[{"data":1,"prerenderedAt":342},["ShallowReactive",2],{"subject-fo-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},13507,"fo-jing","佛经","佛经画高清赏析","精选中国历代佛经题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8459b200ae1cd1af2bcc32381f0218cf.jpg",0,36,[14,36,51,61,73,82,91,99,117,127,135,144,156,164,173,182,190,198,206,214,222,230,237,245,253,263,271,278,285,292,299,306,313,321,328,335],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},287429,"hua-yan-jing-ce-zhang-ji-zhi-287429","华严经册","宋","张即之","藏地不详","张即之（1186—1263年），宋代书法家，字温夫，号樗寮，历阳（今安徽和县）人。生于名门显宦家庭，为参知政事张孝伯之子，爱国词人张孝祥之侄，系中唐著名诗人张籍的八世孙。历官监平江府粮科院、将作监薄、司农寺丞。特授太子太傅、直秘阁致仕。",[23,24,25,26,27,7,28],"楷书","书法","写经","册","宗教","华严经","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fbe59a939e447929875e1c4eeefffe4.jpg","未知","Xcm*Xcm","",[],16,"BDBDBD",{"id":37,"slug":38,"title":39,"dynasty":40,"author":41,"museum":20,"description":42,"tags":43,"thumbUrl":48,"material":30,"size":31,"collection":32,"collections":49,"showCount":50,"zanCount":11,"manualWeight":11,"mainColor":35},290657,"liang-chao-fu-da-shi-song-jin-gang-jing-xu-shou-gao-yi-ming-290657","梁朝傅大士颂金刚经序手稿","不详","佚名","此卷小楷写经笔致清劲秀雅，通篇排布齐整匀净，长卷气脉贯通始终。笔墨带着六朝写经特有的朴拙温润，每字端稳舒展，点画凝练含蓄，尽显抄经时的恭敬静定。将经文禅理融于笔墨章法之中，平淡里见出隽永意韵，朴素间深藏沉静风神。\n\n全篇千字始终不失端严法度，墨色匀净一致，可见抄经之人落笔时的专注澄澈，把对经文的虔诚全然倾注在笔锋起落之间，是写经书法中兼具艺术审美与宗教意趣的佳品，尽显古代写经书法的独特韵味与虔敬心力。",[24,23,44,25,45,7,46,47],"长卷","佛教","金刚经","典籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c665d4a9caf3f23b324f14fe5f20b8a.jpg",[],9,{"id":52,"slug":53,"title":54,"dynasty":40,"author":41,"museum":20,"description":55,"tags":56,"thumbUrl":57,"material":30,"size":31,"collection":32,"collections":58,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":60},290712,"miao-fa-lian-hua-jing-juan-di-wu-shou-gao-yi-ming-290712","妙法莲华经卷第五手稿","这卷写经以小楷书就，墨色沉凝古雅，通篇布局匀整森严，字距行距齐整如一。历经岁月，纸面泛黄带着斑驳痕迹，更添古拙沉静的厚重质感。\n\n每一字皆端秀清雅，起收顿挫皆合唐人写经典型法度，笔笔到位，气韵连贯，可见抄经人落笔时的恭谨心境。将宗教书写的肃穆，与书法的美学意蕴融为一体，笔墨之间藏着虔诚匠心，尽显大乘经典抄写时的庄严气韵，带着千年时光沉淀下的沉静禅意，是写经书法中的雅致之作。",[24,25,23,44,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e743defc0a20f097a9bc5e0bb5d6200.jpg",[],8,"795548",{"id":62,"slug":63,"title":64,"dynasty":65,"author":41,"museum":20,"description":66,"tags":67,"thumbUrl":69,"material":30,"size":31,"collection":32,"collections":70,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":72},288127,"shi-xuan-zang-yi-da-zang-jing-da-bo-re-bo-luo-mi-duo-jing-juan-di-san-bai-wu-shi-ba-chu-fen-duo-wen-bu-er-pin-di-liu-shi-yi-zhi-ba-yi-ming-288127","釋玄奘譯 大藏經 大般若波羅蜜多經卷第三百五十八初分多問不二品第六十一之八","唐","此卷小楷写经笔墨精劲凝练，结体端稳匀整，尽显唐楷尚法的严谨风貌。抄经者笔不苟作，点画排布匀停温润，无刻板匠气，静定恭谨的写经心境藏于每一处笔锋回转之中。\n\n岁月剥蚀让卷面边缘化作焦褐残缺的剪影，却更衬出墨色历经千年依旧沉润饱满。