277d9b45df0dad6f89d46302f.jpg",[],{"id":250,"slug":251,"title":252,"dynasty":18,"author":147,"museum":20,"description":253,"tags":254,"thumbUrl":259,"material":35,"size":36,"collection":116,"collections":260,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":79},289280,"philips-koninck-river-landscape-with-a-man-standing-yi-ming-289280","Philips Koninck--River Landscape with a Man Standing","这幅风景画作以松弛晕染的笔触，铺陈出河畔乡野的日常图景。前景里临水搭建的糙顶棚屋静立浅岸，渔人垂身站在泊船边，身影凝定，将河畔的闲散氛围晕开。棕褐的泥岸蔓延向远方，水面映着天色漾开灰柔波纹，朦胧的林木错落分布，远处的村舍隐在轻雾般的色调里，消融在淡灰的天际下。\n\n整体色调沉柔质朴，泥土的暖棕与水色的冷灰相映，带着湿润的乡野气息，把郊野清晨或薄暮的慵懒静谧尽数封存，将平淡日常晕染出悠远的诗意，仿佛能听见河畔的风掠过林梢，漫着松弛治愈的乡野烟火气。",[24,7,28,255,256,29,96,257,258],"小船","民居","乡村","阴天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6c42e73892391f4d69050503328aa94.jpg",[],{"id":262,"slug":263,"title":264,"dynasty":18,"author":147,"museum":20,"description":265,"tags":266,"thumbUrl":271,"material":35,"size":36,"collection":116,"collections":272,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":79},289273,"pierre-le-lu-the-church-of-sao-martinho-in-sintra-portugal-yi-ming-289273","Pierre Lélu--The Church of Sao Martinho in Sintra, Portugal","淡墨晕染出氤氲的乡野潮气，近景乡间小径上，农妇携幼缓步而行，将烟火气揉进山风里。中景植被错落交织，枝桠舒展的意趣被细腻线条一一铺陈，朦胧灰度晕开山野的鲜活生机。\n\n山坡高处的教堂静立林间，硬朗的建筑线条被柔化在繁茂绿意中，庄重古朴的形制与周遭的松弛生机相融。松弛的笔触定格下山城的悠然日常，将古寺肃穆与乡野温情温柔缝合，仿佛能听见山风掠过树梢的轻响，把这方天地的宁静恬淡封存在纸面之上。",[108,237,7,267,268,29,96,136,269,270],"宗教建筑","教堂","郊外","犬","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F782ec6ad079224300215ea2d66f2fe4e.jpg",[],{"id":274,"slug":275,"title":276,"dynasty":18,"author":147,"museum":20,"description":277,"tags":278,"thumbUrl":283,"material":35,"size":36,"collection":116,"collections":284,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":79},289270,"pietro-jacopo-palmieri-trompe-l-oeil-exercise-prints-on-a-table-top-yi-ming-289270","Pietro Jacopo Palmieri--Trompe-l'Oeil Exercise Prints on a Table Top","这是一幅巧思盎然的错视佳作，将凌乱堆叠的速写稿铺陈于桌面之上，虚实交融模糊了画内画外的边界。\n小幅速写各有乾坤：戴羽饰的异域男子神情桀骜，鞍马奔踏带着旷野的风，旅人彳亍、水乡小镇晕开静谧烟火，每一页都封存着鲜活的采风日常。\n画稿看似随意摊放，带着刚被翻阅搁置的松弛感，仿佛能窥见画师方才辍笔的模样，将零散的灵感碎片定格成充满生活温度的创作一隅，尽显古典手绘的精妙意趣。",[108,151,279,96,208,280,281,184,7,282],"错视画","建筑","纸本","市井场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffcb75bb43ce9bc25a1738131ad9e5540.jpg",[],{"id":286,"slug":287,"title":288,"dynasty":18,"author":147,"museum":20,"description":289,"tags":290,"thumbUrl":295,"material":35,"size":36,"collection":116,"collections":296,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":79},289238,"rembrandt-cottage-among-trees-yi-ming-289238","Rembrandt--Cottage among Trees","灵动松弛的线条铺陈出悠然乡野意趣，高大林木环拥着茅草小屋。苍劲枝干与蓬松叶丛形成疏密对比，线条浓淡晕染出林木的深浅层次，将郊野植被的蓬勃生机藏在笔锋起落间。蜿蜒土路漫向屋前，木栅栏随性散落，带着未经修饰的朴拙质感。\n\n全画未施繁复色彩，仅以利落速写笔触勾勒光影氛围，留白处任由乡野的静谧漫溢，将郊野日常的慵懒松弛定格在纸面。随性自然的笔触带着鲜活张力，把平凡乡居的清宁诗意娓娓道来，尽显速写捕捉刹那氛围感的动人魅力。",[108,7,257,291,29,292,293,294],"小屋","栅栏","土路","田园","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1674e477343fb08cadf003de8f85ddaf.jpg",[],{"id":298,"slug":299,"title":300,"dynasty":18,"author":147,"museum":20,"description":301,"tags":302,"thumbUrl":308,"material":35,"size":36,"collection":116,"collections":309,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":79},289039,"louis-chaix-the-so-called-stables-of-maecenas-at-tivoli-yi-ming-289039","Louis Chaix--The So-Called Stables of Maecenas at Tivoli","以细密排线铺陈出幽邃的洞窟残迹，风化的拱券刻满时光剥蚀的纹路，荒弃木架攀附壁间晕开颓败古意。