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2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[119,98,29,30,31,7,32,120,121],"唐代","力士","造像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2eccdf351e8636b88336bd4657637ab8.jpg","未知","Xcm*Xcm",[],14,{"id":128,"slug":129,"title":130,"dynasty":18,"author":19,"museum":131,"description":132,"tags":133,"thumbUrl":144,"material":145,"size":146,"collection":40,"collections":147,"showCount":148,"zanCount":11,"manualWeight":11,"mainColor":89},223313,"fa-jie-yuan-liu-tu-juan-7-ding-guan-peng-223313","法界源流图卷-7","吉林省博物院","该作品的艺术价值堪与北宋名画《清明上河图》媲美，被誉为世界“佛文化、绘画”艺术颠峰之作，世界无价之宝。\n丁观鹏摹张胜温法界源流图卷，是中国艺术史上的一件瑰宝，规模宏伟，人物众多，用笔十分精细认真，如此长卷在世界的佛教绘画中是罕见的。面对这一人物众多，内容复杂，描绘精良的宏篇巨制，不能不令人信服地赞叹中国传统绘画刚健的生命力。由此引起世界上学术界和观赏者的深切关注，也就是非常自然的事情了。\n该卷中所描绘的形象非常繁多，既有佛界诸宗派的人物形象，也有各种动植物和各种佛具法器，均描绘精细，不仅比例准确，而且神态生动。这些形象的汇集与成功的描绘，不由地使人对该画的作者产生由衷敬佩。虽然他的生平事迹不见任何记载，他这件辉煌作品就足以使他在美术史乃至佛教史上永远放射着巨大的光芒。\n该作品用笔细致非凡，设色浓丽，端庄典雅，是清代画家丁观鹏精心创作杰作之一。",[23,27,29,30,103,134,7,31,135,136,137,138,139,140,141,35,142,143],"菩萨","树木","山石","屏风","服饰","法器","背光","火焰纹","侍从","花卉装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bca15cb25d345e9d926b5f3241d8c95.jpg","纸本，设色","纵33厘米、横1635厘米",[],11,{"id":150,"slug":151,"title":152,"dynasty":18,"author":19,"museum":131,"description":132,"tags":153,"thumbUrl":159,"material":145,"size":146,"collection":40,"collections":160,"showCount":161,"zanCount":11,"manualWeight":11,"mainColor":89},223315,"fa-jie-yuan-liu-tu-juan-9-ding-guan-peng-223315","法界源流图卷-9",[23,84,25,27,29,30,31,103,134,7,154,56,155,156,157,158],"山水","石","飞鸟","鹿","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcddbcbc20c8caa936bf7c1992dcad6c5.jpg",[],10,{"id":163,"slug":164,"title":165,"dynasty":18,"author":50,"museum":95,"description":166,"tags":167,"thumbUrl":170,"material":123,"size":124,"collection":40,"collections":171,"showCount":172,"zanCount":173,"manualWeight":11,"mainColor":64},269052,"shi-qing-di-ji-le-shi-jie-zhi-cheng-jin-tu-zhou-yi-ming-269052","石青地极乐世界织成锦图轴","中央佛陀安坐莲台，法相端严慈悲，十方圣众环侍聆听，衣袂翩跜神态虔敬。层叠殿宇朱金错彩，雕梁画栋尽显精巧工致，下方莲池碧波轻漾，瑞莲绽放、灵禽悠游，漾开清宁禅意。顶部宝光迸发，无量佛影周匝环布，遍洒慈辉笼覆寰宇。\n\n整作绒线纹理细腻入微，石青底色衬得设色浓妍古雅，将织造匠心与佛国美学相融，铺展出西方净土圆满祥和的超然胜境，观之涤荡尘心，尽览天国雍容圣洁之美。",[54,168,30,100,31,7,134,34,169,29],"织锦","极乐世界","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f8e40181caa4de884d1b6740b911ac0.jpg",[],7,1,{"id":175,"slug":176,"title":177,"dynasty":18,"author":19,"museum":131,"description":132,"tags":178,"thumbUrl":185,"material":145,"size":146,"collection":40,"collections":186,"showCount":172,"zanCount":11,"manualWeight":11,"mainColor":89},223312,"fa-jie-yuan-liu-tu-juan-6-ding-guan-peng-223312","法界源流图卷-6",[23,25,83,84,27,29,30,31,179,180,181,73,182,183,35,103,134,7,184,142],"亭","松树","狮子","飞天","宝盖","神兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0a35438080080731a3c195243346db2.jpg",[],{"id":188,"slug":189,"title":190,"dynasty":18,"author":191,"museum":95,"description":192,"tags":193,"thumbUrl":10,"material":196,"size":40,"collection":40,"collections":197,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":89},217196,"fa-jie-yuan-liu-tu-juan-8-li-ming-217196","法界源流图卷-8","黎明","法界源流图卷是清朝时期的一部著名的佛教经典，由清朝时期的著名佛教学者黎明编写。