残卷未掩风华，一字一句间凝聚着笃诚的信仰之力，将唐人写经的典范特质尽数彰显，沧桑纸色与沉静笔墨交织，晕开跨越千年的肃穆虔诚。",[68,24,25,23,44,47,45,7],"书画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a7acf5d91d7a3109ebca64d56274e6f.jpg",[],4,"F48FB1",{"id":74,"slug":75,"title":76,"dynasty":40,"author":41,"museum":77,"description":78,"tags":79,"thumbUrl":80,"material":30,"size":31,"collection":32,"collections":81,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":35},287626,"fu-shuo-fu-ming-jing-juan-di-shi-shou-gao-yi-ming-287626","佛說佛名經卷第十手稿","大英博物馆","卷面泛着沉郁的米黄旧色，墨色匀净凝练，小楷如星子列阵排布，字字端秀温润，笔力内敛沉稳。写经体自带的肃穆法度，糅合着手写的朴拙温度，整卷一气呵成，笔墨间尽显抄经时的恭谨静定。\n\n边角细微的破损，晕开的墨迹晕染出岁月沉淀的厚重质感，经文排布齐整却不显板滞，笔势暗含平和恭敬，将宗教典籍的庄严肃穆藏进每一处笔墨细节里，既保留了写经书法的典雅规整，也留存着时光摩挲过的古朴韵味，是兼具宗教价值与书法审美价值的古雅珍品。",[25,23,24,44,45,27,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0e6e91a6f0beb93ec57692eec187410.jpg",[],{"id":83,"slug":84,"title":85,"dynasty":65,"author":41,"museum":20,"description":86,"tags":87,"thumbUrl":88,"material":30,"size":31,"collection":32,"collections":89,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":60},288125,"shi-xuan-zang-yi-fen-bie-yuan-qi-chu-sheng-fa-men-jing-juan-shang-yi-ming-288125","釋玄奘譯 分別縁起初勝法門經卷上","此卷写经纸色沉润泛黄，墨色乌黑匀净，尽显岁月沉淀的静穆质感。通篇楷书结体端秀挺拔，笔画腴润舒展，兼具北碑的朴拙与唐楷的整饬。\n\n笔势间气韵贯通，字字排布齐整肃穆，契合释典的沉静庄严。书写者以恭敬之心落墨，起收笔暗含法度，提转顿挫皆见从容，将对经文的体悟融于笔端，既不失写经的规整制式，又在细微处流露灵动意趣。\n\n卷中字迹历经千年仍清晰醒目，纸墨精良，是唐代民间写经的典型佳构，尽显中古写经书法的温润风神与虔敬底蕴，传递出大唐佛教文化浸润下的书写美学。",[44,24,25,23,7,45,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bf64bcb92bf08a7c091f20b2a4f79f1.jpg",[],3,{"id":92,"slug":93,"title":94,"dynasty":40,"author":41,"museum":77,"description":95,"tags":96,"thumbUrl":97,"material":30,"size":31,"collection":32,"collections":98,"showCount":90,"zanCount":11,"manualWeight":11,"mainColor":35},287616,"fu-shuo-wu-liang-shou-zong-yao-jing-shou-gao-yi-ming-287616","佛說無量壽宗要經手稿","这卷写经以小楷书就，用笔清劲秀雅，结体端稳匀整，朱丝界栏排布齐整，通篇字距紧凑却不失疏朗通透。墨色匀净沉润，历经岁月纸面晕染出旧时光的微黄，更添古雅沉静。\n书写者以恭谨之心落墨，笔锋提按间带着内敛的虔诚，字字清净平和，将宗教的肃穆融于笔墨筋骨之间，气韵空灵沉静。兼具抄经的实用性与书法审美价值，是信仰与传统书法艺术融合的动人典范。",[44,24,23,25,45,27,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb6f9e14fb3fa199d4ff9f7b1af31445.jpg",[],{"id":100,"slug":101,"title":102,"dynasty":40,"author":41,"museum":20,"description":103,"tags":104,"thumbUrl":114,"material":30,"size":31,"collection":32,"collections":115,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":60},290707,"fu-shuo-yan-luo-wang-shou-ji-si-zhong-yu-xiu-sheng-qi-wang-sheng-jing-tu-jing-shou-gao-yi-ming-290707","佛说阎罗王授记四众预修生七往生净土经手稿","此作为写经与彩绘合璧的珍品，经文书法朴拙厚重，笔意带着写经者的虔诚肃穆，墨色沉凝安稳，尽显中古写经的典型风貌。\n\n彩绘部分章法分明，佛尊造像面相圆融端雅，衣纹舒展流畅，气韵沉静庄严；供养人像衣冠古雅写实，带着鲜活的世俗人文气息。\n\n泛黄纸色晕开经年沉淀的厚重感，朱红、石青的古旧配色愈发古朴沉静，图文排布疏密得当，将宗教的肃穆性与世俗意趣交织一处，晕开浓郁的信仰温度，是宗教美术与写经艺术融合的上乘之作。",[44,105,25,24,27,45,106,107,108,109,110,111,112,7,113],"国画","设色","彩绘","人物","佛","菩萨","阎罗王","敦煌","经卷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F289568264595735d6da590ac40d0c17d.jpg",[],2,{"id":118,"slug":119,"title":120,"dynasty":65,"author":41,"museum":20,"description":121,"tags":122,"thumbUrl":125,"material":30,"size":31,"collection":32,"collections":126,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":35},288128,"shi-xuan-zang-yi-da-zang-jing-a-pi-da-mo-ju-she-lun-fen-bie-sui-min-pin-di-wu-zhi-er-yi-ming-288128","釋玄奘譯 大藏經 阿毗達磨俱舍論 分別随民品第五之二","此卷写经书法是唐代写经体的典型范式，笔画匀净秀雅，结体端庄舒展，墨色沉静莹润。