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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[44,26,7,45,46],"玉石","异兽","清代",[],"795548",{"id":50,"slug":51,"title":52,"dynasty":53,"author":19,"museum":20,"description":54,"tags":55,"thumbUrl":60,"material":31,"size":32,"collection":33,"collections":61,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":62},261941,"qing-you-feng-shou-hu-yi-ming-261941","青釉凤首壶","晋","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[56,57,7,58,29,59],"陶瓷","青釉","壶","器具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f907f50573b5fd6e240e4065727475f.jpg",[],"37474F",{"id":64,"slug":65,"title":66,"dynasty":53,"author":19,"museum":20,"description":54,"tags":67,"thumbUrl":70,"material":31,"size":32,"collection":33,"collections":71,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},261538,"qing-you-feng-shou-shuang-xi-zun-yi-ming-261538","青釉凤首双系尊",[56,68,57,7,69],"器","双系","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb0b56598115d96df81d62150ae145c9.jpg",[],{"id":73,"slug":74,"title":75,"dynasty":41,"author":19,"museum":20,"description":76,"tags":77,"thumbUrl":82,"material":31,"size":32,"collection":33,"collections":83,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":62},251923,"hong-ma-nao-fu-diao-pan-chi-wen-feng-shou-gong-yi-ming-251923","红玛瑙浮雕蟠螭纹凤首觥","此件器物取色匀净的红玛瑙琢就，浓红莹润，凝腻如脂。以凤首为执柄，神目圆睁，翎丝纤毫毕现，尽显瑞鸟威仪。杯身随玉料走势赋形，凤尾翻卷包裹器身，浮雕蟠螭攀附其上，身姿灵动矫健，利爪遒劲有力，与凤纹呼应成趣。\n\n器型刚柔相济，利落棱角衬出挺拔风骨，柔婉杯沿又添温润雅致。下配海浪纹底座，暗合瑞兽游弋江海的祥瑞意境，将玉石天然之美与匠人的精妙雕工融为一体，古意盎然，尽显清代玉雕的巧思匠心。",[44,78,26,79,7,29,80,81],"浮雕","蟠螭纹","兽","凤","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff624f3f9168c03e0e0fa11a148eddfba.jpg",[],{"id":85,"slug":86,"title":87,"dynasty":18,"author":19,"museum":20,"description":88,"tags":89,"thumbUrl":92,"material":31,"size":32,"collection":33,"collections":93,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":62},243192,"cuo-jin-feng-shou-he-yi-ming-243192","错金凤首盉","凤首为流，昂首曲颈，神韵灵动欲飞。镂空缠枝提梁蜿蜒回转，似有春意缠绕其上。器身错金饰卷草异兽纹，金辉浮于古铜底色之上，明暗交错间尽显华贵雅致。盖顶小人踞坐，恍若正待抬手启盖倾酒，为古雅器型添几分鲜活意趣。下承三兽足，昂首托举器身，沉稳威严。整器将灵动巧思与厚重古雅相融，错金工艺细腻精妙，尽显旧时金属细作的匠心审美。",[90,24,7,91,68,18],"错金","礼器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1f188f5cbe7d5563b547ba92ad91e7f.jpg",[],1777535750172]