这部经典记录了佛教从其诞生以来，到清朝时期的发展史。\n\n法界源流图卷描述了佛教从其诞生的印度，到传播到中国、日本、朝鲜等国家的过程。它还记录了佛教在不同国家和地区发展的特点，以及佛教对当地文化和宗教的影响。\n\n此外，法界源流图卷还对佛教历史上的著名佛教徒、佛教寺庙和佛教经典进行了介绍，为读者提\n供了全面的佛教史信息。\n\n黎明是清朝时期的著名佛教学者，他编写的法界源流图卷被认为是清朝时期佛教史的权威著作，对于了解佛教历史和文化具有重要的参考价值。",[23,27,29,84,30,31,34,179,182,134,7,194,35,180,73,181,195],"天人","界画","纸本,设色",[],{"id":199,"slug":200,"title":201,"dynasty":18,"author":191,"museum":95,"description":192,"tags":202,"thumbUrl":209,"material":196,"size":40,"collection":40,"collections":210,"showCount":211,"zanCount":11,"manualWeight":11,"mainColor":89},217200,"fa-jie-yuan-liu-tu-juan-1-li-ming-217200","法界源流图卷-1",[23,84,25,29,27,203,100,7,134,204,31,205,206,207,208,34,135],"宗教画","金刚","佛教人物","佛教故事","书法","写经","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85a68d5c4a3387d7a8d906f1e0ce2da8.jpg",[],5,{"id":213,"slug":214,"title":130,"dynasty":18,"author":191,"museum":95,"description":192,"tags":215,"thumbUrl":217,"material":196,"size":40,"collection":40,"collections":218,"showCount":211,"zanCount":11,"manualWeight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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[24,267,30,227,7,268,269,141,270],"玉石","灵芝","莲花座","碧玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9bdc6a2770498b5cf08f3c2308faa40a.jpg",[],{"id":274,"slug":275,"title":276,"dynasty":49,"author":277,"museum":95,"description":278,"tags":279,"thumbUrl":286,"material":123,"size":124,"collection":40,"collections":287,"showCount":260,"zanCount":11,"manualWeight":11,"mainColor":89},239806,"shi-ye-cai-yu-239806","诗页","蔡羽","蔡羽（？～1541），南直隶苏州府吴县（今属江苏）人，明代文学家、书法家、书法理论家，“吴门十才子”之一。字九逵，因居江苏吴县洞庭西山，自号林屋山人，又称左虚子、消夏居士。乡试十四次皆落第，由国子生授南京翰林孔目，好古文，师法先秦、两汉，自视甚高，所作洞庭诸记，欲与柳宗元争胜。善书法，长于楷、行，以秃笔取劲，姿尽骨全。",[207,83,280,281,36,282,283,284,285,7],"行书","水墨","册","松","溪","风","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d6bdda3dd939647568e24e984bb2be8.jpg",[],{"id":289,"slug":290,"title":291,"dynasty":18,"author":50,"museum":95,"description":292,"tags":293,"thumbUrl":296,"material":59,"size":40,"collection":40,"collections":297,"showCount":260,"zanCount":11,"manualWeight":11,"mainColor":44},218115,"fu-hua-luo-han-jiu-zhang-lao-xiang-8-yi-ming-218115","佛画·罗汉九长老像-8","佚名的佛画 