抄经人以恭谨心境落墨，笔笔平和端严，尽显写经的法度与冲淡禅意。虽历经岁月，卷身有多处虫蛀残破，却更添古旧沧桑，带着千余年时光的厚重质感。作为译抄佛典的遗存，笔墨间藏着彼时的宗教文化意趣，是书法艺术与佛教文化交融的珍贵实物，静静诉说着过往的虔敬与雅致。",[24,25,23,44,27,47,7,123,124],"大藏经","阿毗達磨俱舍論","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a6293c77ab7bf83e0082a486ec44000.jpg",[],{"id":128,"slug":129,"title":130,"dynasty":40,"author":41,"museum":20,"description":131,"tags":132,"thumbUrl":133,"material":30,"size":31,"collection":32,"collections":134,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":60},287839,"tang-miao-fa-lian-hua-jing-juan-di-liu-yi-ming-287839","唐 妙法莲华经卷第六","此卷小楷笔致精匀端秀，墨色沉静古雅，通篇排布严整茂密，尽显写经书法的肃穆法度。字字清隽朴拙，笔意温润绵长，既恪守写经的规整范式，又带着内敛的笔墨意趣。将经文的慈悲奥义融于毫端，行笔间带着虔诚的禅心，通篇气息浑融统一，带着中古写本特有的厚重质感，静静铺展着跨越岁月的沉静禅意，尽显盛世写经的典型风貌。",[24,25,23,44,27,45,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81f27e56443abfed56f5dd530321b580.jpg",[],{"id":136,"slug":137,"title":138,"dynasty":40,"author":41,"museum":77,"description":139,"tags":140,"thumbUrl":142,"material":30,"size":31,"collection":32,"collections":143,"showCount":116,"zanCount":11,"manualWeight":11,"mainColor":35},287622,"jin-gang-bo-re-bo-luo-mi-jing-shou-gao-yi-ming-287622","金剛般若波羅密經手稿","此卷小楷写经用笔精严端秀，结体匀整安定，是典型的写经书法风貌。通篇气息沉静肃穆，笔墨温润质朴，不见丝毫潦草懈怠，足见抄经者的恭敬虔诚。\n\n点画凝练沉稳，带着唐楷的端严法度，又自带写经特有的静定气韵，将对经文的虔敬融于每一处笔墨细节。长卷铺展，字字排布齐整，般若经的空寂禅思与笔墨的沉静内敛相互契合，观者凝视之间，便能感知抄经时的平和心力。历经岁月洗练，墨色依旧沉厚匀净，古雅的书卷气息扑面而来，尽显写经书法清雅肃穆之美，是兼具宗教意涵与书法审美价值的佳品。",[44,23,24,25,27,7,141],"佛教经典","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab52866f1081b2f75b0ad4a50034ecdc.jpg",[],{"id":145,"slug":146,"title":147,"dynasty":40,"author":41,"museum":20,"description":148,"tags":149,"thumbUrl":153,"material":30,"size":31,"collection":32,"collections":154,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":60},290699,"da-cheng-wu-liang-shou-jing-juan-shou-gao-xia-juan-yi-ming-290699","大乘无量寿经卷手稿下卷","这是一件充满烟火气的写绘草稿，以粗粝麻纸为底，焦墨随性勾勒涂写。经文书写与即兴涂鸦交织，文字潦草朴拙，重复的字里藏着抄经时的倦怠走神。随手勾勒的人物、屋舍线条稚拙松弛，是抄经人信手的闲笔，带着未经雕琢的鲜活野趣。\n\n纸面斑驳泛黄，墨色沉郁晕散，带着岁月氧化的痕迹，没有精致佛绘的肃穆规整，只有民间抄经者最真实的日常状态，将信仰融入庸常，藏着千年前普通人与经文相伴的松弛瞬间。",[25,24,150,44,68,151,45,7,152,108],"手稿","白描","宗教画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30bee55c4790b15aa5fc32c46b52f61c.jpg",[],1,{"id":157,"slug":158,"title":159,"dynasty":40,"author":41,"museum":20,"description":160,"tags":161,"thumbUrl":162,"material":30,"size":31,"collection":32,"collections":163,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":60},290696,"da-bo-re-bo-luo-mi-duo-jing-juan-di-wu-bai-liu-shi-san-shou-gao-yi-ming-290696","大般若波罗蜜多经卷第五百六十三手稿","此卷小楷清劲秀雅，起转收笔沉稳利落，点画排布匀整端严，通篇行气贯通，字字隽秀温润。写经人以恭谨之心落墨，将对般若经义的敬畏藏进笔锋起落里，笔墨间晕染着沉静禅意。