叠瀑从洞窟深处奔涌而下，分阶砸向深谷，水流的柔润和石质粗粝形成强烈对冲，明暗排布让水汽仿佛顺着纸面漫溢而出。\n\n边角野木虬枝肆意滋长，将人工造物彻底揉入山野荒境，将荒废古迹与自然生息缠织一处。沉郁苍劲的氛围里，既写尽古建残败的寂寥，又借飞瀑生机打破死寂，苍凉与鲜活在画面共生，勾勒出时间冲刷下人文与自然交融的沉静图景。",[7,303,108,304,305,306,114,139,307],"版画","山洞","瀑布","溪流","建筑遗迹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe18162a71e43b6092490550f46361d04.jpg",[],{"id":311,"slug":312,"title":313,"dynasty":18,"author":147,"museum":20,"description":314,"tags":315,"thumbUrl":321,"material":35,"size":36,"collection":116,"collections":322,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":79},289038,"louis-chaix-trofei-di-mario-rome-yi-ming-289038","Louis Chaix--Trofei di Mario, Rome","以蚀刻线条铺展残墟图景，半截塔楼斜刺入流云，砖石肌理被时光啃噬出皴裂缺口，藤蔓虬曲攀附断壁，将建筑残骸晕染上野趣生机。\n\n前景旅人围坐小憩，鲜活的身影破开荒颓的死寂，让古旧残墟与人间烟火温柔相融。作者以利落排线刻画出坍塌砖石的粗糙质感，用明暗层次晕开天际流云的慵懒，把岁月摧折后的怅惘，与自然悄然复生的生机揉为一处，将罗马遗迹的沉郁诗意娓娓铺陈纸面。",[108,303,316,317,318,29,96,319,7,320],"西洋画","废墟","古建筑","乐器","荒寂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1a9a9d397df6a2607563ad989ec07d8.jpg",[],{"id":324,"slug":325,"title":326,"dynasty":18,"author":147,"museum":20,"description":327,"tags":328,"thumbUrl":330,"material":35,"size":36,"collection":116,"collections":331,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":79},288826,"paula-modersohn-becker-seven-trees-yi-ming-288826","Paula Modersohn-Becker--Seven Trees","以松弛随性的炭笔线条捕捉郊野林间的生机。高挑主树以交错粗犷的排线堆叠出树冠，未作具象叶片描摹，仅以明暗块面传递枝叶蓬松质感。旁侧六株矮树错落排布，弯曲枝干带着舒展弧度，寥寥数笔便勾勒出叶片摇曳的柔姿。\n艺术家抛却精细写实的桎梏，用充满韵律的简练线条勾勒轮廓，短促排线铺陈地面起伏，将郊野晚风里林梢轻晃的松弛氛围浓缩在画面之中，以即兴随性的速写语言，把自然生机以质朴直白的方式定格，留存下独属于写生瞬间的鲜活灵动。",[108,151,29,7,329],"简笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0fe1b93cbf3800ed298a41994a844c95.jpg",[],{"id":333,"slug":334,"title":335,"dynasty":18,"author":147,"museum":20,"description":336,"tags":337,"thumbUrl":340,"material":35,"size":36,"collection":116,"collections":341,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":79},288775,"richard-wilson-house-of-pompey-at-albano-yi-ming-288775","Richard Wilson--House of Pompey at Albano","这幅速写以浅淡素描糅合晕染淡彩，以沉静灰调铺底，晕染出山城聚落的沧桑柔缓。房屋顺着缓坡错落铺陈，细腻排线勾勒出石墙的残破肌理，朦胧柔光漫过檐角与断壁，似是薄暮时分的朦胧天色晕开了边界。\n\n作者以克制笔触将荒颓古迹与寻常民居织为一处，没有浓烈着色，仅靠明暗层次沉淀岁月厚重，松弛的纪实感揉进每一处笔痕里，将地中海山城的慵懒沉静凝为永恒，引着观者沉进这方流淌缓慢的旧时光中。",[108,7,256,338,236,317,339],"残垣","写生","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61cf1a4f7e3fde3fce74f1dd0a034f5a.jpg",[],{"id":343,"slug":344,"title":345,"dynasty":18,"author":346,"museum":20,"description":347,"tags":348,"thumbUrl":354,"material":35,"size":36,"collection":116,"collections":355,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":40},232431,"he-er-bai-yin-90-he-er-bai-yin-232431","荷尔拜因90","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[193,108,96,349,350,166,351,280,7,352,353],"盔甲","盾牌","装饰纹样","武器","古典服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff65212f104130616ff5b6f4e9f815d6b.jpg",[],{"id":357,"slug":358,"title":359,"dynasty":18,"author":205,"museum":20,"description":206,"tags":360,"thumbUrl":365,"material":35,"size":36,"collection":116,"collections":366,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":40},232115,"landscape-with-hills-museum-of-fine-arts-usa-de-jia-232115","Landscape with Hills - - Museum of Fine Arts 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