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是一幅非常精美的佛教画作，其中所传达出的超凡慈悲和修行成果，对于追求佛道的人来说是一种极大的启发和鼓励。",[23,25,30,29,27,31,103,294,180,136,295,7],"猴","供桌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b406faa7129ceae6e7d0e534b5beee7.jpg",[],{"id":299,"slug":300,"title":301,"dynasty":49,"author":50,"museum":95,"description":302,"tags":303,"thumbUrl":307,"material":123,"size":124,"collection":40,"collections":308,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":44},256133,"mu-diao-fu-zuo-xiang-yi-ming-256133","木雕佛坐像","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[49,304,227,30,31,7,305,269,306],"木质","坐像","荷花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e8c2b3ce3e58bc892571cdc2b3cb1c8.jpg",[],{"id":310,"slug":311,"title":312,"dynasty":238,"author":50,"museum":95,"description":313,"tags":314,"thumbUrl":318,"material":123,"size":124,"collection":40,"collections":319,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":44},255406,"tong-yi-fu-er-pu-sa-li-xiang-yi-ming-255406","铜一佛二菩萨立像","铜锈凝作翠色包浆，晕开千年时光痕迹。尖楣形背光舒展空灵，浅浮雕头光晕染出主尊沉静端雅的仪态，结跏趺坐于束腰莲台之上，衣袂垂落自带温润禅意。两侧胁侍菩萨身姿修长俏立，花叶座灵动柔美，与主尊形成对称章法，柔化了造像的肃穆感。\n整体铸造朴拙简括，以洗练线条勾勒出清俊温婉的独特气质，佛容慈悲内敛，静穆之中带着平和梵韵，将早期佛造像的传神写意之美尽数展现，斑驳铜色里凝住了经久不散的禅意。",[315,316,227,30,31,7,134,317],"铜制","青铜器","隋代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d965e8bdb8bd3729da1d431e29b529f.jpg",[],{"id":321,"slug":322,"title":323,"dynasty":116,"author":50,"museum":95,"description":324,"tags":325,"thumbUrl":333,"material":123,"size":124,"collection":40,"collections":334,"showCount":173,"zanCount":11,"manualWeight":11,"mainColor":64},254694,"shan-ye-ni-fu-pu-sa-xiang-yi-ming-254694","善业泥佛菩萨像","模压而成的泥质造像，以密檐佛塔为中心，塔中各层皆趺坐佛陀，周遭环列结跏趺坐的诸佛与身姿修长的胁侍菩萨，造像皆顶覆头光，排布紧凑饱满。\n\n朴拙泥胎之上，将佛塔崇拜与造像组合相融，虽经岁月侵蚀，线条渐趋漫漶，却依旧能窥见造像的肃穆精工，方寸之间铺陈出净土佛国的万千气象，把虔诚的信仰凝缩在一方泥版之中，尽显造像风尚里的沉静佛韵。",[119,30,326,327,328,7,134,329,330,140,331,332,31],"泥雕","模制","浮雕","坐佛","立像","佛塔","楼阁式塔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5ee6b8523dffdf2279684fde7eeffed.jpg",[],{"id":336,"slug":337,"title":301,"dynasty":18,"author":50,"museum":95,"description":302,"tags":338,"thumbUrl":340,"material":123,"size":124,"collection":40,"collections":341,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},255464,"mu-diao-fu-zuo-xiang-yi-ming-255464",[24,339,227,304,30,31,29,305,7],"木雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4adafac513d67bf94e1c15536075a7c6.jpg",[],{"id":343,"slug":344,"title":345,"dynasty":18,"author":50,"museum":95,"description":346,"tags":347,"thumbUrl":348,"material":123,"size":124,"collection":40,"collections":349,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},251741,"bi-yu-miao-jin-qi-fu-tu-bo-yi-ming-251741","碧玉描金七佛图钵","玉质凝润苍绿，如深潭静水沉稳厚重。描金勾勒佛陀法相，金辉与碧色相映成趣。佛尊面相圆融慈悲，头光朗耀，衣褶婉转流畅，趺坐莲台之上，清净庄严的佛家意韵尽显。描金工艺细致入微，将佛像端穆神态刻画传神，让沉静玉色生出明丽华贵之气。\n\n搭配古朴莲瓣底座，瓣层饱满厚重，与玉钵浑然一体，既衬出器物供佛的尊崇之用，更让整体气质古雅庄重。玉作与髹饰工艺精妙结合，静穆雅致中带着佛家清贵气韵，是兼具礼佛价值与审美价值的工艺佳作。",[267,28,30,7,230],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ca9d99a5e3e7c9a71e579f96c5455ad.jpg",[],1777535717992]