\n\n纸面虽经岁月泛黄发脆，墨色偶有浅淡晕散，却更添沉厚古拙的时光质感，让这件古写本既有传载经文的厚重价值，亦携带着旧时写经书法的审美意趣，尽显古写卷独有的隽永韵味。",[44,150,24,25,23,27,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9944bbfb79bcaacc592eca4ab595e2f1.jpg",[],{"id":165,"slug":166,"title":167,"dynasty":40,"author":41,"museum":20,"description":168,"tags":169,"thumbUrl":171,"material":30,"size":31,"collection":32,"collections":172,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":60},290673,"da-cheng-mi-yan-jing-juan-shang-shou-gao-yi-ming-290673","大乘密严经卷上手稿","泛黄素纸被时光晕浸出深浅不一的水痕，似烟霭流转的淡墨云山，又如旧年案头遗落的茶渍。褪去了经文笔墨，只余下岁月镌刻的肌理，每一处晕染都是时光私藏的印记。错落的渍痕顺着纸纹漫开，将被搁置的旧时光凝在纸页间，带着被光阴摩挲后的温润古意，静静诉说着被风尘浸洇的过往，把漫长岁月里的沉静与斑驳，都封存在这一纸旧物之中。",[44,27,25,24,150,7,170],"纸本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F641d0ec7a3fba60d5c179ccd30c2642a.jpg",[],{"id":174,"slug":175,"title":176,"dynasty":40,"author":41,"museum":20,"description":177,"tags":178,"thumbUrl":180,"material":30,"size":31,"collection":32,"collections":181,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":60},290666,"da-bo-re-bo-luo-mi-jing-juan-di-si-bai-ba-shi-liu-shou-gao-yi-ming-290666","大般若波罗蜜经卷第四百八十六手稿","此卷小楷写经用笔清劲圆融，点画匀整精停，起收转折暗含法度，平正之中暗藏细微欹侧，恪守楷则又不失书写的自然意趣。通篇排布齐整，行气舒展贯通，虽为长篇经文，笔致始终安稳沉静，带着抄经时的肃穆禅意。\n\n墨色匀净统一，泛黄古纸衬得字迹温润雅致，尽显抄经者恭谨的书写心态与扎实功底，悠悠古意顺着笔墨流淌，静穆平和的禅意直透纸背，尽显写经典型意韵。",[44,24,25,23,45,7,179,47,27],"经文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2002fa51c4ccbcba1be66968cace3623.jpg",[],{"id":183,"slug":184,"title":185,"dynasty":40,"author":41,"museum":20,"description":186,"tags":187,"thumbUrl":188,"material":30,"size":31,"collection":32,"collections":189,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":35},290661,"da-bo-re-bo-luo-mi-duo-jing-juan-di-wu-yi-ming-290661","大般若波罗密多经卷第五","这卷旧纸晕染着岁月浸黄的温柔肌理，边角纤细的题注藏着它曾被递藏的脉络。留白的长卷虽褪去了经文笔墨，却依旧沉淀着过往肃穆的抄经余韵。素净的纸面带着时光摩挲出的细微褶皱，似还留存着曾被展卷诵读的温度，静静诉说着古籍流转的悠悠岁月，让观者于空白间触摸旧物独有的沉静力量，窥见曾经的虔诚与庄严。",[44,24,25,27,45,7,170,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdd04c0f57dcd4e3cd7b556f87d5fe7f3.jpg",[],{"id":191,"slug":192,"title":193,"dynasty":40,"author":41,"museum":77,"description":194,"tags":195,"thumbUrl":196,"material":30,"size":31,"collection":32,"collections":197,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":35},287629,"miao-fa-lian-hua-jing-juan-di-liu-shou-gao-yi-ming-287629","妙法蓮華經卷第六手稿","此卷写经以淡墨书于泛黄藏经纸之上，笔势匀整秀雅，字字清劲端丽，兼具写经体的森严法度与隽逸气韵。通卷文字排布舒朗齐整，抄写一丝不苟，尽显书写者的恭谨虔诚，是佛教写本中的上乘之作。\n\n笔墨裹挟着千年梵音的沉静力量，将经文义理以笔墨具象化。虽历经岁月晕染，依旧墨色沉稳风骨宛然，静静诉说着中古时期佛教文化传布的虔敬底色，让观者于笔墨间触摸到跨越时空的信仰温度。",[24,25,23,44,27,45,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd8d28d176cb3b49d5a3c2bce911cd9c.jpg",[],{"id":199,"slug":200,"title":201,"dynasty":40,"author":41,"museum":77,"description":202,"tags":203,"thumbUrl":204,"material":30,"size":31,"collection":32,"collections":205,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":60},287628,"da-bo-re-bo-luo-mi-duo-jing-juan-di-qi-shi-san-shou-gao-yi-ming-287628","大般若波羅蜜多經卷第七十三手稿","此卷小楷精雅端严，笔墨匀净沉润，历久弥新。字迹排布齐整却不失灵动，起笔收锋藏露得宜，兼具六朝写经的简古遗韵与唐楷的端整法度。抄经人以虔敬之心落墨，笔势舒展圆融，每一字都带着沉静肃穆的禅意，将经文的幽微义理融于笔底。卷面条幅舒展绵长，墨色乌亮澄澈，字里行间流淌着中古抄经特有的清雅氛围，仿佛能让观者窥见千年前青灯下，抄经人凝神落笔的静谧瞬间，体悟书法与经文合二为一的禅风雅韵。",[24,25,23,44,47,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81ea15b71ea62688481ae5ac85182dc3.jpg",[],{"id":207,"slug":208,"title":209,"dynasty":40,"author":41,"museum":77,"description":210,"tags":211,"thumbUrl":212,"material":30,"size":31,"collection":32,"collections":213,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":35},287625,"miao-fa-lian-hua-jing-juan-di-wu-shou-gao-yi-ming-287625","妙法蓮華經卷第五手稿","此卷小楷写经笔致精秀端雅，点画匀净工稳，结体舒展宽和，尽显恭谨肃穆的书写心境。泛黄纸面上乌丝界格规整，墨色历久莹润，字行排布齐整连贯，通篇笔势沉敛安和，不见懈怠之笔。\n\n它既恪守写经范式的庄严法度，又于细微处暗含书写者的笔底情致，将礼佛的虔诚融于毫端，承载着中古书写美学与信仰的交融，沉静肃穆的书卷气扑面而来，尽显工稳与虔敬的合一之美。",[44,24,23,25,45,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea71583ab411a487583aa903934be51a.jpg",[],{"id":215,"slug":216,"title":217,"dynasty":40,"author":41,"museum":77,"description":218,"tags":219,"thumbUrl":220,"material":30,"size":31,"collection":32,"collections":221,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":60},287618,"jin-guang-ming-zui-sheng-wang-jing-fu-jing-juan-di-er-shou-gao-yi-ming-287618","金光明最勝王經佛經卷第二手稿","这件写经以工整小楷书就，笔墨匀净秀雅，笔势恭谨端严。起收笔含蓄温润，点画排布错落合宜，字字气脉连贯。经纸虽因岁月浸染泛黄，却愈发衬出抄经人沉潜肃穆的书写心境。\n\n书写者以虔敬之心落墨，通篇排布齐整，兼具唐楷的端稳筋骨与抄经特有的内敛柔和，字里行间法度暗藏，禅意自生，将礼佛的至诚融于笔锋起落之间。整卷气息安宁沉静，尽显写经书法中和内敛的独特气质，是兼具宗教价值与书法审美意义的珍品。",[25,24,23,44,47,27,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F784c74b38128f4b67ce2410fd4e36afa.jpg",[],{"id":223,"slug":224,"title":225,"dynasty":40,"author":41,"museum":20,"description":226,"tags":227,"thumbUrl":228,"material":30,"size":31,"collection":32,"collections":229,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":35},287321,"yu-zhu-jin-gang-bo-re-bo-luo-mi-jing-xuan-yan-juan-zhong-shou-gao-yi-ming-287321","御注金剛般若波羅蜜經宣演卷中手稿","此作为典型唐人写经风格小楷，笔致精整匀净，点画饱满端凝，字字排布齐整工稳，通篇行气贯通舒展。起收笔具晋唐写经典型意韵，法度谨严间不失温雅秀润，无一丝潦草懈怠，足见书写时的恭谨至诚。墨色匀净沉润，纸墨交融和谐，将宗教文本的神圣感诉诸笔端，尽显写经书法特有的静谧庄严，是一件古韵醇厚的写经佳作。",[24,44,23,25,27,7,150,47,68],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fece90660d0d732d4e2b9cb8123888051.jpg",[],{"id":231,"slug":232,"title":233,"dynasty":40,"author":41,"museum":20,"description":234,"tags":235,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":236,"showCount":155,"zanCount":11,"manualWeight":11,"mainColor":60},287319,"da-bo-re-bo-luo-mi-duo-jing-juan-di-yi-bai-yi-shi-jiu-shou-gao-yi-ming-287319","大般若波羅蜜多經卷第一百一十九手稿","此卷小楷笔墨稳健内敛，结体端庄匀整，字距行距排布齐整肃穆，尽显写经特有的端雅气韵。墨色苍古沉润，历经岁月纸面泛黄晕染，晕开独属于旧时光的沉静质感。通篇书迹一丝不苟，笔笔精谨，在工整的法度里藏着虔诚的心力，带着沉静祥和的气息，尽显写经书法的中和之美。一笔一划间，将经文的肃穆意蕴融于笔墨筋骨，让信仰的温度凝注在纸端，传递出般若经义的沉静力量，是写经书法里颇具代表性的质朴佳作。",[24,44,25,23,27,7,47,150],[],{"id":238,"slug":239,"title":240,"dynasty":40,"author":41,"museum":20,"description":241,"tags":242,"thumbUrl":243,"material":30,"size":31,"collection":32,"collections":244,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},290119,"dun-huang-yi-shu-412-yi-ming-290119","敦煌遗书412","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[44,24,25,23,112,47,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F886cd89da3b11e266ac91e7146e03a4e.jpg",[],{"id":246,"slug":247,"title":248,"dynasty":40,"author":41,"museum":20,"description":241,"tags":249,"thumbUrl":251,"material":30,"size":31,"collection":32,"collections":252,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},290116,"dun-huang-yi-shu-409-yi-ming-290116","敦煌遗书409",[44,24,25,112,250,27,7,68],"草书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9cc5a6ef9ba7c827efe42584b4589c8b.jpg",[],{"id":254,"slug":255,"title":256,"dynasty":40,"author":41,"museum":20,"description":241,"tags":257,"thumbUrl":261,"material":30,"size":31,"collection":32,"collections":262,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},289857,"dun-huang-yi-shu-373-yi-ming-289857","敦煌遗书373",[112,24,25,44,27,7,258,259,260,250],"手写","古籍","文书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ae794dee1407e815d66d638890cb6ec.jpg",[],{"id":264,"slug":265,"title":266,"dynasty":40,"author":41,"museum":20,"description":241,"tags":267,"thumbUrl":269,"material":30,"size":31,"collection":32,"collections":270,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},289693,"dun-huang-yi-shu-329-yi-ming-289693","敦煌遗书329",[112,25,24,23,45,47,7,268],"孝道","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95e307d79b735c5e7e6b4734a3f93094.jpg",[],{"id":272,"slug":273,"title":274,"dynasty":40,"author":41,"museum":20,"description":241,"tags":275,"thumbUrl":276,"material":30,"size":31,"collection":32,"collections":277,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},289688,"dun-huang-yi-shu-324-yi-ming-289688","敦煌遗书324",[112,25,23,24,27,45,44,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F443c39e8565f685078ccf8f9032a36f9.jpg",[],{"id":279,"slug":280,"title":281,"dynasty":40,"author":41,"museum":20,"description":241,"tags":282,"thumbUrl":283,"material":30,"size":31,"collection":32,"collections":284,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},289678,"dun-huang-yi-shu-314-yi-ming-289678","敦煌遗书314",[44,24,23,25,112,45,7,47,179],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc563ebd0c862646416aca843c868afc8.jpg",[],{"id":286,"slug":287,"title":288,"dynasty":40,"author":41,"museum":20,"description":241,"tags":289,"thumbUrl":290,"material":30,"size":31,"collection":32,"collections":291,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},289673,"dun-huang-yi-shu-309-yi-ming-289673","敦煌遗书309",[112,44,24,23,25,27,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6267d7159dd7a42b934e8ad798db1d87.jpg",[],{"id":293,"slug":294,"title":295,"dynasty":40,"author":41,"museum":20,"description":241,"tags":296,"thumbUrl":297,"material":30,"size":31,"collection":32,"collections":298,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},289668,"dun-huang-yi-shu-304-yi-ming-289668","敦煌遗书304",[112,25,24,23,44,47,45,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb5f8fc280d93ccd17ff873ec09f759e.jpg",[],{"id":300,"slug":301,"title":302,"dynasty":40,"author":41,"museum":20,"description":241,"tags":303,"thumbUrl":304,"material":30,"size":31,"collection":32,"collections":305,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},289615,"dun-huang-yi-shu-264-yi-ming-289615","敦煌遗书264",[23,24,25,112,44,27,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F45684131e42738b825c0d55ea6c389a1.jpg",[],{"id":307,"slug":308,"title":309,"dynasty":40,"author":41,"museum":20,"description":241,"tags":310,"thumbUrl":311,"material":30,"size":31,"collection":32,"collections":312,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},289430,"dun-huang-yi-shu-241-yi-ming-289430","敦煌遗书241",[68,44,24,25,23,45,7,47,112],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48096cd2612e73b793fe6d9da0449eb4.jpg",[],{"id":314,"slug":315,"title":316,"dynasty":40,"author":41,"museum":20,"description":241,"tags":317,"thumbUrl":319,"material":30,"size":31,"collection":32,"collections":320,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},289405,"dun-huang-yi-shu-216-yi-ming-289405","敦煌遗书216",[112,24,25,23,27,7,318,47],"印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef0341807a3313899696d5b9eafa5f97.jpg",[],{"id":322,"slug":323,"title":324,"dynasty":40,"author":41,"museum":20,"description":241,"tags":325,"thumbUrl":326,"material":30,"size":31,"collection":32,"collections":327,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},287802,"dun-huang-yi-shu-165-yi-ming-287802","敦煌遗书165",[112,24,25,23,44,27,7,47],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc542f664f0c7e870b021168ff05fcb7b.jpg",[],{"id":329,"slug":330,"title":331,"dynasty":40,"author":41,"museum":20,"description":241,"tags":332,"thumbUrl":333,"material":30,"size":31,"collection":32,"collections":334,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},287733,"dun-huang-yi-shu-161-yi-ming-287733","敦煌遗书161",[112,25,24,23,27,47,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b475302630f2c58da16fc87f629dd3b.jpg",[],{"id":336,"slug":337,"title":338,"dynasty":40,"author":41,"museum":20,"description":241,"tags":339,"thumbUrl":340,"material":30,"size":31,"collection":32,"collections":341,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":60},287500,"dun-huang-yi-shu-143-yi-ming-287500","敦煌遗书143",[24,25,23,44,45,7,112],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F795a76db5beba6b133ee12099b3d75eb.jpg",[],1777535713009]